Listing 1 - 10 of 15 | << page >> |
Sort by
|
Choose an application
Digital images. --- Digitized images --- Images, Digital --- Pictures
Choose an application
This book presents several recent advances that are related or fall under the umbrella of 'digital image processing', with the purpose of providing an insight into the possibilities offered by digital image processing algorithms in various fields. The presented mathematical algorithms are accompanied by graphical representations and illustrative examples for an enhanced readability. The chapters are written in a manner that allows even a reader with basic experience and knowledge in the digital image processing field to properly understand the presented algorithms. Concurrently, the structure of the information in this book is such that fellow scientists will be able to use it to push the development of the presented subjects even further.
Digital images. --- Digitized images --- Images, Digital --- Pictures --- Image processing
Choose an application
Is it possible to make mathematical drawings that help to understand mathematical ideas, proofs and arguments? The authors of this book are convinced that the answer is yes and the objective of this book is to show how some visualization techniques may be employed to produce pictures that have both mathematical and pedagogical interest. Mathematical drawings related to proofs have been produced since antiquity in China, Arabia, Greece and India but only in the last thirty years has there been a growing interest in so-called 'proofs without words'. Hundreds of these have been publised in Mathematics Magazine and The College Mathematics Journal, as well as in other journals, books, and on the Internet. Often times, a person encountering a 'proof without words' may have the feeling that the pictures involved are the result of a serendipitous discovery or the consequence of an exceptional ingenuity on the part of the picture's creator. In this book the authors show that behind most of the pictures 'proving' mathematical relations are some well-understood methods. As the reader shall see, a given mathematical idea or relation may have many different images that justify it, so that depending on the teaching level or the objectives for producing the pictures, one can choose the best alternative.
Mathematics --- Digital images. --- Digitized images --- Images, Digital --- Pictures --- Graphic methods --- Nomography (Mathematics) --- Study and teaching. --- Study and teaching (Higher) --- Math --- Science
Choose an application
Perception of Pixelated Images covers the increasing use of these images in everyday life as communication, socialization, and commerce increasingly rely on technology. The literature in this book is dispersed across a wide group of disciplines, from perception and psychology to neuroscience, computer science, engineering, and consumer science. The book summarizes the research to date, answering such questions as, What are the spatial and temporal limits of perceptual discrimination of pixelated images?, What are the optimal conditions for maximizing information extracted from pixelated images?, and How does the method of pixelation compromise or assist perception? Integrates research from psychology, neuroscience, computer science, and engineering Explains how the process of perception works for pixelated images Identifies what assists and hinders perception, including the method of pixelation Discusses the limits of perception of pixelated images--
Three-dimensional imaging. --- Digital images. --- 3-D imaging --- 3D imaging --- Three-dimensional imaging systems --- Three-dimensional imaging techniques --- Three-dimensional visualization --- Visualization, Three-dimensional --- Imaging systems --- Digitized images --- Images, Digital --- Pictures
Choose an application
This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions usually focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" of the circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms, so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible.
Motion pictures --- Digital images --- History. --- Digitized images --- Images, Digital --- History and criticism --- Pictures --- Motion pictures. --- Film Theory. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- 2000-2099
Choose an application
Imaging Identity presents potent reflections on the human condition through the prism of portraiture. Taking digital imaging technologies and the dynamic and precarious dimensions of contemporary identity as critical reference points, these essays consider why portraits continue to have such galvanising appeal and perform fundamental work across so many social settings. This multidisciplinary enquiry brings together artists, art historians, art theorists and anthropologists working with a variety of media. Authors look beyond conventional ideas of the portrait to the wider cultural contexts, governmental practices and intimate experiences that shape relationships between persons and pictures. Their shared purpose centres on a commitment to understanding the power of images to draw people into their worlds. Imaging Identity tracks a fundamental symbiosis -- to grapple with the workings of images is to understand something vital of what it is to be human.
Portraits. --- Personality and culture. --- Digital images. --- Computer art. --- Art, Computer --- Computer craft --- Digital art --- Digitized images --- Images, Digital --- Civilization and personality --- Culture and personality --- Portraiture --- New media art --- Pictures --- Civilization --- Culture --- Ethnopsychology --- Art --- Biography --- portraiture --- art --- digital technology --- anthropology --- Essay --- Photography --- Rembrandt
Choose an application
Transnational Literate Lives in Digital Times is a book-length project designed to document how people outside and within the United States take up digital literacies and fold them into the fabric of their daily lives.
