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Up-to-date study of the archaeology and prehistory of Manchuria, focusing on its unique contribution to the development of `Chinese' culture. Written by Chinese archaeologists - a firsthand account that is highly accessible. Fully illustrated.

Manchuria (China) --- China, Northeast --- Northeast China --- History. --- Antiquities. --- Antiquities --- Manchuria (China) - Antiquities.

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Japan's invasion of Manchuria in September of 1931 initiated a new phase of brutal occupation and warfare in Asia and the Pacific. It forwarded the project of remaking the Japanese state along technocratic and fascistic lines and creating a self-sufficient Asian bloc centered on Japan and its puppet state of Manchukuo. In Planning for Empire, Janis Mimura traces the origins and evolution of this new order and the ideas and policies of its chief architects, the reform bureaucrats. The reform bureaucrats pursued a radical, authoritarian vision of modern Japan in which public and private spheres were fused, ownership and control of capital were separated, and society was ruled by technocrats.Mimura shifts our attention away from reactionary young officers to state planners-reform bureaucrats, total war officers, new zaibatsu leaders, economists, political scientists, engineers, and labor party leaders. She shows how empire building and war mobilization raised the stature and influence of these middle-class professionals by calling forth new government planning agencies, research bureaus, and think tanks to draft Five Year industrial plans, rationalize industry, mobilize the masses, streamline the bureaucracy, and manage big business. Deftly examining the political battles and compromises of Japanese technocrats in their bid for political power and Asian hegemony, Planning for Empire offers a new perspective on Japanese fascism by revealing its modern roots in the close interaction of technology and right-wing ideology.

Bureaucracy --- Technological innovations --- Fascism --- Civil-military relations --- History. --- Japan --- Manchuria (China) --- Politics and government --- History

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"Set in Manchuria in the aftermath of the Asian Pacific War. The central character is Kuki Kyūzō, whose settler parents relocated from Japan to the Manchurian puppet-state as the Japanese empire expanded. Kyūzō's father, a factory technician, dies shortly after he is born. In the course of Japan's defeat and the Soviet Union's occupation of Manchuria, Kyūzō's mother is seriously wounded, forcing him to remain behind with her rather than evacuate with the other Japanese citizens. Her subsequent death leaves Kyūzō alone in the abandoned Japanese settlement, and he is employed as a houseboy by Alexandrov, an officer in the Soviet army. Approximately two years after the end of hostilities, Kyūzō decides to return to Japan. Providing money, a train ticket, and official travel documents, Alexandrov bids Kyūzō farewell. On the train Kyūzō meets Kō, who appears to be a fellow Japanese, much to Kyūzō's relief. The train is attacked, but Kyūzō and Kō manage to escape, fleeing by foot across the harsh Manchurian plains. Kyūzō gradually comes to realize that Kō is in possession of stolen heroin and is being pursued by the Chinese Communists, who are battling the Nationalist forces for control of the mainland. Finally arriving at a city, Kyūzō is betrayed by Kō, who beats him and steals his identity papers and travel documents. Utterly destitute, Kyūzō makes his way to a Japanese repatriation center. The difficulty is that Kyūzō lacks any documents to prove that he is Japanese. Exposure to the elements has left him deeply sunburned, which further casts doubt on his Japanese identity. He wanders the city and meets another Japanese named Okura, who takes an unusual interest in Kyūzō's relationship with Kō"--

Identity (Psychology) --- Japanese fiction. --- Japanese literature --- J5933 --- Japan: Literature -- modern fiction and prose by individual authors (1868- ) --- Manchuria (China) --- China, Northeast --- Northeast China --- History

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How do contemporary generations come to terms with losses inflicted by imperialism, colonialism, and war that took place decades ago? How do descendants of perpetrators and victims establish new relations in today's globalized economy? With Inheritance of Loss, Yukiko Koga approaches these questions through the unique lens of inheritance, focusing on Northeast China, the former site of the Japanese puppet state Manchukuo, where municipal governments now court Japanese as investors and tourists. As China transitions to a market-oriented society, this region is restoring long-neglected colonial-era structures to boost tourism and inviting former colonial industries to create special economic zones, all while inadvertently unearthing chemical weapons abandoned by the Imperial Japanese Army at the end of World War II. Inheritance of Loss chronicles these sites of colonial inheritance--tourist destinations, corporate zones, and mustard gas exposure sites--to illustrate attempts by ordinary Chinese and Japanese to reckon with their shared yet contested pasts. In her explorations of everyday life, Koga directs us to see how the violence and injustice that occurred after the demise of the Japanese Empire compound the losses that later generations must account for, and inevitably inherit.

Postcolonialism --- Economic aspects --- Manchuria (China) --- Japan --- Relations --- Japan. --- Northeast China. --- after empire. --- inheritance of loss. --- memory. --- political economy of redemption. --- postcolonialism. --- postgeneration. --- postimperialism. --- postsocialism. --- postwar.

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This groundbreaking volume critically examines how writers in Japanese-occupied northeast China negotiated political and artistic freedom while engaging their craft amidst an increasing atmosphere of violent conflict and foreign control. The allegedly multiethnic utopian new state of Manchukuo (1932–1945) created by supporters of imperial Japan was intended to corral the creative energies of Chinese, Japanese, Koreans, Russians, and Mongols. Yet, the twin poles of utopian promise and resistance to a contested state pulled these intellectuals into competing loyalties, selective engagement, or even exile and death—surpassing neat paradigms of collaboration or resistance. In a semicolony wrapped in the utopian vision of racial inclusion, their literary works articulating national ideals and even the norms of everyday life subtly reflected the complexities and contradictions of the era. Scholars from China, Korea, Japan, and North America investigate cultural production under imperial Japan’s occupation of Manchukuo. They reveal how literature and literary production more generally can serve as a penetrating lens into forgotten histories and the lives of ordinary people confronted with difficult political exigencies. Highlights of the text include transnational perspectives by leading researchers in the field and a memoir by one of Manchukuo’s last living writers.

Intellectual life --- Cultural life --- Culture --- Manchu literature --- Politics and literature --- Literature and transnationalism --- Authors, Chinese --- Authors, Russian --- Authors, Japanese --- Authors, Korean --- History and criticism --- Manchuria (China) --- China --- History --- Literatures