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University professor Artur Závodský (1912-1972) was a famous personality of Czech theatrology and literary studies of the second half of the 20th century. He wrote monographs devoted to the Moravian writers (Gabriela Preissová, Petr Bezruč, Vojtěch Martínek), analytic studies, and critical reviews connected mostly to Brno theatre performances. In 1963, he re-established the Department of theatrology and film studies at the Faculty of the Arts of the Brno University. In our collection on the honour of prof. Závodský's 100th anniversary, 59 important personalities of the cultural and scientific life (mostly the professors of the Masaryk University, the pedagogues of the Janáček Academy, actors, and directors) reported the stimulating nature of Artur Závodský's work and remembered him as his former students, co-workers, and friends.

Theater critics --- Critics --- Literary critics --- Criticism --- Litterateurs --- Drama critics

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Criticism. --- Critics. --- Literary critics --- Criticism --- Litterateurs --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Technique --- Evaluation

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Esta investigación de Gérald Hirschhorn es parte de su tesis de doctorado sustentada en la Universidad de Lyon (Francia). La presentación consta de varios temas que abarcan la cultura peruana entre los años 1954-1965, época en que Sebastián Salazar Bondy, a su regreso de Buenos Aires (Argentina), destaca en el medio. El mérito del autor reside en estudiar de manera sistemática los diferentes escenarios de la cultura limeña, destacando el rol clave de Sebastián Salazar Bondy como verdadero eslabón cultural. Al mismo tiempo se presentan, por primera vez, unos anexos donde aparece el repertorio exhaustivo de las producciones del autor de «Lima la horrible»: artículos periodísticos, ensayos, poemas, dramas, comedias, novelas y cuentos, sin olvidar sus obras inéditas. La lectura de la obra es básica no sólo para quien se interesa en la cultura de los años cincuenta, sino también para los investigadores que quieran seguir el camino abierto por el autor.

Authors, Peruvian --- Critics --- Salazar Bondy, Sebastián. --- Literary critics --- Criticism --- Litterateurs --- Bondy, Sebastián Salazar --- Salazar Bondy, S. --- art --- littérature --- théâtre --- Pérou --- Sebastián Salazar Bondy

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No mere culmination of the entries in the individual volumes, the index presents a careful re-thinking of each topic to bring out vividly the contours of Frye's thought.

Critics --- Literary critics --- Criticism --- Litterateurs --- Frye, Northrop. --- Frye, Northrop --- Frye, Herman Northrop --- Fulai, Nuosiluopu --- Farāy, Nūrtrūp --- Frai, Nort'rop --- فراى، نورتروپ --- פריי, נורתרופ‏

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With Mathilde Blind: Late-Victorian Culture and the Woman of Letters, James Diedrick offers a groundbreaking critical biography of the German-born British poet Mathilde Blind (1841–1896), a freethinking radical feminist.Born to politically radical parents, Blind had, by the time she was thirty, become a pioneering female aesthete in a mostly male community of writers, painters, and critics, including Algernon Charles Swinburne, William Morris, Ford Madox Brown, William Michael Rossetti, and Richard Garnett. By the 1880s she had become widely recognized for a body of writing that engaged contemporary issues such as the Woman Question, the forced eviction of Scottish tenant farmers in the Highland Clearances, and Darwin’s evolutionary theory. She subsequently emerged as a prominent voice and leader among New Woman writers at the end of the century, including Mona Caird, Rosamund Marriott Watson, and Katharine Tynan. She also developed important associations with leading male decadent writers of the fin de siècle, most notably, Oscar Wilde and Arthur Symons.Despite her extensive contributions to Victorian debates on aesthetics, religion, nationhood, imperialism, gender, and sexuality, however, Blind has yet to receive the prominence she deserves in studies of the period. As the first full-length biography of this trailblazing woman of letters, Mathilde Blind underscores the importance of her poetry and her critical writings (her work on Shelley, biographies of George Eliot and Madame Roland, and her translations of Strauss and Bashkirtseff) for the literature and culture of the fin de siècle.--

Feminists --- Women critics --- Women authors, English --- Feminism --- Social reformers --- Women literary critics --- Critics --- English women authors --- Blind, Mathilde, --- Interpretation and criticism. --- Political and social views.