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Europa ist in der Krise. Angesichts Brexit, dringender Flüchtlings- und Einwanderungsfragen, Diskussionen über den Ausschluss insolventer Länder und dem demokratischen Defizit der EU ist dieser Befund zu einem Allgemeinplatz geworden. Als einen Weg aus der Krise schlagen Politiker_innen, EU-Beamt_innen und Intellektuelle oftmals die Stärkung des Zusammenhalts durch die Rückbesinnung auf die angenommene gemeinsame Geschichte Europas und eine daraus erwachsene kulturelle Identität vor. Dieser Herausforderung stellen sich zunehmend auch aktuelle Nationalmuseen in Europa, indem sie es sich zur Aufgabe machen, sich zu europäisieren: sie setzen es sich zum Ziel, nicht mehr nur die Nation und ihre Geschichte, sondern Europa und europäische Geschichte zu zeigen. Diese "Museen zwischen Nation und Europa" untersucht das Buch aus medienwissenschaftlicher Perspektive. Anhand dreier aktueller Fallstudien aus Deutschland, Polen und Frankreich (Deutsches Historisches Museum Berlin, Europäisches Solidarność Zentrum Danzig, Musée des civilisations de l'Europe et de la Méditerranée Marseille) geht es den Fragen nach, wie diese Museen Europa und seine Geschichte konstruieren, und was Europa und europäisch in ihren musealen Inszenierungen bedeute. Welche Vorstellungen Europas bringen die Medien der Ausstellungen hervor? Wen und was zeigen sie als europäisch, wer gehört dagegen in den musealen Inszenierungen nicht zu Europa? Die Studie zeigt, dass die Europäisierung nationaler Museen auf starke nationale und strukturelle Widerstände stößt. Ein gesamteuropäisches Narrativ Europas und seiner Geschichte ist deshalb bislang nicht in Sicht. Is it possible to narrate a national history that is at the same time European? Europe's national museums must face this challenge. Using three examples from Germany, France, and Poland, the book takes a media science perspective to examine how museums are constructing Europe. What narratives of Europe and its history are they developing? And what does "Europe" and "European" mean for these museums?
National museums --- Group identity --- Europe. --- Museum. --- media. --- nation.
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Europe’s national museums have since their creation been at the centre of on-going nation making processes. National museums negotiate conflicts and contradictions and entrain the community sufficiently to obtain the support of scientists and art connoisseurs, citizens and taxpayers, policy makers, domestic and foreign visitors alike. National Museums and Nation-building in Europe 1750-2010 assess the national museum as a manifestation of cultural and political desires, rather than that a straightforward representation of the historical facts of a nation. National Museums and Nation-building in Europe 1750-2010 examines the degree to which national museums have created models and representations of nations, their past, present and future, and proceeds to assess the consequences of such attempts. Revealing how different types of nations and states – former empires, monarchies, republics, pre-modern, modern or post-imperial entities – deploy and prioritise different types of museums (based on art, archaeology, culture and ethnography) in their making, this book constitutes the first comprehensive and comparative perspective on national museums in Europe and their intricate relationship to the making of nations and states.
National museum --- National museum studies --- Europe --- nationalism and museums --- Museums --- National museums --- Nationalism --- Political culture --- Popular culture
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"This book explores the varied ways that the National Museum of American History and its predecessors conveyed the story of America in its exhibitions to millions of annual visitors through five distinct eras of history. Because of the museum's size and scope and its prominent presence in the nation's capital, its leaders have always aspired to grand visions of it mission and program. Yet the realities of exhibition development tempered and shaped what was ultimately displayed on its floors in many surprising and provocative ways. These five eras were: The Nation's Attic (1876-1964), A Museum of History and Technology (1964-1969), Celebrating America' Bicentennial (1969-1979), A National Museum of American History (1979-2001), and What does it mean to be American? (2001-2018). The narrative describes what was on display through both narrative discussions and a wealth of illustrations. In addition, it explores the background stories of how and why the museum chose to mount the exhibitions it presented. A conclusion offers reflections on historical trends and continuing challenges for the museum"--
National museums --- National characteristics, American. --- National Museum of American History (U.S.) --- History. --- United States --- United States. --- Washington (D.C.) --- Civilization --- History
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Ord looks at the gallery's historical and intellectual context - from 1910 when Eric Brown became the gallery's founding director, through Jean Sutherland Boggs, to Shirley Thomson - shedding light on its acquisitions, government policy towards the arts, and the public's deep-rooted suspicion of avant-garde art. In showing how Canadian art came to be housed in a building whose architectural and ideological sources include Gothic cathedrals, Islamic mosques, Egyptian temples, St Peter's Basilica, and the squared-stone facades of the Holy City of Jerusalem, The National Gallery of Canada insightfully explores the relationship of Canada's art and its National Gallery to the project of the Canadian nation state.
