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Performing arts sponsorship --- Performing arts --- Sponsorship of performing arts --- Art patronage --- Sponsorship --- Art patronage. --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry
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In Music at the Gonzaga Court in Mantua, Donald C. Sanders examines the history of musical composition and performance at the northern Italian court of Mantua from the fifteenth century to the seventeenth century. Music is discussed in the context of the visual art, poetry, and theater that graced the court and of the Gonzaga family's interaction with the major European historical figures of the era.
Music --- Music patronage --- Art and music --- Music and literature --- Literature and music --- Literature --- Music and art --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- Gonzaga family.
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Drawing upon hundreds of newly uncovered archival records, Gretchen Peters reconstructs the music of everyday life in over twenty cities in late medieval France. Through the comparative study of these cities' political and musical histories, the book establishes that the degree to which a city achieved civic authority and independence determined the nature and use of music within the urban setting. The world of urban minstrels beyond civic patronage is explored through the use of diverse records; their livelihood depended upon seeking out and securing a variety of engagements from confraternities to bathhouses. Minstrels engaged in complex professional relationships on a broad level, as with guilds and minstrel schools, and on an individual level, as with partnerships and apprenticeships. The study investigates how minstrels fared economically and socially, recognizing the diversity within this body of musicians in the Middle Ages from itinerant outcasts to wealthy and respected town musicians.
Music --- anno 1400-1499 --- France --- Musique --- Muziek --- Music patronage --- Social aspects --- History --- History and criticism. --- Aspect social --- Histoire --- Mécénat --- Histoire et critique --- History and criticism --- Mécénat --- 15th century --- 78.23 --- Histoire et critique. --- Music patronage. --- Music. --- Social aspects. --- 1400-1499. --- France. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Music - Social aspects - France - History - 15th century --- Music patronage - France - History - 15th century --- Music - France - 15th century - History and criticism
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Joseph Horowitz writes in Moral Fire: "If the Met's screaming Wagnerites standing on chairs (in the 1890's) are unthinkable today, it is partly because we mistrust high feeling. Our children avidly specialize in vicarious forms of electronic interpersonal diversion. Our laptops and televisions ensnare us in a surrogate world that shuns all but facile passions; only Jon Stewart and Bill Maher share moments of moral outrage disguised as comedy." Arguing that the past can prove instructive and inspirational, Horowitz revisits four astonishing personalities-Henry Higginson, Laura Langford, Henry Krehbiel and Charles Ives-whose missionary work in the realm of culture signaled a belief in the fundamental decency of civilized human nature, in the universality of moral values, and in progress toward a kingdom of peace and love.
Music --- Music patronage --- Musical criticism --- Hermeneutics (Music) --- Music criticism --- Journalism --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- History and criticism. --- History --- History and criticism --- Higginson, Henry Lee, --- Krehbiel, Henry Edward, --- Holloway, Laura C. --- Ives, Charles, --- Ives, Charles Edward, --- Aĭvz, Ch., --- Aĭvz, Charlʹz, --- Holloway-Langford, Laura, --- Langford, Laura Carter Holloway, --- Krehbiel, H. E. --- Ives, Charles E. --- Ives, Charles --- Ives, Charles Edward --- 19th century music. --- 20th century music. --- american culture. --- american history. --- american music history. --- american musical life. --- american studies. --- boston symphony orchestra. --- charles ives. --- classic music. --- classical music. --- classical orchestra. --- cultural historians. --- gilded age. --- henry higginson. --- henry krehbiel. --- history of music. --- human nature. --- laura langford. --- moral values. --- music history and criticism. --- music lovers. --- music studies. --- musicians and historians. --- musicology. --- turn of the century america. --- us culture. --- us history.
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