Listing 1 - 9 of 9 |
Sort by
|
Choose an application
Providing instrumental music teachers, practitioners and students with a pedagogical resource for woodwind instruments found in school instrumental programmes, this work includes coverage of the most common woodwind instruments - flute, oboe, clarinet, saxophone, and bassoon.
Instrumental Music --- Woodwind Instruments --- Music --- Woodwind instruments --- Instruction and study.
Choose an application
The Highland bagpipe, widely considered 'Scotland's national instrument', is one of the most recognized icons of traditional music in the world. It is also among the least understood. However, since the bagpipe's unprecedented surge in public visibility and scholarly attention since the 1990's, a greater interest in the emic has led the consideration of both the globalization of Highland piping and piping as rooted in local culture. The contributors of this collection discuss the bagpipe in oral and written history, anthropology, ethnography, musicology, material culture and modal aesthetics...
Bagpipe --- Bagpipe music --- Biniou --- Cornemuse --- Musette (Bagpipe) --- Woodwind instruments --- History. --- History and criticism. --- Bagpipes
Choose an application
In many places around the world, flutes and the sounds of flutes are powerful magical forces for seduction and love, protection, vegetal and human fertility, birth and death, and other aspects of human and non-human behaviour. This book explores the cultural significance of flutes, flute playing, and flute players from around the world as interpreted from folktales, myths, and other stories - in a word, 'flutelore'.
Flute in literature. --- Flute --- Boehm flute --- Concert flute --- Transverse flute --- Woodwind instruments --- Folklore. --- History.
Choose an application
The work is the result of over thirty years of oral fieldwork among the last Gaels in Cape Breton, for whom piping fit unself-consciously into community life, as well as an exhaustive synthesis of Scottish archival and secondary sources. Reflecting the invaluable memories of now-deceased new world Gaelic lore-bearers, John Gibson shows that traditional community piping in both the old and new world Gàihealtachlan was, and for a long time remained, the same, exposing the distortions introduced by the tendency to interpret the written record from the perspective of modern, post-eighteenth-century bagpiping. Following up the argument in his previous book, Traditional Gaelic Bagpiping, 1745-1945, Gibson traces the shift from tradition to modernism in the old world through detailed genealogies, focusing on how the social function of the Scottish piper changed and step-dance piping progressively disappeared. Old and New World Highland Bagpiping will stir controversy and debate in the piping world while providing reminders of the value of oral history and the importance of describing cultural phenomena with great care and detail.
Bagpipe --- Bagpipe music --- Biniou --- Cornemuse --- Musette (Bagpipe) --- Woodwind instruments --- History. --- History and criticism. --- Cornemuse, Musique de --- Histoire. --- Histoire et critique. --- Bagpipes
Choose an application
Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping since the suppression of the last Jacobite rebellion, Gibson presents a new interpretation of the decline of Gaelic piping and a new view of Gaelic society prior to the Highland diaspora. Refuting widely accepted opinions that after Culloden pipes and pipers were effectively banned in Scotland by the Disarming Act (1746), Gibson reveals that traditional dance bagpiping continued at least to the mid-nineteenth century. He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of piping.
Bagpipe --- Bagpipe music --- Biniou --- Cornemuse --- Musette (Bagpipe) --- Woodwind instruments --- History. --- History and criticism. --- 78.34.9 --- Bagpipes --- Scotland --- Highlands --- History --- Neuw-Schotland (Canada) --- History and criticism
Choose an application
Modeled on the brilliant approach first formulated by distinguished professor music and master clarinetist Michele Gingras in her Clarinet Secrets and More Clarinet Secrets (both available from Scarecrow Press), Tracy Heavner's Saxophone Secrets provides advanced saxophonists with 60 performance secrets that will assist in their musical development. This work is the
Saxophone --- Alto saxophone --- Baritone saxophone --- Bass saxophone --- Contrabass saxophone --- Sopranino saxophone --- Soprano saxophone --- Subcontrabass saxophone --- Tenor saxophone --- Tubax --- Woodwind instruments --- Instruction and study.
Choose an application
In the first fully comprehensive study of one of the world's most iconic musical instruments, Stephen Cottrell examines the saxophone's various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world. After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840's before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.
Saxophone --- Alto saxophone --- Baritone saxophone --- Bass saxophone --- Contrabass saxophone --- Sopranino saxophone --- Soprano saxophone --- Subcontrabass saxophone --- Tenor saxophone --- Tubax --- Woodwind instruments --- History. --- Sax, Adolphe, --- Sax, Antoine Joseph --- Sax, Antoine Joseph,
Choose an application
In Oboe Secrets: 75 Performance Strategies for the Advanced Oboist and English Horn Player, Jacqueline Leclair tackles the oboe's reputation as an especially difficult instrument and illustrates how oboists and English horn players can overcome common challenges. Leclair draws on her experience as a performer and instructor, offering practical tips and sometimes revolutionary ideas for rethinking oboe pedagogy.
Music. --- Oboe --- Woodwind instruments --- English horn --- Oboe d'amore --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
Choose an application
This practical guide is intended for all clarinettists with a desire to investigate music of earlier periods. It contains practical help on both the aquisition and playing of historical clarinets, while players of modern instruments will find much advice on style, approach and techniques which combine to make up a well-grounded, period interpretation. The book presents and interprets evidence from primary sources and offers suggestions for further reading and investigation. Most importantly, a series of case studies which include the music of Handel, Mozart and Brahms helps recreate performances which will be as close as possible to the composer's original intention. As the early clarinet becomes increasingly popular worldwide, this guide, written by one of the foremost interpreters of early clarinet music, will ensure that players at all levels - professional, students or amateurs - are fully aware of historical considerations in their performance.
Clarinet --- Clarinet music --- Performance practice (Music) --- 518 --- Recorded accompaniments (Clarinet) --- Clarionet --- Primer clarinet --- Woodwind instruments --- History and criticism --- History --- Organologie --- Clarinet. --- History and criticism. --- Klarinet --- Clarinette --- Klarinetmuziek -- 18de eeuw -- Geschiedenis en kritiek --- Clarinet music -- 18th century -- History and criticism --- Clarinette [Musique de] -- 18e siècle -- Histoire et critique --- Klarinetmuziek -- 19de eeuw -- Geschiedenis en kritiek --- Clarinet music -- 19th century -- History and criticism --- Clarinette [Musique de] -- 19e siècle -- Histoire et critique --- Praktijk van de uitvoering (Muziek) -- 18de eeuw --- Performance practice (Music) -- 18th century --- Pratique de l'exécution (Musique) -- 18e siècle --- Praktijk van de uitvoering (Muziek) -- 19de eeuw --- Performance practice (Music) -- 19th century --- Pratique de l'exécution (Musique) -- 19e siècle --- 78.45.2 --- Groot-Brittannië --- 20e eeuw --- Uitvoeringspraktijk
Listing 1 - 9 of 9 |
Sort by
|