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Monsters in art. --- Sculpture, Romanesque --- Sculpture, European --- Decoration and ornament, Romanesque --- Decoration and ornament, Architectural --- Christian art and symbolism --- Monstres dans l'art --- Sculpture romane --- Sculpture européenne --- Décoration et ornement romans --- Décoration et ornement architecturaux --- Art et symbolisme chrétiens --- Themes, motives. --- Thèmes, motifs --- Sculpture, Medieval --- Monsters in art --- Themes, motives --- History --- Sculpture européenne --- Décoration et ornement romans --- Décoration et ornement architecturaux --- Art et symbolisme chrétiens --- Thèmes, motifs --- Sculpture, Medieval - Themes, motives --- Monsters in art - History

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Kathryn Ambrose offers a new approach to the Woman Question in mid- to late-nineteenth-century English, German and Russian literature. Using a methodological framework based on feminist theory and post-structuralism, she provides a re-vision of canonical texts (such as Jane Eyre , Wuthering Heights , Middlemarch , Effi Briest , Fathers and Children and Anna Karenina ) alongside lesser-known works by Emily and Charlotte Brontë, George Eliot, Theodor Storm, Theodor Fontane, Ivan Turgenev and Leo Tolstoy. Her exploration of the semiotics of barriers – as opposed to the established approach of the semiotics of space – makes for a rewarding reading of this period of literature and establishes new cross-cultural and literary connections between the three countries.

Feminism in literature. --- Women in literature. --- Feminist theory. --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Feminist theory in literature --- Philosophy

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