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This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject.

Motion picture producers and directors -- France. --- Motion pictures -- France -- History. --- Resnais, Alain, 1922- -- Criticism and interpretation. --- Music, Dance, Drama & Film --- Film --- Resnais, Alain, --- Criticism and interpretation. --- Resnais, Alain