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"The Programmatic Action Framework (PAF) is the newcomer in the pluralistic set of the theories of the policy process." -Giliberto Capano, Professor of Political Science and Public Policy, University of Bologna, Italy "The book presents empirical cross-country evidence for the PAF's idea that overlapping biographies of policy actors and resulting social identities often drive collective action." -Tanya Heikkila, Professor of Public Affairs, University of Colorado Denver, USA "This work advances knowledge of programmatic actors comparatively." -Michael Howlett, Burnaby Mountain Professor, Simon Fraser University, Canada "Johanna Hornung shows that policy change is irrevocably linked to the programmatic group, framed by two specific institutions - the recruitment processes and career paths of administrative actors." -Sabine Saurugger, Professor of Political Science, Science Po Grenoble, France. This open access book is thefirst monograph to systematically apply the Programmatic Action Framework (PAF) in a comparative analysis of public policy in two institutionally different countries. The PAF seeks to explain long-term policy change by examining the shared biographies of policy actors who, to foster their careers, coalesce around policy programs which they promote throughout the policy process. Comparing health policy-making in France and Germany between 1990 and 2020, the book sheds light on the institutional settings that are necessary for programmatic action to occur. It will appeal to scholars and students of public policy, public administration, and health policy. Johanna Hornung is a Research Associate at the Institute of Comparative Politics and Public Policy, TU Braunschweig, Germany.
Political planning. --- Comparative government. --- Medical policy. --- Public Policy. --- Comparative Politics. --- Health Policy. --- Programmatic action --- Health policy --- Comparative politics --- Public policy --- Social identities --- French health policy --- German health policy
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The Reputational Premium presents a new theory of party identification, the central concept in the study of voting. Challenging the traditional idea that voters identify with a political party out of blind emotional attachment, this pioneering book explains why party identification in contemporary American politics enables voters to make coherent policy choices. Standard approaches to the study of policy-based voting hold that voters choose based on the policy positions of the two candidates competing for their support. This study demonstrates that candidates can get a premium in support from the policy reputations of their parties. In particular, Paul Sniderman and Edward Stiglitz present a theory of how partisans take account of the parties' policy reputations as a function of the competing candidates' policy positions. A central implication of this theory of reputation-centered choices is that party identification gives candidates tremendous latitude in their policy positioning. Paradoxically, it is the party supporters who understand and are in synch with the ideological logic of the American party system who open the door to a polarized politics precisely by making the best-informed choices on offer.
Political parties --- Party affiliation. --- Parties, Political --- Party systems, Political --- Political party systems --- Political science --- Divided government --- Intra-party disagreements (Political parties) --- Political conventions --- Affiliation, Party --- Political affiliation --- Public opinion. --- Membership --- American party system. --- American politics. --- Democrats. --- Republicans. --- candidate positioning. --- democratic experiment. --- democratic politics. --- elected representatives. --- electoral punishment. --- partisans. --- party identification. --- policy conviction. --- policy positions. --- policy preferences. --- policy reputations. --- policy-based voting. --- political competence. --- political landscape. --- political parties. --- political party. --- programmatic partisanship. --- programmatic party identifiers. --- reputational premium. --- spatial reasoning. --- spatial voting. --- supply-side theory. --- voters.
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The musical leitmotif, having reached a point of particular forcefulness in the music of Richard Wagner, has remained a popular compositional device up to the present day. In this book, Matthew Bribitzer-Stull explores the background and development of the leitmotif, from Wagner to the Hollywood adaptations of The Lord of The Rings and the Harry Potter series. Analyzing both concert music and film music, Bribitzer-Stull explains what the leitmotif is and establishes it as the union of two aspects: the thematic and the associative. He goes on to show that Wagner's Ring cycle provides a leitmotivic paradigm, a model from which we can learn to better understand the leitmotif across style periods. Arguing for a renewed interest in the artistic merit of the leitmotif, Bribitzer-Stull reveals how uniting meaning, memory, and emotion in music can lead to a richer listening experience and a better understanding of dramatic music's enduring appeal.
Leitmotif. --- Motion picture music --- Program music. --- Programmatic music --- Music --- Narrative in music --- Leading motif --- Leading motive --- Leitmotiv --- Opera --- History and criticism. --- History and criticism --- Wagner, Richard, --- Opera's --- Filmmuziek --- Leidmotieven --- Musical analysis --- Leitmotiv. --- Film, Musique de --- Musique à programme. --- Analyse musicale --- Motion picture music. --- Filmmusik --- Histoire et critique. --- Operas (Wagner, Richard) --- Bibel
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Few aspects of Berlioz's style are more idiosyncratic than his handling of musical form. This book, the first devoted solely to the topic, explores how his formal strategies are related to the poetic and dramatic sentiments that were his very reason for being. Rodgers draws upon Berlioz's ideas about musical representation and on the ideas that would have influenced him, arguing that the relationship between musical and extra-musical narrative in Berlioz's music is best construed as metaphorical rather than literal - 'intimate' but 'indirect' in Berlioz's words. Focusing on a type of varied-repetitive form that Berlioz used to evoke poetic ideas such as mania, obsession, and meditation, the book shows how, far from disregarding form when pushing the limits of musical evocation, Berlioz harnessed its powers to convey these ideas even more vividly.
Composers --- Music --- Musical form. --- Metaphor. --- Program music. --- Compositeurs --- Musique --- Formes musicales --- Métaphore --- Musique à programme --- Biography --- Philosophy and aesthetics. --- Biographies --- Philosophie et esthétique --- Berlioz, Hector, --- Criticism and interpretation. --- Métaphore --- Musique à programme --- Philosophie et esthétique --- Metaphor --- Musical form --- Program music --- Programmatic music --- Narrative in music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Form, Musical --- Parabole --- Figures of speech --- Reification --- Philosophy and aesthetics --- History and criticism --- Philosophy --- Berlioz, Gektor, --- Berlioz, Khektor, --- Berlioz, Louis Hector, --- Berlioz, H. --- Berlioz, Hector
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Associated through descriptive texts with literature, politics, religion, and other subjects, 'characteristic' symphonies offer an opportunity to study instrumental music as it engages important social and political debates of the eighteenth and early nineteenth centuries. This first full-length study of the genre illuminates the relationship between symphonies and their aesthetic and social contexts by focussing on the musical representation of feeling, human physical movement, and the passage of time. The works discussed include Beethoven's Pastoral and Eroica Symphonies, Haydn's Seven Last Words of our Savior on the Cross, Carl Ditters von Dittersdorf's symphonies on Ovid's Metamorphoses, and orchestral battle reenactments of the Revolutionary and Napoleonic eras. A separate chapter details the aesthetic context within which characteristic symphonies were conceived, as well as their subsequent reception, and a series of appendixes summarises bibliographic information for over 225 relevant examples.
Music --- Program music. --- Symphony --- Philosophy and aesthetics. --- Musique à programme --- Nature in music --- Program music --- Programmamuziek --- Symphonie --- Musique --- Musique à programme --- Philosophie et esthétique --- Beethoven, Ludwig van, --- Haydn, Joseph, --- Dittersdorf, Carl Ditters von, --- Criticism and interpretation. --- Criticism and interpretation --- 18th century --- 19th century --- Philosophy and aesthetics --- Music - 18th century - Philosophy and aesthetics. --- Sinfonietta --- Symphonies --- Symphonietta --- Musical form --- Programmatic music --- Narrative in music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism
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