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An invaluable collection of documents and discussions of the work of one of the most significant theatre practitioners of the last fifty years.
This unique set of reminiscences, written by one of the actors who worked closely with Kantor over a long period of time, ranges from the anecdotal to the theoretical. Kantor's work offers some of the most disconcerting allegories of Modernism and a quintessential expression of the unconscious during a bitter period of human history. Kantor's stern but affectionate guardianship of his troupe of travelling players comes off Miklaszewski's pages with
Kantor, Tadeusz, --- Ḳanṭor, Ṭadeʼuś --- קנטור, טדאוש --- Criticism and interpretation.
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This book is a compendium of texts by international authors which reflect on Tadeusz Kantor''s art in a broad range of contexts. The studies include works of prominent art historians, theatrologists and artists. The present revisiting of Kantor''s artistic oeuvre reflects a contemporary historiographic approach. The authors place value on individual memory and consider contemporary art outside the traditional boundaries of particular artistic genres. The studies employ the latest strategies for researching theatrical performance as autonomous statements, without a literary anchor. Thanks to th
Kantor, Tadeusz, --- Criticism and interpretation. --- Absurdes Theater --- acting --- Anda --- Anna --- Brys --- Burzynska --- Death --- experimentelles Theater --- Fazan --- Jaroslaw --- Kantor --- Katarzyna --- MacBride --- Maler --- manifestos --- Marta --- Memory --- Metamorphoses --- performance --- Presence --- Tadeusz --- Theatertheoretiker --- Today --- Today! --- Translated
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Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski's 'Akropolis' and Tadeusz Kantor's 'Dead Class'. By examining each director's representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
Holocaust, Jewish (1939-1945), in art. --- Theater --- Experimental theater. --- History --- Grotowski, Jerzy, --- Kantor, Tadeusz, --- Criticism and interpretation. --- Alternative theater --- Avant-garde theater --- Ḳanṭor, Ṭadeʼuś --- קנטור, טדאוש --- Gkrotophski, Gierzi, --- Гротовский, Ежи, --- Grotovskiĭ, Ezhi, --- Groṭovsḳi, Yez'i, --- גרוטובסקי, יז'י --- Performing Arts --- History & Criticism
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