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Behind the Lines investigates American war resistance poetry from the Second World War through the Iraq wars. Rather than simply chronicling the genre, Philip Metres argues that this poetry gets to the heart of who is authorized to speak about war and how it can be represented. As such, he explores a largely neglected area of scholarship: the poet's relationship to dissenting political movements and the nation.

War in literature. --- American poetry --- Anti-war poetry, American --- Protest poetry, American --- American literature --- American anti-war poetry --- American protest poetry --- History and criticism.

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Ten original essays by advanced scholars and well-published poets address the middle generation of American poets, including the familiar---Robert Lowell, Elizabeth Bishop, Randall Jarrell, and John Berryman---and various important contemporaries: Delmore Schwartz, Theodore Roethke, Robert Hayden, and Lorine Niedecker. This was a famously troubled cohort of writers, for reasons both personal and cultural, and collectively their poems give us powerful, moving insights into American social life in the transforming decades of the 1940's through the 1960's.

Culture in literature. --- Community in literature. --- Literary form --- War poetry, American --- Literature and society --- World War, 1939-1945 --- American poetry --- Community in literature --- History --- History and criticism. --- Literature and the war. --- Communities in literature.

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Wallace Stevens the poet and Wallace Stevens the insurance executive: for more than one critical generation it has seemed as if these two men were unacquainted--that Stevens was a poet who existed only in the rarefied world of language. However, the idea that Stevens lived a double life, the author maintains, is misleading. This compelling book uncovers what Stevens liked to think of as his ""ordinary"" life, a life in which the demands of politics, economics, poetry, and everyday distractions coexisted, sometimes peacefully and sometimes not. Examining the full scope of Stevens's career (from

Literature and society --- Political poetry, American --- Social problems in literature. --- War poetry, American --- History --- History and criticism. --- Stevens, Wallace, --- Criticism and interpretation. --- Political and social views. --- Problèmes sociaux dans la littérature --- Social problems in literature --- Sociale problemen in de literatuur --- Stevens, Wallace --- -Social problems in literature --- -Literature and society --- -Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- American war poetry --- American poetry --- American political poetry --- History and criticism --- Social aspects --- -Stevens, Wallace --- -Criticism and interpretation --- Political and social views --- Criticism and interpretation --- Political poetry [American ] --- War poetry [American ] --- Stevens, Wallace (1879-1955) --- Critique et interprétation

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What Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period. Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known--Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson. As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives--from the deeply personal to the broadly cultural--for telling war stories.

American literature --- Vietnam War, 1961-1975 --- Literature and society --- War stories, American --- War poetry, American --- American Literature --- English --- Languages & Literatures --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Vietnamese Conflict, 1961-1975, in motion pictures --- Vietnam Conflict, 1961-1975 --- Vietnamese Conflict, 1961-1975 --- Vietnamese War, 1961-1975 --- English literature --- Agrarians (Group of writers) --- History and criticism --- Literature and the war --- Motion pictures and the war --- History --- Social aspects --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- History and criticism. --- Literature and the war. --- Motion pictures and the war. --- 20th century --- Motion pictures and the conflict --- United States --- War stories [American ] --- War poetry [American ]

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Imagined Civil War: Popular Literature of the North and South, 1861-1865

War and literature --- American literature --- Popular literature --- War stories, American --- War poetry, American --- War in literature. --- Literature and war --- Literature --- Literature, Popular --- Books and reading --- Popular culture --- History --- History and criticism. --- United States --- Southern States --- Literature and the war. --- In literature. --- War in literature --- History and criticism