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The engagement aesthetic
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ISBN: 9781623560409 9781623561345 9781623569280 9781623569617 1623569613 1623569281 1623561345 1623560403 1628928360 Year: 2013 Publisher: London, UK New York, NY

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"Long after painting, sculpture, photography, and film developed along with their materials - canvas and panel, marble and bronze, and celluloid film - a new generation of art has emerged in which digital, electronic, architectural, and performative materials have offered new forms for creative expression and experience. In much of this new art, the medium - no longer composed of passive materials - now embraces and challenges viewers to work as co-creators of aesthetic experience. Starting from the impossibility of understanding this new and complex art solely within the framework of contemporary art history and criticism, The Engagement Aesthetic offers new modes of critique for new media works of art, literature, and performance that operate in complex ways. Blending a range of methodologies from phenomenology, art history, linguistics, and statistical analysis, Ricardo explores how a new kinship between individual participation, electronic media, virtual and actual space, and mediated language results in a new aesthetic of mutual engagement."--Bloomsbury Publishing.


Book
Raymond Bellour : cinema and the moving image : with selections from an interview with Raymond Bellour
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ISBN: 9781474422895 1474422896 9781474422888 1474422888 1474422918 147442290X 1474444768 9781474444767 9781474422901 9781474422918 9781474422001 Year: 2018 Publisher: Edinburgh : Edinburgh University Press Ltd,

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Providing a clear, systematic account of the evolution of Bellour's thought on the nature of cinematic representation, the impact of digital technology and the response of the spectator, this is an essential guide to the work of a major contemporary thinker.


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Learning processing : a beginner's guide to programming images, animation and interaction
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ISBN: 9780123947925 0123947928 9780123944436 0123944430 Year: 2015 Publisher: Morgan Kaufmann

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Learning Processing, Second Edition, is a friendly start-up guide to Processing, a free, open-source alternative to expensive software and daunting programming languages. Requiring no previous experience, this book is for the true programming beginner. It teaches the basic building blocks of programming needed to create cutting-edge graphics applications including interactive art, live video processing, and data visualization. Step-by-step examples, thorough explanations, hands-on exercises, and sample code, supports your learning curve. A unique lab-style manual, the book gives graphic and web designers, artists, and illustrators of all stripes a jumpstart on working with the Processing programming environment by providing instruction on the basic principles of the language, followed by careful explanations of select advanced techniques. The book has been developed with a supportive learning experience at its core. From algorithms and data mining to rendering and debugging, it teaches object-oriented programming from the ground up within the fascinating context of interactive visual media. This book is ideal for graphic designers and visual artists without programming background who want to learn programming. It will also appeal to students taking college and graduate courses in interactive media or visual computing, and for self-study. A friendly start-up guide to Processing, a free, open-source alternative to expensive software and daunting programming languages No previous experience required—this book is for the true programming beginner! Step-by-step examples, thorough explanations, hands-on exercises, and sample code supports your learning curve


Book
Kunsttechnieken in historisch perspectief
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ISBN: 9782503542294 Year: 2011 Volume: *21 Publisher: Turnhout Brepols Publishers

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Kunstwerken zijn in de eerste plaats objecten die door mensenhanden zijn gemaakt. Om de geschiedenis van de kunst goed te begrijpen, moeten we dus ook de geschiedenis van materiaaltoepassingen en maakprocessen kennen. Kunsttechnieken in historisch perspectief wil feitelijke kennis bijbrengen over veelvuldig gebruikte materialen en bewerkingsmethoden, maar ook de vraag beantwoorden waarom een bepaalde techniek favoriet werd en daarna door een een andere verdrongen. Het boek wil eveneens aanzetten tot het nadenken over de implicaties van het maakproces voor andere aspecten van de kunstgeschiedenis. Kunsttechnieken in historisch perspectief bestaat uit twintig hoofdstukken die kunsttechnieken uit zowel de oude beeldende kunst als moderne en hedendaagse kunst betreffen: schilderkunstige technieken, beeldhouwtechnieken, tekentechnieken, grafische technieken, fotografie, video, digitale kunst en installatiekunst. Tot slot komen technisch onderzoek, conservering en restauratie aan bod.

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