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Presents "Current Research in Social Psychology (CRISP)," a monthly electronic publication covering all aspects of social psychology. Notes that publication is sponsored by the Center for the Study of Group Processes at the University of Iowa in Iowa City. Offers access to the full text of recent and prior issues. Lists the editorial board members and includes an editorial report. Contains information for contributors. Links to the Center's home page.
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Examining the different bodies that publish official material, this book describes the types of material published, how it is made available and how it is recorded. Finding Official British Information focuses on the digital availability of official information and considers how much is now freely available on the web and how to locate it as well as addressing issues of web only publishing. It covers public bodies in the UK and includes publications issued by central and local government as well as the devolved assemblies and the many other organisations that issue official publications.
Electronic government information
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Government publications
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En entrant dans l'ère de l'informatique en réseau, le livre devient inscriptible. Son développement ne suit plus la ligne droite de la traditionnelle chaîne du livre, mais se diffuse par ramifications réticulaires. Comme un oignon, il se pare de multiples couches d'informations, ajoutées par différents métiers, mais aussi par les lecteurs. Ensemble, ils participent à une vaste entreprise d'enrichissement documentaire qui multiplie les grilles de lecture du texte et en fait miroiter les multiples sens. Inscriptible, le livre s'insère désormais dans un système d'information riche, polymorphe, mouvant et encore très fragile. C'est le Read/Write Book.
Electronic publishing. --- Electronic publications. --- Online publications --- Digital media --- Publications --- Digital publishing --- Online publishing --- Publishers and publishing --- Desktop publishing --- Electronic publishing
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In 1963, Michigan State University, the nation's first land grant college, attracted a record number of National Merit Scholars by offering competitive scholarships. One of these exceptional students was Michael Kindman. After the beginning of the Free Speech Movement in Berkeley, Kindman, in line to be editor-in-chief of the official MSU student newspaper, felt compelled to seek a more radical forum of intellectual debate. In 1965, he dropped out of school and founded The Paper, one of the first five members of Underground Press Syndicate. This gripping autobiography follows Kindman's inspir
Newspaper editors --- Journalists --- Underground press publications --- History --- Kindman, Michael, --- Alternative press publications --- Underground press --- Publications --- Mica, --- Kindman, Mica,
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Book conservation --- Book acquisition --- Serial publications --- Congresses --- Conservation and restoration --- Congresses. --- -050 --- 651.54 --- Publications, Serial --- Serials (Publications) --- Continuing resources (Publications) --- International Standard Serial Numbers --- Series (Publications) --- -Congresses --- 050 --- Conservation and restoration&delete& --- Preservation --- Resources, Continuing (Publications) --- Publications --- Integrating resources (Publications) --- Serial publications - Conservation and restoration - Congresses.
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Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre - periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.
Yearbooks. --- Annuals --- Year-books --- Serial publications --- Almanacs
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