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A vibrant portrait of one of the most accomplished and prolific American screenwriters, by an award-winning biographer and essayistHe was, according to Pauline Kael, "the greatest American screenwriter." Jean-Luc Godard called him "a genius" who "invented 80 percent of what is used in Hollywood movies today." Besides tossing off dozens of now-classic scripts-including Scarface, Twentieth Century, and Notorious-Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine's Jewish terrorist underground. Whatever the outrage he stirred, this self-declared "child of the century" came to embody much that defined America-especially Jewish America-in his time.Hecht's fame has dimmed with the decades, but Adina Hoffman's vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman-critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics-is uniquely suited to capture him in all his modes.
Screenwriters --- Jewish authors --- Hecht, Ben,
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Television writers --- Screenwriters --- Dramatists, American --- Ball, Alan, --- Screenwriters, Television --- Television screenwriters --- Authors --- Television broadcasting --- Employees
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Follows the life and career of Sally Benson, acclaimed writer of New Yorker fiction and Hollywood screenplays.
Authors, American --- Women screenwriters --- Screenwriters --- Women authors --- Benson, Sally, --- Smith, Sara Mahala Redway,
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In Crooked, but Never Common, Stuart Klawans combines a critic's insight and a fan's enthusiasm to offer deeper ways to think about and enjoy Preston Sturges's work. He provides an in-depth appreciation of all ten of the writer-director's major movies.
Screenwriters --- Comedy films --- History and criticism. --- Sturges, Preston.
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This is the first book-length study on the Anglo-Jewish writer Bernard Kops, who became famous as part of the new wave of British drama with the production of his play The Hamlet of Stepney Green in 1958.
Dramatists, English --- Authors, English --- Screenwriters --- Screen writers --- Authors --- Motion picture authorship --- Kops, Bernard, --- Criticism and interpretation.
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This book, 'Screenwriting from the Inside Out: Think and Write Like a Creative' by Margaret McVeigh, explores the intersection of screenwriting and cognitive psychology to enhance creativity. It offers a comprehensive guide to developing a screenwriter's creative process, integrating theory with practical techniques. The book is tailored for educators, students, and both emerging and experienced screenwriters, providing tools to develop a unique voice in screenwriting. McVeigh, an academic leader in screenwriting, combines her expertise with insights from neuroscience to present strategies for creative thinking and writing. The work emphasizes the importance of personal identity, motivation, and emotional engagement in the creative process, offering a framework for understanding and enhancing one's creative metacognition.
Cognitive psychology --- Neuropathology --- Film --- Recreation. Games. Sports. Corp. expression --- neurologie --- schrijven --- cognitieve psychologie --- Screenwriters. --- Creative writing.
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Creating Television brings television and its creators to life, presenting fascinating in-depth interviews with the creators of American TV. Having interviewed more than 100 television professionals over the course of his 15 years of research, Professor Robert Kubey presents here the 40 conversations that provide the most illuminating insights about the industry and the people working in it. These interviews bring television's creators to life, revealing their backgrounds, work, and thoughts about the audience and the television programs they create. Each interview tells a compelling ta
Television broadcasting --- Television producers and directors --- Television actors and actresses --- Television writers --- Screenwriters, Television --- Television screenwriters --- Authors --- Actors --- Actresses --- Television personalities --- Directors, Television --- Producers, Television --- Television directors and producers --- Employees --- Televisie --- Verenigde Staten --- Geschiedenis --- Televisieprogramma --- Noord-Amerika
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"Dunning was born into the movie business ... and ultimately became Canada's pre-eminent B-movie producer, with a knack for developing young talent ... Dunning ... recounts his rough-and-tumble upbringing in the Montreal suburb of Verdun in the 1930s, his modest start in the film industry behind the candy counter of his family's movie theatre, and later, his ventures into film distribution and production. In the 1960s Dunning, along with financial wizard André Link, founded Cinepix, which eventually merged into the Lionsgate Entertainment film colossus. Specializing in such exploitation genres as raucous comedy, horror films, and groundbreaking Québécois 'maple syrup porn', Cinepix churned out cult classics like Valérie ... and Meatballs ... Driven to succeed in the face of arbitrary censors, parochial Canadian critics, and controlling government funding agencies, Dunning and Link developed a formula for producing controversial, moneymaking movies, and helped launch the careers of luminaries-to-be, such as David Croenenberg, Ivan Reitman and Don Carmody"--Publisher's description.
Motion picture producers and directors --- Screenwriters --- Screen writers --- Authors --- Motion picture authorship --- Dunning, John, --- Cinépix inc.
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"A practical guide to creating the comedy movie, referencing its subgenres, history, and tropes, along with exclusive interviews with craft practitioners"-- "It is often suggested that there are 'secrets' to comedy or that it is 'lightning in a bottle', but the craft of comedy writing can be taught. While comedic tastes change, over time and from person to person, the core underpinning still depends on the comedic geniuses that have paved the way. Great comedy is built upon a strong foundation. In Writing the Comedy Movie, Marc Blake lays out - in an entertainingly readable style - the nuts and bolts of comedy screenwriting. His objective is to clarify the 'rules' of comedy: to contextualize comedy staples such as the double act, slapstick, gross-out, rom com, screwball, satire and parody and to introduce new ones such as the bromance or stoner comedy. He explains the underlying principles of comedy and comedy writing for the screen, along with providing analysis of leading examples of each subgenre."--
Comedy films --- Screenwriters --- Screen writers --- Authors --- Motion picture authorship --- Authorship. --- Performing arts --- Film & Video --- Screenwriting. --- History & Criticism. --- Comedy.
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Guionistas --- Cine. --- Teatro. --- Spanish drama --- Theater. --- Motion pictures. --- History and criticism. --- Screenwriters --- Spain --- Biography --- Motion picture authorship --- Motion picture industry --- 20th century --- Dramatists [Spanish]
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