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Inheritance and succession --- Lear, --- King Lear --- Leir,
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Performed at the Globe Theater in 1605, King Leir is presumed to be a prime source for Shakespeare. Although the story is the same, in this anonymous version the ending is happy. This is the first time this fascinating work is published in a single-play edition
Kings and rulers --- Britons --- Lear, --- King Lear --- Leir, --- Lear, King (Legendary character)
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King Lear, one of Shakespeare's darkest and most savage plays, tells the story of the foolish and Job-like Lear, who divides his kingdom, as he does his affections, according to vanity and whim. Lear's failure as a father engulfs himself and his world in turmoil and tragedy.
Inheritance and succession --- Fathers and daughters --- Kings and rulers --- Aging parents --- Britons --- Lear, --- King Lear --- Leir, --- Lear, King (Legendary character)
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Fathers and daughters in literature. --- Kings and rulers in literature. --- Tragedy. --- Drama --- Shakespeare, William, --- Lear, --- King Lear --- Leir, --- In literature. --- Lear, King (Legendary character), in literature.
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Outlaws, irreverent humorists, political underdogs, authoritarians - and the silhouette, throughout, of a contemporary Australian woman: these are some of the figures who emerge from Philippa Kelly's extraordinary personal tale, The King and I . Kelly uses Shakespeare's King Lear as it has never been used before - to tell the story of Australia and Australians through the intimate journey she makes with Shakespeare's old king, whose struggles and torments are touchstones for the variety, poignancy and humour of Australian life. We hear the shrieking of birds and feel the heat of dusty towns, a
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The image of the prism, with its multiple refractions, offers some sense of the inexhaustible variety of a work of art. Like a prism, King Lear is attractive; like a prism, it is a multiply shaped thing; like a prism, it is an object of admiration, as well as an instrument of analysis. The essays in this book - forming neither a casebook nor a 'perplex' - were written because their authors wanted to understand something specific about this very complicated play. Throughout, the emphasis is on Shakespeare's consciousness of his craft, on his critical use of the materials, notions, and devices available to him - on the play (prism-like) as an instrument of analysis. Although the different contributors have occasionally influenced one another's readings of the play, the essays were written independently; that they are so mutually supportive is the result of the play's central insistence on its own primary meaning, visible from whatever perspective a serious reader may take.
Shakespeare, William, --- Lear, --- King Lear --- Leir, --- Legends --- History and criticism. --- LITERARY CRITICISM / Shakespeare. --- King Lear (Shakespeare, William) --- Shakespeare's King Lear (Shakespeare, William) --- Shakespeare's The tragedie of King Lear (Shakespeare, William) --- Tragedie of King Lear (Shakespeare, William) --- M. William Shake-speare, his true chronicle history of the life and death of King Lear, and his three daughters (Shakespeare, William) --- True chronicle history of the life and death of King Lear, and his three daughters (Shakespeare, William) --- Complete King Lear, 1608-1623 (Shakespeare, William) --- Parallel King Lear, 1608-1623 (Shakespeare, William) --- Liŏ Wang (Shakespeare, William) --- Tragedy of King Lear (Shakespeare, William) --- Shakespeare's Tragedy of King Lear (Shakespeare, William) --- King Lear experience (Shakespeare, William) --- History of King Lear (Shakespeare, William)
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Of the three texts of King Lear--the Quarto version printed in 1608, the Folio edition of 1623, and the modern composite of these two early texts--it has been assumed that both the Quarto and Folio versions arc distortions of an unblemished original" now lost and that only the modern text accurately approaches Shakespeare's lost original manuscript. Steven Urkowitz argues to the contrary that the Quarto and Folio are simply different stages of Shakespear's writing--an early draft and a final revision--and that they reveal much about his process of composition.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Tragedy. --- Kings and rulers in literature. --- Drama --- Lear, --- Shakespeare, William, --- In literature. --- Dramatic production. --- Criticism, Textual.
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In their lectures on King Lear, the eight contributors to this volume fulfill Shakespeare's rigorous injunction to Speak what we feel" about the playwright's amplest tragedy. Representing distinctive but complementary points of view, they cover theatrical history, verbal style, acting and actors, the playwright in his cultural context and in the light of enduring human concerns, and the Shakespearean view of history, tragedy, and psychology.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Tragedy. --- Kings and rulers in literature. --- Drama --- Lear, --- Shakespeare, William, --- In literature.
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Learjet aircraft. --- Learjet aircraft --- History. --- Gates Learjet aircraft --- Lear jet aircraft --- Jet planes
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