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In Female Beauty in Art, a series of essays examine the presence and role of female beauty in art, history and culture, and consider the ways in which beauty can function as a discourse of female identity. As a concept, female beauty is unique in that it can contain compelling imbrications of gender ideologies, images, relations, cultural constructions and modes of interaction between persons and the institutions that define their lives. Thus, female beauty can provide proliferating methods t...
Feminine beauty (Aesthetics) --- Women --- Female identity --- Feminine identity --- Identity (Psychology) --- Ideal beautiful women --- Aesthetics --- Women in art --- Identity.
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'Exploring the Black Venus Figure in Aesthetic Practices' critically examines a longstanding colonial fascination with the black female body as an object of sexual desire, envy, and anxiety. Since the 2002 repatriation of the remains of Sara Baartman to post-apartheid South Africa, the interest in the figure of Black Venus has skyrocketed, making her a key symbol for the restoration of the racialized female body in feminist, anti-racist and postcolonial terms. Edited by Jorunn Gjerden, Kari Jegerstedt, and Zeljka Svrljuga, this volume considers Black Venus as a product of art established and potentially refigured through aesthetic practices, following her travels through different periods, geographies and art forms from Baudelaire to Kara Walker, and from the Caribbean to Scandinavia.
Aesthetics --- Ethnology. Cultural anthropology --- essays --- postcolonialism --- Venus [Mythological character] --- Noires --- Beauté féminine (esthétique) --- Dans l'art --- Dans l'art. --- Women, Black, in art. --- Feminine beauty (Aesthetics) --- Ideal beautiful women --- Women in art
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Working at the forefront of cosmetic surgery at the turn of the twentieth century, Dr Suzanne Noël was both a pioneer in her medical field and a firm believer in the advancement of women. Today her views on the benefits of aesthetic surgery to women may seem at odds with her feminist principles, but by placing Noël in the context of turn-of-the-century French culture, this book is able to demonstrate how these two worldviews were reconciled. This book sheds much valuable light on advances in aesthetic surgery, twentieth-century beauty culture, women and the public sphere, and the 'new woman'.
Surgery, Plastic --- Feminine beauty (Aesthetics) --- Feminism --- Emancipation of women --- Feminist movement --- Women --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- Ideal beautiful women --- Aesthetics --- Women in art --- Aesthetic surgery --- Cosmetic surgery --- Plastic surgery --- Reconstructive surgery --- Surgery, Aesthetic --- Surgery, Cosmetic --- Surgery, Reconstructive --- Transplantation of organs, tissues, etc. --- Plastic surgeons --- History --- Emancipation --- Noël, Suzanne,
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For centuries, Japanese culture, including ideals of feminine beauty, was profoundly shaped by China. In this first full comparative history on the subject, Cho Kyo explores changing standards of beauty in China and Japan, ranging from plumpness to bound feet to blackened teeth. Drawing on a rich array of sources gathered over a decade of research, he considers which Chinese representations were rejected or accepted and transformed in Japan. He then traces the introduction of Western aesthetics into Japan starting in the Meiji era, leading to slowly developing but radical changes in the repres
Feminine beauty (Aesthetics) --- Ideal beautiful women --- Aesthetics --- Women in art --- History. --- J4176 --- J6020 --- S11/0710 --- S17/0430 --- History --- Japan: Sociology and anthropology -- gender roles, women, feminism --- Japan: Art and antiquities -- Japanese aesthetics (Japonism) --- China: Social sciences--Women: general and before 1949 --- China: Art and archaeology--Esthetics
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This text explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. Focusing on the emergence of the 'soul style' movement, represented in clothing, jewelry, hairstyles, and more, the book shows that black women's fashion choices became galvanizing symbols of gender and political liberation.
