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Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contempora

Motion pictures --- Subjectivity in motion pictures. --- Realism in motion pictures. --- Philosophy.

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The 17 original essays of this volume explore the relevance of the phenomenological approach to contemporary debates concerning the role of embodiment in our cognitive, emotional and practical life. The papers demonstrate the theoretical vitality and critical potential of the phenomenological tradition both through critically engagement with other disciplines (medical anthropology, psychoanalysis, psychiatry, the cognitive sciences) and through the articulation of novel interpretations of classical works in the tradition, in particular the works of Edmund Husserl, Maurice Merleau-Ponty and Jean-Paul Sartre. The concrete phenomena analyzed in this book include: chronic pain, anorexia, melancholia and depression.

Motion pictures -- Philosophy. --- Motion pictures -- Psychological aspects. --- Phenomenology. --- Subjectivity in motion pictures. --- Philosophy & Religion --- Philosophy --- Philosophy. --- Cognitive psychology. --- Cognitive Psychology. --- Philosophy, Modern --- Psychology, Cognitive --- Cognitive science --- Psychology --- Mental philosophy --- Humanities --- Phenomenology . --- Consciousness. --- Apperception --- Mind and body --- Perception --- Spirit --- Self

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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.

Motion pictures --- Motion picture plays --- Point of view (Literature) --- Philosophy --- History and criticism --- Point of view (Literature). --- Subjectivity in motion pictures. --- History and criticism. --- Philosophy. --- Narration --- Point de vue (cinéma) --- Literary semiotics --- Film --- 791.43.01 --- #SBIB:309H523 --- Edward R. Branigan ; Foreword by David Bordwell --- film --- filmtheorie --- narratologie --- auteurtheorie --- film en literatuur --- film en semiotiek --- 791.41 --- -Motion pictures --- -Point of view (Literature) --- Subjectivity in motion pictures --- Point of view in motion pictures --- Subjective camera --- Fiction --- Narration (Rhetoric) --- Persona (Literature) --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Audiovisuele communicatie: verhaalanalyse --- Technique --- Cinéma --- Film. --- Motion pictures - Philosophy --- Motion picture plays - History and criticism

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Nocturnal Fabulations is an essay in intercessing. This is not a book that is simply ‘about’ Apichatpong Weerasethakul, though it does engage his work in detail. It is a book that deeply questions what else might be at stake in setting up the conditions for collaboration across two genres: cinema and writing. This collective project is animated by a shared curiosity in the pragmatics of fabulation and its speculative gesture of bringing forth a people to come. In an encounter with Apichatpong’s cinematic dreamscape, the concepts of ecology, vitality and opacity emerge to articulate an ethos of fabulation that deframes experience, recomposes subjectivity and unfixes time.

Motion pictures. --- Motion pictures --- Subjectivity. --- Subjectivity in motion pictures. --- Cinematography. --- Philosophy. --- Apichatpong Weerasethakul, --- Photography --- Chronophotography --- Point of view in motion pictures --- Subjective camera --- Subjectivism --- Knowledge, Theory of --- Relativity --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Animated pictures --- History and criticism --- Weerasethakul, Apichatpong, --- ʻAphichātphong Wīrasētthakun, --- Wīrasētthakun, ʻAphichātphong, --- Veerasethakul, Apichatpong, --- experience --- subjectivity --- cinema --- ecology --- pragmatics of fabulation --- time --- writing --- opacity --- vitality --- apichatpong weerasethakul --- Aesthetics --- Alterity --- Decoupage --- Félix Guattari --- Gilles Deleuze --- Mysterious Object at Noon --- Ontology --- Thailand