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British Pop Art was seen as an integral, even central, part of social change in the Sixties. It was a movement that developed innovative ways of dealing with reality, both reflecting on and participating in the culture. Its aesthetics was often homogeneous with the industrial, with the mass-produced, and, hence, with the artificial, manufactured character of the urban environment. This discontinuity in the traditional approach towards artistic creation furthered the globalization of diversity, which constitutes the abiding concerns of postmodern art. Drawing from postmodern thought and cultura

Pop art --- Postmodernism. --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Pop'art --- Postmodernisme. --- Great Britain.

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Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion which is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society, but also a subversive commentary on worldviews and the factors necessary for their formation.

Pop art --- Postmodernism --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Influence. --- Arts and Humanities --- General and Others

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Lichtenstein, Roy --- Pop art --- Art [Modern ] --- 20th century --- United States --- Criticism and interpretation --- schilderkunst --- 741.071 LICHTENSTEIN --- 75.071 LICHTENSTEIN --- Jani Hedrickson --- Lichtenstein Roy --- Verenigde Staten --- kunst --- pop art --- strips --- tekenkunst --- twintigste eeuw --- Kunst --- Schilderkunst --- 737.8 --- Roy Lichtenstein --- 20ste eeuw --- Verenigde --- grafische vormgeving --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Staten 737.8 Schilder- en tekenkunst ; 20e eeuw --- Popart --- Tekenkunst --- Plastische opvoeding --- 20e eeuw (twintigste eeuw) --- Afrika --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Geschiedenis --- Voorlichting --- Literatuur

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RedactieDe aan aids gestorven kunstenaar Keith Haring heeft ondanks zijn korte leven (1958-1990) een indrukwekkend oeuvre nagelaten. Begonnen als undergroundkunstenaar met illegale tekeningen in de metro, is zijn werk inmiddels tot museumkunst verheven. Dit rijkelijk en helder in kleur geïllustreerde boek schetst in een zestal essays zijn levensloop, zijn statement, zijn 'safe sex'- campagnes en zijn samenwerking met de schrijver William S. Burroughs. Ondanks de beknopte bibliografie en fotoverantwoording een zeer bruikbaar en handzaam boek voor studenten en de geïnteresseerde leek, zoals ook de andere delen uit deze Taschenreeks.© NBD Biblion

Modern [style or period] --- Pop [fine arts styles] --- graffiti artists --- Haring, Keith --- Pop art --- United States --- Homosexuality in art --- Criticism and interpretation --- Artists --- schilderkunst --- 75.071 HARING --- Alexandra Kolossa --- Haring Keith --- Verenigde Staten --- graffiti --- kunst --- muurschilderingen --- tekenkunst --- twintigste eeuw --- 20ste eeuw --- Schilderkunst --- Verenigde --- Kunst --- 737.8 --- Keith Haring --- Staten 737.8 Schilder- en tekenkunst ; 20e eeuw --- 20e eeuw --- Tekenkunst

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realisme --- pop art --- 7.037 --- 705.8 --- Caro, Anthony --- Collage --- Bacon, Francis --- Balla, Giacomo --- Balthus --- Blake, Peter --- Bonnard, Pierre --- Bouguereau, William-Adolphe --- Braque, Georges --- Burra, Edward --- Clausen, George --- Coldstream, William --- Courbet, Gustave --- Cézanne, Paul --- De Chirico, Giorgio --- Derain, André --- Dix, Otto --- Duran, E. Carolus --- Estes, Richard --- Fildes, Luke --- Fischl, Eric --- Flack, Audrey --- Fotorealisme --- Frampton, Meredith --- Frankenthaler, Helen --- Freud, Lucian --- Gauguin, Paul --- Geschiedenis --- Gonzalez, Julio --- Gilman, Harold --- Hoyland, John --- Smith, David --- Moon, Jeremy --- Louis, Morris --- Jenkins, Paul --- Ginner, Charles --- Griebel, Otto --- Grosz, Georg --- Guttuso, Renato --- Hamilton, Richard --- Hepworth, Barbara --- Hockney, David --- Hofmann, Hans --- Hopper, Edward --- Hyperrealisme --- Kandinsky, Wassily --- Kirchner, Ernst Ludwig --- Kunst --- Lewis, Wyndham --- Longo, Robert --- Malevitsj, Kasimir --- Manet, Edouard --- Martineau, Robert --- Matisse, Henri --- Millais, John Everett --- Miro, Joan --- Modernisme --- Mondriaan, Piet --- Monet, Claude --- Moore, Henry --- Morandi, Giorgio --- Nash, Paul --- Newman, Barnett --- Nicholson, Ben --- Noland, Kenneth --- Olitski, Jules --- Padua, Paul Mathias --- Picasso, Pablo --- Pissarro, Camille --- Pollock, Jackson --- Pop art --- Postmodernisme --- Radziwill, Franz --- Realisme --- Redon, Odilon --- Rivera, Diego --- Roberts, William --- Rosenquist, James --- Rothko, Mark --- Sargent, John Singer --- Saville, Jenny --- Schad, Christian --- Scholz, Georg --- Seurat, Georges --- Sickert, Walter Richard --- Sironi, Mario --- Spencer, Stanley --- Vuillard, Edouard --- Warhol, Andy --- Wesselmann, Tom --- Whistler, James Abbott McNeill --- Wissel, Adolf --- Wood, Grant --- Wunderwald, Gustav --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- painting [image-making] --- Art --- schilderkunst --- Realist [modern European fine arts styles] --- Art styles --- realisme.