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Based on three years of ethnographic research with fans, and informed by the author's own experiences, this is an interdisciplinary study of the ways in which ordinary people form sustained attachments to Bruce Springsteen and his music.
Rock music fans. --- Rock music --- Popular music fans --- Fans --- Springsteen, Bruce --- Appreciation. --- Springsteen, Bruce Frederick Joseph, --- Springsteen, Bruce, --- Springsteen, Bruce.
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First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Fans (Persons) --- Television viewers --- Groupies --- Popular culture --- Psychology. --- Audiences, Television --- Television audiences --- Television fans --- Television watchers --- Viewers, Television --- Aficionados --- Devotees --- Enthusiasts (Fans) --- Supporters (Persons) --- Rock music fans --- Youth --- Mass media --- Persons --- Hobbyists --- Audiences --- Psychology --- Fans (Persons) - United States - Psychology --- Television viewers - United States - Psychology --- Groupies - United States - Psychology --- Popular culture - United States
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Rock music --- History and criticism --- Grateful Dead (Musical group) --- Deadheads (Music fans) --- Dead Heads --- Grateful Dead fans --- Rock music fans --- History and criticism. --- Dead (Musical group) --- The Grateful Dead (Musical group) --- The Dead (Musical group) --- Warlocks (Rock group : San Francisco, Calif.)
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Vocals tinged with pain and desperation. The deep thuds of an upright bass. Women with short bangs and men in cuffed jeans. These elements and others are the unmistakable signatures of rockabilly, a musical genre normally associated with white male musicians of the 1950s. But in Los Angeles today, rockabilly's primary producers and consumers are Latinos and Latinas. Why are these "Razabillies" partaking in a visibly "un-Latino" subculture that's thought of as a white person's fixation everywhere else? As a Los Angeles Rockabilly insider, Nicholas F. Centino is the right person to answer this question. Pairing a decade of participant observation with interviews and historical research, Centino explores the reasons behind a Rockabilly renaissance in 1990s Los Angeles and demonstrates how, as a form of working-class leisure, this scene provides Razabillies with spaces of respite and conviviality within the alienating landscape of the urban metropolis. A nuanced account revealing how and why Los Angeles Latinas/os have turned to and transformed the music and aesthetic style of 1950s rockabilly, Razabilly offers rare insight into this musical subculture, its place in rock and roll history, and its passionate practitioners.
Hispanic Americans --- Mexican Americans --- Retro (Style) in popular music. --- Rock music fans --- Rockabilly music --- Rockabilly musicians --- Rockabilly subculture --- Working class --- Social conditions --- Social life and customs --- Social aspects --- History --- rockabilly, razabilly, East Los Angeles, Chicano music, Chicano Los Angeles, ethnography, rock n roll, music scenes, Latino culture, Chicano culture, Los Angeles culture. --- Social conditions.
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Many of the world's states-from Algeria to Ireland to the United States-are the result of robust national movements that achieved independence. Many other national movements have failed in their attempts to achieve statehood, including the Basques, the Kurds, and the Palestinians. In Rebel Power, Peter Krause offers a powerful new theory to explain this variation focusing on the internal balance of power among nationalist groups, who cooperate with each other to establish a new state while simultaneously competing to lead it. The most powerful groups push to achieve states while they are in position to rule them, whereas weaker groups unlikely to gain the spoils of office are likely to become spoilers, employing risky, escalatory violence to forestall victory while they improve their position in the movement hierarchy. Hegemonic movements with one dominant group are therefore more likely to achieve statehood than internally competitive, fragmented movements due to their greater pursuit of victory and lesser use of counterproductive violence.Krause conducted years of fieldwork in government and nationalist group archives in the Middle East, North Africa, and Europe, as well as more than 150 interviews with participants in the Palestinian, Zionist, Algerian, and Irish national movements. This research generated comparative longitudinal analyses of these four national movements involving 40 groups in 44 campaigns over a combined 140 years of struggle. Krause identifies new turning points in the history of these movements and provides fresh explanations for their use of violent and nonviolent strategies, as well as their numerous successes and failures. Rebel Power is essential reading for understanding not only the history of national movements but also the causes and consequences of contentious collective action today, from the Arab Spring to the civil wars and insurgencies in Syria, Afghanistan, Iraq, and beyond.
Deadheads (Music fans) --- Dead Heads --- Grateful Dead fans --- Rock music fans --- Cornell University. --- Grateful Dead (Musical group) --- Ithaca (N.Y.). --- Kʻang-nai-erh ta hsüeh --- Kornelʹskii universitet --- 康奈爾大學 --- Dead (Musical group) --- The Grateful Dead (Musical group) --- The Dead (Musical group) --- Warlocks (Rock group : San Francisco, Calif.) --- Performances --- Autonomy and independence movements --- Self-determination, National --- Political violence --- Organizational behavior --- Behavior in organizations --- Management --- Organization --- Psychology, Industrial --- Social psychology --- Violence --- Political crimes and offenses --- Terrorism --- National self-determination --- Nationalism --- Nation-state --- Nationalities, Principle of --- Sovereignty --- National independence movements --- Secession movements --- Social movements --- Decolonization --- History
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