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In formulating a notion of filmic reality, The Reality of Film offers a novel way of understanding our relationship to cinema. It argues that cinema need not be understood in terms of its capacities to refer to, reproduce or represent reality, but should be understood in terms of the kinds of realities it has the ability to create.The Reality of Film investigates filmic reality by way of six key film theorists: André Bazin, Christian Metz, Stanley Cavell, Gilles Deleuze, Slavoj Žižek and Jacques Rancière. In doing so, it provides comprehensive introductions to each of these thinkers, while als

Realism in motion pictures. --- Motion pictures --- Realism in moving-pictures --- Philosophy. --- André Bazin. --- Christian Metz. --- Gilles Deleuze. --- Jacques Rancière. --- Slavoj Žižek. --- Stanley Cavell. --- cinema. --- film theorists. --- filmic reality.

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We are living through a boom in autobiographical writing. Every half-famous celebrity, every politician, every sports hero-even the non-famous, nowadays, pour out pages and pages, Facebook post after Facebook post, about themselves. Literary theorists have noticed, as the genres of "creative nonfiction" and "life writing" have found their purchase in the academy. And of course psychologists have long been interested in self-disclosure. But where have the philosophers been? With this volume, Christopher Cowley brings them into the conversation. Cowley and his contributors show that while philosophers have seemed uninterested in autobiography, they have actually long been preoccupied with many of its conceptual elements, issues such as the nature of the self, the problems of interpretation and understanding, the paradoxes of self-deception, and the meaning and narrative structure of human life. But rarely have philosophers brought these together into an overarching question about what it means to tell one's life story or understand another's. Tackling these questions, the contributors explore the relationship between autobiography and literature; between story-telling, knowledge, and agency; and between the past and the present, along the way engaging such issues as autobiographical ethics and the duty of writing. The result bridges long-standing debates and illuminates fascinating new philosophical and literary issues.

Autobiography --- Autobiography in literature. --- Autobiographical fiction. --- Philosophers --- Philosophy. --- Authorship. --- autobiography, biography, celebrity, fame, authorship, creative nonfiction, life writing, self disclosure, interpretation, understanding, deception, delusion, narrative structure, literature, storytelling, knowledge, agency, memoir, memory, past, ethics, simone de beauvoir, fraud, truth, honesty, obscurity, exposure, stanley cavell, characters.

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This volume draws together a diverse array of scholars from across the humanities to formulate and address the question of “ethics and literary practice” for a new decade. In taking up a conjunction whose terms remain productively open to question, fifteen essays survey a range of approaches and topics including genre and disciplinary rhetoric, emergence theory and literary signification, the ethics of alterity, of attention, and of aesthetics, the decolonial and the paracritical, neorealism and contingency, analogy and affect, scripture and national literature. From Seamus Heaney to Hannah Arendt, Teresa Brennan to Stanley Cavell, Ronit Matalon to Édouard Glissant, Uwe Timm to Katherena Vermette, Notes for Echo Lake to the Gospel of St. Matthew, these contributions demonstrate how broadly and fruitfully ramifying its organizing inquiry can be. Bringing such multifarious perspectives to the topic feels only more urgent as language, meaning, and expression enter the crucible of a “post-truth” era.

Ethics --- Stanley Cavell --- Michael Palmer --- poetry --- American philosophy --- Ralph Waldo Emerson --- poetics --- language poetry --- moral perfectionism --- emergence --- aesthetics --- mimesis --- Adorno --- ethics --- literature --- skepticism --- tragedy --- romanticism --- Emersonian perfectionism --- Emmanuel Levinas --- ethics and literature --- analogy --- empathy --- Israeli literature --- Israelis and Palestinians --- narrative ethics --- recognition --- responsibility --- decoloniality --- Kafka --- Timm --- racism --- genocide --- German Empire --- reading --- postcritical --- Afro-Caribbean literature --- African-American literature --- paracritical --- Glissant --- Seamus Heaney --- Jacques Derrida --- Seamus Heaney’s Human Rights Lecture --- po-ethics --- the other --- politics --- redress --- the individual --- Shakespeare --- Dante Alighieri --- Simon Critchley --- Czeslaw Miłosz --- Primo Levi --- alterity --- compassion --- enlarged thinking --- human rights --- judgment --- refugees --- sensus communis --- Teresa Brennan --- Hélène Cixous --- affect --- porosity --- vulnerability --- entre deux --- philosophy --- attention --- representation --- indigenous writers --- gendered violence --- Levinas --- Weil --- pedagogy --- metonymy --- metaphor --- neorealism --- contingency --- dialectics --- Heidegger --- Proust --- time --- literary form --- Being --- Alterity --- Anthropocene --- sonic rhetorics --- non-linguistic turn --- space --- prosody --- etymology --- Plato --- the Other --- orthography --- classical Greek --- Biblical Hebrew --- the reversible vov --- n/a --- Seamus Heaney's Human Rights Lecture --- Hélène Cixous