Digital communications --- Digital Images --- Digital media --- Manners and customs. --- Digitized images --- Images, Digital --- Pictures --- Communications, Digital --- Digital transmission --- Pulse communication --- Digital electronics --- Pulse techniques (Electronics) --- Telecommunication --- Signal processing --- Digital techniques --- Computers and literacy. Rhetoric. Digital media -- Social aspects. Literature and transnationalism. Communication and technology. --- Digital images --- Social aspects.
Choose an application
Historical scholarship is currently undergoing a digital turn. All historians have experienced this change in one way or another, by writing on word processors, applying quantitative methods on digitalized source materials, or using internet resources and digital tools. Digital Histories showcases this emerging wave of digital history research. It presents work by historians who – on their own or through collaborations with e.g. information technology specialists – have uncovered new, empirical historical knowledge through digital and computational methods. The topics of the volume range from the medieval period to the present day, including various parts of Europe. The chapters apply an exemplary array of methods, such as digital metadata analysis, machine learning, network analysis, topic modelling, named entity recognition, collocation analysis, critical search, and text and data mining. The volume argues that digital history is entering a mature phase, digital history ‘in action’, where its focus is shifting from the building of resources towards the making of new historical knowledge. This also involves novel challenges that digital methods pose to historical research, including awareness of the pitfalls and limitations of the digital tools and the necessity of new forms of digital source criticisms. Through its combination of empirical, conceptual and contextual studies, Digital Histories is a timely and pioneering contribution taking stock of how digital research currently advances historical scholarship.
History --- Electronic information resources. --- Electronic records. --- Digital images. --- Methodology. --- Digitized images --- Images, Digital --- Pictures --- Computer-based records --- Digital records --- Digitized records --- Documents in machine-readable form --- Machine-readable records --- Records --- Digital information resources --- Digital resources (Information resources) --- Electronic information sources --- Electronic resources (Information resources) --- Information resources --- Historiography
Choose an application
What if modernism had been characterised by evolving, interconnected and multi-sensory images rather than by the monolithic objects often described by its artists and theorists? In this groundbreaking book, Charissa Terranova unearths a forgotten narrative of modernism, which charts the influence that biology, General Systems Theory and cybernetics had on art in the twentieth century. From kinetic and interactive art to early computer art and installations spanning an entire city, she shows that the digital image was a rich and expansive artistic medium of modernism. This book links the emergence of the digital image to the dispersion of biocentric aesthetic philosophies developed by Bauhaus pedagogue Laszlo Moholy-Nagy, from 1920s Berlin to the Massachusetts Institute of Technology in the 1970s. It uncovers seminal but overlooked references to biology, the organism, feedback loops, emotions and the Gestalt, along with an intricate genealogy of related thinkers across disciplines. Terranova reinterprets major art movements such as the Bauhaus, Op Art and Experiments in Art and Technology (E.A.T.), by referencing contemporary insights from architects, embryologists, electrical engineers and computer scientists, among others. This book reveals the complex connections between visual culture, science and technology that comprise the deep history of twentieth-century art.
Digital images. --- Digitized images --- Images, Digital --- Pictures --- Art and biology. --- Modern art --- Modernism (Art) --- Moholy-Nagy, László, --- Art, Modernist --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Biology and art --- Biology --- Moholy-Nagy, Ladislaus, --- Nagy, László Moholy-, --- Nagy, Ladislaus Moholy-, --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists)
Choose an application
Digital preservation. --- Digital images. --- Historic sites. --- Heritage places, Historic --- Heritage sites, Historic --- Historic heritage places --- Historic heritage sites --- Historic places --- Historical sites --- Places, Historic --- Sites, Historic --- Archaeology --- History --- Historic buildings --- Monuments --- World Heritage areas --- Digitized images --- Images, Digital --- Pictures --- Computer files --- Digital curation --- Digital media --- Electronic preservation --- Preservation of digital information --- Preservation of materials --- Conservation and restoration --- Preservation --- Llocs històrics --- Imatges digitals --- Preservació digital
Listing 1 - 10 of 15 | << page >> |
Sort by
|