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Critical essays on work of classic novelist of Mexican revolution (1873-1952) and its repercussions in other literature and film. Topics include constructed orality in Los de Abajo (1915), translations of Azuela's work and its reception in other cultures, film adaptations, literary uses of photography in Nellie Campobello's Cartucho (1931), and others.

Azuela, Mariano, --- Criticism and interpretation. --- Knowledge --- History. --- Mexico --- History --- Literature and the revolution. --- Criticism and interpretation --- Literature and the revolution

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Literature and revolutions --- Literatuur en revoluties --- Litterature et revolutions --- Thematology --- World history --- anno 1800-1999 --- anno 1700-1799 --- France --- History --- Revolution, 1789-1799 --- Literature and the revolution --- REVOLUTIONS --- DANS LA LITTERATURE --- Burke, Edmund, --- Literature and the revolution.

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In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by "performing history" actors bring the historical past and the theatrical present together.

France -- History -- Revolution, 1789-1799 -- Literature and the revolution. --- Historical drama -- 20th century -- History and criticism. --- Holocaust, Jewish (1939-1945), in literature. --- Historical drama --- Holocaust, Jewish (1939-1945), in literature --- Drama --- Music, Dance, Drama & Film --- Chronicle histories (Drama) --- Chronicle history (Drama) --- Chronicle plays --- Docudrama --- Documentary plays --- Historical plays --- History --- Verbatim plays --- History and criticism --- France --- Literature and the revolution. --- Historical drama - 20th century - History and criticism --- France - History - Revolution, 1789-1799 - Literature and the revolution --- History and criticism.

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Through an examination of a representative body of non-fiction prose from the French Revolution debate and a variety of subgenres of the novel from the 1790-1814 period, this study traces the development of the discursive phenomenon it describes as "the struggle for history's authority" and the consequences thereof for the British novel. In particular, it provides a framework for understanding the novel's evolving relationship with history (as event, as historiography) in the period.

English fiction --- Literature and history. --- History and literature --- History and poetry --- Poetry and history --- History --- French influences. --- History and criticism. --- France --- Literature and the revolution.

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The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their relationship to the aggressive passions in the wake of the French Revolution. Drawing on diverse fields and discourses such as aesthetics, politics, medicine and the law and tracing the classical legacy the Romantics inherited, Stauffer charts the period's struggle to define the relationship of anger to justice and the creative self. In their poetry and prose, Romantic authors including Blake, Coleridge, Godwin, Shelley and Byron negotiate the meanings of indignation and rage amidst a clamourous debate over the place of anger in art and in civil society. This innovative book has much to contribute to the understanding of Romantic literature and the cultural history of the emotions.

English literature --- Romanticism --- Revolutions in literature. --- Anger in literature. --- History and criticism. --- French influences. --- France --- History --- Literature and the revolution. --- Influence. --- Arts and Humanities --- Literature