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"Not of woman born, the Fortunate, the Unborn"-the terms designating those born by Caesarean section in medieval and Renaissance Europe were mysterious and ambiguous. Examining representations of Caesarean birth in legend and art and tracing its history in medical writing, Renate Blumenfeld-Kosinski addresses the web of religious, ethical, and cultural questions concerning abdominal delivery in the Middle Ages and the Renaissance. Not of Woman Born increases our understanding of the history of the medical profession, of medical iconography, and of ideas surrounding "unnatural" childbirth.Blumenfeld-Kosinski compares texts and visual images in order to trace the evolution of Caesarean birth as it was perceived by the main actors involved-pregnant women, medical practitioners, and artistic or literary interpreters. Bringing together medical treatises and texts as well as hitherto unexplored primary sources such as manuscript illuminations, she provides a fresh perspective on attitudes toward pregnancy and birth in the Middle Ages and the Renaissance; the meaning and consequences of medieval medicine for women as both patients and practitioners, and the professionalization of medicine. She discusses writings on Caesarean birth from the twelfth and thirteenth centuries, when Church Councils ordered midwives to perform the operation if a mother died during childbirth in order that the child might be baptized; to the fourteenth century, when the first medical text, Bernard of Gordon's Lilium medicinae, mentioned the operation; up to the gradual replacement of midwives by male surgeons in the fifteenth and sixteenth centuries. Not of Woman Born offers the first close analysis of Frarnois Rousset's 1581 treatise on the operation as an example of sixteenth-century medical discourse. It also considers the ambiguous nature of Caesarean birth, drawing on accounts of such miraculous examples as the birth of the Antichrist. An appendix reviews the complex etymological history of the term "Caesarean section."Richly interdisciplinary, Not of Woman Born will enliven discussions of the controversial issues surrounding Caesarean delivery today. Medical, social, and cultural historians interested in the Middle Ages and the Renaissance, historians, literary scholars, midwives, obstetricians, nurses, and others concerned with women's history will want to read it.
History of civilization --- anno 500-1499 --- Cesarean section in art --- Césarienne dans l'art --- Keizersnede in de kunst --- Cesarean Section --- Cesarean section --- Césarienne --- Illustration médicale --- -Cesarean section in art --- Abdominal delivery --- C section --- Caesarean delivery --- Caesarean section --- Delivery, Abdominal --- Delivery, Caesarean --- Delivery (Obstetrics) --- Illustration, Medical --- Cesarean section in art. --- Césarienne --- Césarienne dans l'art --- Illustration médicale --- Medicine in Art. --- Medical illustration --- -Renaissance --- Science in Art --- Art, Medicine in --- Art, Science in --- Arts, Medicine in --- Arts, Science in --- Medicine in Arts --- Science in Arts --- in Art, Medicine --- in Art, Science --- in Arts, Medicine --- in Arts, Science --- Renaissance --- Revival of letters --- history. --- psychology. --- History --- Europe. --- Northern Europe --- Southern Europe --- Western Europe --- Medicine in Art --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Obstetrics --- Art --- history --- psychology --- Surgery --- Medicine in the Arts. --- Renaissance. --- History. --- Civilisation médiévale --- Histoire --- Europe --- Civilization [Medieval ] --- Cesarean section - Europe - History. --- Medical illustration - History. --- Civilization, Medieval. --- Medicine in the Arts
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Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs's De historia stirpium and Andreas Vesalius's De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner's unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period-a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought-and often disagreement-about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists' treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
Natural history illustration --- Botanical illustration --- Medical illustration --- Illustrated books --- Art and science --- Science and art --- Illustration, Medical --- Botanical drawing --- Flower painting and illustration --- Fruit painting and illustration --- Illustration, Botanical --- Nature illustration --- History --- Science --- Books --- Medicine and art --- Scientific illustration --- Biological illustration --- 094:58 --- 094:61 --- 76.043 --- 769.04:61 --- 76.043 Iconografie: flora in de prentkunst --- Iconografie: flora in de prentkunst --- 769.04:61 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- 094:61 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geneeskunde. Hygiëne. Farmacie --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geneeskunde. Hygiëne. Farmacie --- 094:58 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Fuchs, Leonhart. --- Gessner, Conrad --- Vesalius, Andreas --- Vesal, Andreas --- Vesale, André --- Vezalij, Andrej --- Gesner, Conrad --- Gesner, Konrad --- Gesnerus, Conradus --- Gessner, Konrad --- Fuchs, Leonhart --- Fuchsius, Leonhartus --- Natural history illustration - Europe - History - 16th century --- Botanical illustration - Europe - History - 16th century --- Medical illustration - History - 16th century --- Illustrated books - Europe - History - 16th century --- Art and science - History - 16th century --- humani corporis fabrica, andreas vesalius, de historia stirpium, leonhart fuchs, plantarum, conrad gessner, medicine, anatomy, botany, nature, visual culture, science, book printing, publishing, renaissance, research, writing, images, authority, representation, reference, nonfiction, scientific knowledge, illustrations, natural history, europe, copying, coloring, medicinal plants, human body, bloodletting, jamnitzer, mattioli.
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