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Op een dag ontsnapt er uit één van meneer Kandinsky's schilderijen een blauw, huppelend paardje. Zo begint het verhaal over de schilder Kandinsky. Het blauwe paardje zal zijn metgezel worden, door dik en dun. Dankzij de influisteringen van het paardje zal meneer Kandinsky nieuwe schilderijen gaan maken - schilderijen zoals de wereld die nog niet had gezien. Maar dan, op een dag, is het blauwe paardje spoorloos verdwenen. Meneer Kandinsky blijft eenzaam achter, treurend over het verlies van zijn vriend ...

Dutch literature --- schilderkunst (themawoord fictie) --- schilders (themawoord fictie) --- prentenboeken (genre) --- Kandinsky, Vasili Vassileevich --- Kandinsky, Vassily --- Schilderkunst --- Rusland --- Prentenboeken --- Jeugdboeken 07-09 jaar --- JB REMM --- prentenboeken --- Wassily Kandinsky --- Prentenboek --- Kandinsky, Wassily --- Schoolbooks - Didactic material --- Prentenboeken ; verhalend --- Schilderen ; verhalen --- 110469.jpg --- 19de eeuw --- Tekenkunst --- kunsteducatie. --- kind. --- Kandinsky, Wassily.

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6

Kandinsky, Vasili Vassileevich --- Kandinsky, Wassily --- Criticism and interpretation --- Painting [Abstract ] --- Painting --- Russia --- History --- 19th century --- 20th century --- 737.8 --- Wassily Kandinsky --- 20e eeuw --- Blaue Vier --- abstracte kunst --- schilderkunst --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- 75.071 KANDINSKY --- Bauhaus --- Hajo Düchting --- Kandinsky Wassily --- abstracte schilderkunst --- abstractie --- kunst --- negentiende eeuw --- twintigste eeuw --- 19e eeuw --- 20ste eeuw --- Rusland --- Schilderkunst --- Kunst --- 737.8 Schilder- en tekenkunst ; 20e eeuw --- Kandinsky, Vassily --- Der Blaue Reiter --- Tekenkunst

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This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to "spirit" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky's writings, the book also includes a discussion of a 1936 essay on the artist's paintings written by his own nephew, philosopher Alexandre Kojève, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel's views on modern art, yet operates in much the same manner as does Hegel's philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century.

Aesthetics --- Kandinsky, Vasili Vassileevich --- Aesthetics. --- Art --- Painting, Modern --- Painting, Abstract. --- Esthétique --- Peinture --- Peinture abstraite --- Philosophy. --- Philosophie --- Hegel, Georg Wilhelm Friedrich, --- Kandinsky, Wassily, --- Painting, Abstract --- Groupe Mémoires (Group of artists) --- Abstract painting --- Non-objective painting --- Painting, Non-objective --- Beautiful, The --- Beauty --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- Kandinski, Vasilij, --- Kandinskiĭ, Vasiliĭ, --- Kandinskiĭ, Vasiliĭ Vasilʹevich, --- Kandinskij, Vasilij Vasil'evič, --- Kandinsky, --- Kandinsky, Basile W., --- Kandinsky, Vasily, --- Kandinsky, Vassily, --- Kandinsky, Wassili, --- Kandinsky, Wassily Wassilyevich, --- Kʻang-ting-ssu-chi, --- Kʻang-ting-ssu-chi, Wa-hsi-li, --- Кандинский, Василий, --- Кандинский, Василий Васильевич, --- קנדינסקי, וסילי, --- Criticism and interpretation. --- Kandinskiĭ, V. V. --- Кандинский, В. В. --- Kangdingsiji, --- 康定斯基, --- Kangdingsiji,, Waxili, --- 康定斯基, 瓦西里, --- Groupe Mémoires (Group of artists) --- Kandinskiĭ, Vasiliĭ, --- Кандинский, Василий, --- Kandinskiĭ, Vasiliĭ Vasilʹevich, --- Кандинский, Василий Васильевич, --- Kandinskiĭ, V. V. --- Кандинский, В. В. --- Kandinskij, Vasilij Vasil'evič, --- Kʻang-ting-ssu-chi, --- 康定斯基, --- Kʻang-ting-ssu-chi, Wa-hsi-li, --- 康定斯基, 瓦西里, --- קנדינסקי, וסילי, --- Art -- Philosophy. --- Hegel, Georg Wilhelm Friedrich, -- 1770-1831. -- Ästhetik. --- Kandinsky, Wassily, -- 1866-1944 -- Criticism and interpretation. --- Painting, Modern -- 20th century. --- Visual Arts --- Art, Architecture & Applied Arts --- Painting --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Modern painting --- Paintings, Modern --- Art, Primitive --- Radio broadcasting Aesthetics --- Kandinsky, Wassily --- Painting, Modern. --- Art.