Globalization --- Stereotypes (Social psychology) in fashion --- Beauty, Personal --- Feminine beauty (Aesthetics) --- Women, Black --- Minority women --- Global cities --- Globalisation --- Internationalization --- International relations --- Anti-globalization movement --- Fashion --- Beauty --- Complexion --- Grooming, Personal --- Grooming for women --- Personal beauty --- Personal grooming --- Toilet (Grooming) --- Hygiene --- Beauty culture --- Beauty shops --- Cosmetics --- Ideal beautiful women --- Aesthetics --- Women in art --- Black women --- Women, Negro
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The story of how and why some women choose to use, while others refuse, cosmetic intervention.What is it like to be a woman growing older in a culture where you cannot go to the doctor, open a magazine, watch television, or surf the internet without encountering products and procedures that are designed to make you look younger? What do women have to say about their decision to embrace cosmetic anti-aging procedures? And, alternatively, how do women come to decide to grow older without them? In the United States today, women are the overwhelming consumers of cosmetic anti-aging surgeries and technologies. And while not all women undergo these procedures, their exposure to them is almost inevitable.Set against the backdrop of commercialized medicine in the United States, Abigail T. Brooks investigates the anti-aging craze from the perspective of women themselves, examining the rapidly changing cultural attitudes, pressures, and expectations of female aging. Drawn from in-depth interviews with women in the United States who choose, and refuse, to have cosmetic anti-aging procedures, The Ways Women Age provides a fresh understanding of how today’s women feel about aging. The women’s stories in this book are personal biographies that explore identity and body image and are reflexively shaped by beauty standards, expectations of femininity, and an increasingly normalized climate of cosmetic anti-aging intervention. The Ways Women Age offers a critical perspective on how women respond to 21st century expectations of youth and beauty.The story of how and why some women choose to use, while others refuse, cosmetic intervention.What is it like to be a woman growing older in a culture where you cannot go to the doctor, open a magazine, watch television, or surf the internet without encountering products and procedures that are designed to make you look younger? What do women have to say about their decision to embrace cosmetic anti-aging procedures? And, alternatively, how do women come to decide to grow older without them? In the United States today, women are the overwhelming consumers of cosmetic anti-aging surgeries and technologies. And while not all women undergo these procedures, their exposure to them is almost inevitable.Set against the backdrop of commercialized medicine in the United States, Abigail T. Brooks investigates the anti-aging craze from the perspective of women themselves, examining the rapidly changing cultural attitudes, pressures, and expectations of female aging. Drawn from in-depth interviews with women in the United States who choose, and refuse, to have cosmetic anti-aging procedures, The Ways Women Age provides a fresh understanding of how today’s women feel about aging. The women’s stories in this book are personal biographies that explore identity and body image and are reflexively shaped by beauty standards, expectations of femininity, and an increasingly normalized climate of cosmetic anti-aging intervention. The Ways Women Age offers a critical perspective on how women respond to 21st century expectations of youth and beauty.
Feminine beauty (Aesthetics) --- Older women. --- Aging --- Body image in women. --- Surgery, Plastic --- Aesthetic surgery --- Cosmetic surgery --- Plastic surgery --- Reconstructive surgery --- Surgery, Aesthetic --- Surgery, Cosmetic --- Surgery, Reconstructive --- Transplantation of organs, tissues, etc. --- Plastic surgeons --- Women --- Aged women --- Older people --- Ideal beautiful women --- Aesthetics --- Women in art --- Psychological aspects. --- Social aspects. --- Psychology
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Women in Lagos, Nigeria, practice a spectacularly feminine form of black beauty. From cascading hair extensions to immaculate makeup to high heels, their style permeates both day-to-day life and media representations of women not only in a swatch of Africa but across an increasingly globalized world. Simidele Dosekun's interviews and critical analysis consider the female subjectivities these women are performing and desiring. She finds that the women embody the postfeminist idea that their unapologetically immaculate beauty signals - but also constitutes - feminine power. As empowered global consumers and media citizens, the women deny any need to critique their culture or to take part in feminism's collective political struggle.