Art museums --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Galleries and museums --- National Gallery of Canada. --- National Museums of Canada --- Canada. --- National Museums of Canada. --- Galerie nationale du Canada --- National Art Gallery of Canada --- NGC --- Musée des beaux-arts du Canada --- Galleria nazionale del Canada
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National Museum of Scotland --- Royal Museum of Scotland --- Museum of Scotland --- National Museums of Scotland. --- History. --- Scotland --- Historiography. --- Caledonia --- Scotia --- Schotland --- Sŭkʻotʻŭllandŭ --- Ecosse --- Škotska --- Great Britain
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In recent decades, Palestinian heritage organizations have launched numerous urban regeneration and museum projects across the West Bank in response to the enduring Israeli occupation. These efforts to reclaim and assert Palestinian heritage differ significantly from the typical global cultural project: here it is people's cultural memory and living environment, rather than ancient history and archaeology, that take center stage. It is local civil society and NGOs, not state actors, who are "doing" heritage. In this context, Palestinian heritage has become not just a practice of resistance, but a resourceful mode of governing the Palestinian landscape. With this book, Chiara De Cesari examines these Palestinian heritage projects—notably the Hebron Rehabilitation Committee, Riwaq, and the Palestinian Museum—and the transnational actors, practices, and material sites they mobilize to create new institutions in the absence of a sovereign state. Through their rehabilitation of Palestinian heritage, these organizations have halted the expansion of Israeli settlements. They have also given Palestinians opportunities to rethink and transform state functions. Heritage and the Cultural Struggle for Palestine reveals how the West Bank is home to creative experimentation, insurgent agencies, and resourceful attempts to reverse colonial violence—and a model of how things could be.
Cultural property --- National museums --- West Bank --- Cultural policy. --- Anthropology of Palestine. --- NGOs and cultural development. --- anticolonial resistance. --- cultural policy. --- cultural politics. --- heritage and memory. --- museums. --- state and institution building. --- urban planning. --- urban regeneration.
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Item contains cartoons, letters, articles, essays, etc resulting from the debate (or outcry) following the purchase of Barnett Newman's "Voice of fire" by National Gallery of Canada. Also includes papers from a symposium organised by the National Gallery of Canada.
Painting, Abstract --- Public opinion --- Newman, Barnett, --- Public opinion. --- National Gallery of Canada --- Canada. --- National Museums of Canada. --- Galerie nationale du Canada --- National Art Gallery of Canada --- NGC --- Musée des beaux-arts du Canada --- Galleria nazionale del Canada --- National Museums of Canada --- Art and state --- Voice of fire (Newman, Barnett) --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey
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"Europe's national museums have since their creation been at the centre of on-going nation making processes. National museums negotiate conflicts and contradictions and entrain the community sufficiently to obtain the support of scientists and art connoisseurs, citizens and taxpayers, policy makers, domestic and foreign visitors alike. National Museums and Nation-building in Europe 1750-2010 assess the national museum as a manifestation of cultural and political desires, rather than that a straightforward representation of the historical facts of a nation. National Museums and Nation-building in Europe 1750-2010 examines the degree to which national museums have created models and representations of nations, their past, present and future, and proceeds to assess the consequences of such attempts. Revealing how different types of nations and states--former empires, monarchies, republics, pre-modern, modern or post-imperial entities--deploy and prioritise different types of museums (based on art, archaeology, culture and ethnography) in their making, this book constitutes the first comprehensive and comparative perspective on national museums in Europe and their intricate relationship to the making of nations and states"--
National museums --- Museums --- Nationalism --- Political culture --- Popular culture --- History. --- Political aspects --- Social aspects --- Europe --- Politics and government. --- Cultural policy. --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Political science --- Public institutions --- Cabinets of curiosities --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Politics
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This guide follows the Guide to the Records of Merseyside Maritime Museum Volume I (Vol 8 of Research in Maritime History) and covers the remaining collections hosted at the Merseyside Maritime Museum relating to a wide variety of subjects:- merchants; shipbuilding; slavery; emigration; maritime families; maritime charities; seafarers; the Titantic; and the Lusitania. This guide follows the same format as the previous:- a brief historical introduction; a list of main items; an archival code; a datespan; a quantity of records; and a reference to any key printed sources held in the museum's Reading Room. The subjects are broken down into ten thematic chapters, for ease of navigation.
Navigation --- Navigation, Primitive --- Locomotion --- Orientation --- Nautical astronomy --- Naval art and science --- Pilots and pilotage --- Bibliography --- Merseyside Maritime Museum --- National Museums and Galleries on Merseyside. --- Archives --- Shipping --- Marine shipping --- Marine transportation --- Maritime shipping --- Ocean --- Ocean traffic --- Ocean transportation --- Sea transportation --- Shipping industry --- Water transportation --- Communication and traffic --- Marine service --- Transportation --- Merchant marine --- Economic aspects
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This guide covers the following major collections hosted at the Merseyside Maritime Museum:- records deposited or presented under the 1958 Public Records Act; official organisations, including the Merseyside Docks and Harbour Board (MDHB), antecedents, and successors; shipping and trade associations; and shipowners. Other, smaller categories are published in the accompanying Part II (Vol 17 of Research in Maritime History, ISBN: -0-9681288-7-4) and together they form a comprehensive catalogue of contents. The guide summarises each collections as follows:- a brief historical introduction; a list of main items; an archival code; a datespan; a quantity of records; and a reference to any key printed sources held in the museum's Reading Room. The museum archives are made up of crucial maritime documentation and are an invaluable resource for maritime historians. The museum focuses primarily on Liverpool due to its previous status as the second major port of the United Kingdom, it also houses a great deal of national and international records in a vast variety of media.
Navigation --- Naval art and science --- Shipping --- Merseyside Maritime Museum --- Archives --- Marine shipping --- Marine transportation --- Maritime shipping --- Ocean --- Ocean traffic --- Ocean transportation --- Sea transportation --- Shipping industry --- Water transportation --- Communication and traffic --- Marine service --- Transportation --- Merchant marine --- Navigation, Primitive --- Locomotion --- Orientation --- Nautical astronomy --- Pilots and pilotage --- Economic aspects --- National Museums and Galleries on Merseyside.
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