Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Jacobs, Louisa Matilda, --- Purvis, Annie --- Purvis, Harriet Ann, --- Brent, Ellen,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Theorien und Methoden als an ein bestimmtes Gesellschaftssystem gebunden zu erkennen; oder sind die Voraussetzungen für einen marxistischen Ansatz wirklich nur in einer sozialistischen Gesellschaft gegeben?

dialektische Materialismus --- Diskussion --- eine --- Gibt --- Jacobs --- Marxismus --- marxistische --- marxistische Sprachwissenschaft --- Nicht-strukturalistische Sprachwissenschaft --- sowjetische Linguistik --- Sowjetunion --- Sprachwissenschaft? --- sprachwissenschaftstheoretischen

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando, in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten.A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.

film --- filmgeschiedenis --- Verenigde Staten --- experimentele film --- Vogel Amos --- Greaves William --- Belson Jordan --- Peleshian Arthur --- Burnett Charles --- Kazuo Hara --- Watkins Peter --- Jacobs Ken --- Deocampo Nick --- Kaul Mani --- Baldwin Craig --- Nelson Gunvor --- Choy Christine --- Lowder Rose --- Hutton Peter --- Export Valie --- Bokanowski Patrick --- Gianikian Yervant --- Ricci Lucchi Angela --- Merhige Elias --- Mare Aline --- Smith Cauleen --- Porter John --- Montañez Ortiz Raphael --- Arnold Martin --- Potter Sally --- Jacobs Flo --- 791.43 --- Filmologie. Filmtheorie. Esthetica van de film --- Experimental films --- History and criticism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Based on cross-disciplinary and transnational approaches, this book offers new insights into Jane Jacobs's complex and often contrarian way of thinking. Now, more than 50 years after the initial publication of her famous book 'The Death and Life of Great American Cities' (1961) in a period of rapid globalisation and deregulated approaches in planning, new challenges have arisen. The contributors in this book argue that it is not possible simply to follow Jane Jacobs's ideas to the letter, but instead it is necessary to contextualize them and consider how they might be updated.

City planning. --- Urban renewal. --- Model cities --- Renewal, Urban --- Urban redevelopment --- Urban renewal projects --- City planning --- Land use, Urban --- Urban policy --- Cities and towns --- Civic planning --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban renewal --- Government policy --- Management --- Jacobs, Jane, --- Butzner, Jane,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Throughout the nineteenth century, American fiction displayed a fascination with women's speech - describing how women's voices sound, what happens when women speak and what reactions their speech produces, especially in their male listeners. Voices of the Nation argues that closer inspection of these recurring descriptions also performed political work that has had a profound - though unspecified to date - impact on American culture. Commentaries on the female voice were propounded by writers such as Henry James, William Dean Howells and Noah Webster, and these texts played a central role in attempts to define and enforce the radical social changes instituted by the emerging bourgeoisie.

American fiction --- Women and literature --- Public speaking for women --- Public speaking for women in literature. --- Oratory in literature. --- Speech in literature. --- Voice in literature. --- Women in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Women --- History and criticism. --- History --- Women authors --- Public speaking --- Oratory in literature --- Public speaking for women in literature --- Speech in literature --- Voice in literature --- Women in literature --- American literature --- Women authors&delete& --- History and criticism --- 19th century --- United States --- Art oratoire dans la littérature --- Hale, Sarah Josepha Buell --- Southworth, Emma Dorothy Elisa Nevitte --- Hentz, Caroline Lee Whiting --- Jacobs, Harriet Ann --- Phelps, Elizabeth Stuart --- Monk, Maria --- Blake, Lillie Devereux --- Arts and Humanities --- Literature