Women --- Feminine beauty (Aesthetics) --- Feminism --- Social conditions. --- Emancipation of women --- Feminist movement --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- Ideal beautiful women --- Aesthetics --- Women in art --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Emancipation
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“A stimulating and timely contribution to the gender and language field! In this engaging work, Natalia Konstantinovskaia tackles the complex interrelations between beauty ideologies and women’s agency in Russia and Japan.” --Momoko Nakamura, Kanto Gakuin University, Japan This book conducts a cross-linguistic and cross-cultural study of 'women’s language' as it pertains to feminine beauty. It examines the ideological constructs of beauty and femininity in the cultures of Japan and Russia, as embodied through televised beauty ads, and relates them to the real-world language practices of Japanese and Russian women. The author traces the reciprocal connection between women’s real and imagined language in the construction of ideals of beauty and femininity, revealing the complex ways women respond to ideological expectations regarding language use: assimilating, transforming, and subverting ideologized language and the assumptions implicit in it. She also demonstrates ways in which women alter the texture of language by appropriating 'masculine' language for their own purposes, shifting the meaning and correlates of linguistic items and structures. This book will be of interest to students and scholars of sociolinguistics, language and gender, cultural and media studies, and Russian and Japanese culture. Natalia Konstantinovskaia is Senior Japanese Language Expert at Busuu in London, UK. She earned her PhD in Japanese Linguistics from the University of California, US.
Feminine beauty (Aesthetics) --- Ideal beautiful women --- Aesthetics --- Women in art --- Sociolinguistics. --- Culture. --- Gender. --- Women. --- Discourse analysis. --- Language and Gender. --- Culture and Gender. --- Women's Studies. --- Discourse Analysis. --- Discourse grammar --- Text grammar --- Semantics --- Semiotics --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Language and languages --- Language and society --- Society and language --- Sociology of language --- Language and culture --- Linguistics --- Sociology --- Integrational linguistics (Oxford school) --- Social aspects --- Sociological aspects
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What makes a woman’s body beautiful? Plastic surgery, cosmetic surgery and non-surgical interventions such as Botox are changing women’s bodies physically and affecting cultural notions and expectations of what it means to be a woman. Yet where does the law stand? Is the renovation of women’s bodies legal? This book explores a range of topics, including: whether shape-changing by surgical and non-surgical means is ‘really’ what women want; the question of legal intervention when operations, injections and other methods go wrong; the impact of consent determinations on whether women can or cannot freely seek changes to their body structure; and the role which culture and social expectations play in women’s decision-making. Taking a legal perspective on the vast range of ‘beauty’ interventions available to women, Scutt discusses women’s perceptions of body and beauty, pressures on women to conform to ‘idealised’ notions of the perfect woman’s body, and outcomes of legal actions including those taken by individual women who are unhappy with results, as well as those launched against companies trading in products advertised as safe and for women’s benefit. Beauty, Women’s Bodies and the Law will appeal to readers with an interest in women’s and gender studies, law, and cultural studies. Jocelynne A. Scutt is Senior Teaching Fellow and formerly Visiting Professor at the University of Buckingham, UK, as well as a barrister, human rights lawyer, historian and filmmaker.
Human body—Social aspects. --- Sociology. --- Law and the social sciences. --- Sociology of the Body. --- Gender Studies. --- Socio-legal Studies. --- Social sciences and law --- Social sciences --- Sociological jurisprudence --- Social theory --- Feminine beauty (Aesthetics) --- Beauty, Personal --- Women --- Social aspects. --- Social conditions. --- Feminism --- Beauty --- Complexion --- Grooming, Personal --- Grooming for women --- Personal beauty --- Personal grooming --- Toilet (Grooming) --- Hygiene --- Beauty culture --- Beauty shops --- Cosmetics --- Ideal beautiful women --- Aesthetics --- Women in art
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Leading feminist scholars have been brought together for the first time in this comprehensive volume to reveal the complexity of feminist engagements with the exponentially growing cosmetic surgery phenomenon. Offering a diversity of theoretical, methodological and political approaches Cosmetic Surgery: A Feminist Primer presents not only the latest, cutting-edge research in this field but a challenging and unique approach to the issue that will be of key interest to researchers across the social sciences and humanities.
Surgery, Plastic --- Feminine beauty (Aesthetics) --- Body image in women. --- Feminist theory. --- Chirurgie plastique --- Beauté féminine (Esthétique) --- Image du corps chez la femme --- Théorie féministe --- Social aspects. --- Psychological aspects. --- Aspect social --- Aspect psychologique --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Women --- Ideal beautiful women --- Aesthetics --- Women in art --- Aesthetic surgery --- Cosmetic surgery --- Plastic surgery --- Reconstructive surgery --- Surgery, Aesthetic --- Surgery, Cosmetic --- Surgery, Reconstructive --- Transplantation of organs, tissues, etc. --- Plastic surgeons --- Philosophy --- Psychology
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