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Friedrich Hölderlin must be considered not only a significant poet but also a philosophically important thinker within German Idealism. In both capacities, he was crucially preoccupied with the question of tragedy, yet, surprisingly, this book is the first in English to explore fully his philosophy of tragedy. Focusing on the thought of Hegel, Nietzsche, Heidegger, and Reiner Schürmann, Véronique M. Fóti discusses the tragic turning in German philosophy that began at the close of the eighteenth century to provide a historical and philosophical context for an engagement with Hölderlin. She goes on to examine the three fragmentary versions of Hölderlin's own tragedy, The Death of Empedocles, together with related essays, and his interpretation of Sophoclean tragedy. Fóti also addresses the relationship of his character Empedocles to the pre-Socratic philosopher and concludes by examining Heidegger's dialogue with Hölderlin concerning tragedy and the tragic.

Tragedy --- Drama --- Philosophy. --- Hölderlin, Friedrich, --- Hölderlin, Friedrich --- Gelʹderlin, Fridrikh, --- Hölderlin, Johann Christian Friedrich, --- Kholʹderlin, Fridrikh, --- Holderlin, Frederich, --- הלדרלין, פרידריך, --- Philosophy --- Holderlin, Friedrich,

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Authors, German --- Languages & Literatures --- Germanic Literature --- Correspondence. --- Correspondence --- Hölderlin, Friedrich, --- Hölderlin, Friedrich --- Gelʹderlin, Fridrikh, --- Hölderlin, Johann Christian Friedrich, --- Kholʹderlin, Fridrikh, --- Holderlin, Frederich, --- הלדרלין, פרידריך, --- Aesthetics.

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Authors, German --- Germanic Literature --- Languages & Literatures --- Gontard, Susette Borkenstein, --- Hölderlin, Friedrich, --- Hölderlin, Friedrich --- Gelʹderlin, Fridrikh, --- Hölderlin, Johann Christian Friedrich, --- Kholʹderlin, Fridrikh, --- Holderlin, Frederich, --- הלדרלין, פרידריך, --- Relations with women. --- Gontard, Susette Borkenstein --- Correspondence --- Hölderlin, Friedrich --- Authors [German ] --- 18th century --- Relations with women --- Fiction

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Schiller und Hölderlin gehören um 1800 zu einer Gruppe von Autoren, die ihre literarästhetische Position in Abgrenzung zur zeitgenössischen Philosophie bestimmen. Sie grenzen die ästhetische Erfahrung vom theoretischen Zugriff der Philosophie ab und rücken die Fähigkeit der Dichtung, abstraktes Denken darstellen zu können, in den Mittelpunkt ihrer Überlegungen. Die Überzeugung, Kunst und insbesondere Literatur könne aufgrund ihrer Darstellungsqualität eindringlicher auf den Rezipienten wirken als abstrakte Argumentation, hat Konsequenzen für die Auswahl der dargestellten Themen, die formale Gestaltung der literarischen Texte und die Aneignung von Gattungstraditionen. Ausgehend von einer vergleichbaren Argumentationsfigur wenden Schiller und Hölderlin unterschiedliche Mittel an, um spekulative Gedankengebäude in literarische Sprachformen zu übersetzen. Die vorliegende Arbeit rekonstruiert die leitenden theoretischen Positionen beider Autoren und untersucht anhand exemplarischer literarischer Beispiele - Schillers "Die Jungfrau von Orleans" und Hölderlins Elegien - den Zusammenhang zwischen ästhetischer Reflexion und literarischer Darstellung.

Literary Studies --- Aesthetics in literature. --- Hölderlin, Friedrich. --- Schiller, Friedrich von. --- von Schiller, Friedrich. --- Ästhetik/ i.d. Literatur. --- Poetik --- Philosophie --- Ästhetische Reflexion --- LITERARY CRITICISM / European / German. --- Reflexion --- Ästhetik --- Philosophieren --- Philosoph --- Philosophin --- Dichtungstheorie --- Literarästhetik --- Literaturästhetik --- Dichtkunst --- Literaturtheorie --- Poetologie --- German Literature --- 18th Century. --- Literatur --- Schiller, Friedrich, --- Hölderlin, Friedrich, --- Hölderlin, Friedrich --- Gelʹderlin, Fridrikh, --- Hölderlin, Johann Christian Friedrich, --- Kholʹderlin, Fridrikh, --- Holderlin, Frederich, --- הלדרלין, פרידריך, --- von Schiller, Friedrich --- Schiller, Jean Christophe Frédéric --- von Schiller, --- von Schiller, Johann Christoph Friedrich --- Aesthetics. --- Swillŏ, Pʻŭridŭrihi, --- Hsi-lo, --- Shiler, Fridrikh, --- Schiller, Friedrich von, --- Shiller, Fridrikh, --- Schiller, Johann Christoph Friedrich von, --- Schiller, Frederick, --- Hsi-le, --- Shiller, F. --- Schiller, Frideriko, --- Šileri, Pʻridrix, --- Šileris, Frydrichas, --- Schiller, J. C. F. von --- פריגריך פאן שיללער, --- שיללער --- שיללער פריעדריך --- שיללער, פרידריך --- שיללער, פרידריך, --- שיללער, פ., --- שילער, פרידריך --- שילער, פרידריך, --- שילר, יוהן כריסטוף פרידדריך פון, --- שילר, יוהן כריסטוף פרידריך פון, --- שילר, פרידריך --- שילר, פרידריך, --- שילר, פ. --- שלר, פרידריך, --- Schiller, J. C. Friedrich von --- Hölderlin, Friedrich, --- Ästhetik --- Literarästhetik --- Literaturästhetik

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What is the nature of poetic language when its experience involves an encounter with finitude; with failure, loss, and absence? For Martin Heidegger this experience is central to any thinking that would seek to articulate the meaning of being, but for Friedrich Hölderlin and Maurice Blanchot it is a mark of the tragic and unanswerable demands of poetic language. In Ellipsis, a rigorous, original study on the language of poetry, the language of philosophy, and the limits of the word, William S. Allen offers the first in-depth examination of the development of Heidegger's thinking of poetic language—which remains his most radical and yet most misunderstood work—that carefully balances it with the impossible demands of this experience of finitude, an experience of which Hölderlin and Blanchot have provided the most searching examinations. In bringing language up against its limits, Allen shows that poetic language not only exposes thinking to its abyssal grounds, but also indicates how the limits of our existence come themselves, traumatically, impossibly, to speak.

Language and languages --- Poetry. --- Philosophy, Modern --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy. --- Philosophy --- Blanchot, Maurice. --- Hölderlin, Friedrich, --- Heidegger, Martin, --- Hölderlin, Friedrich --- Gelʹderlin, Fridrikh, --- Hölderlin, Johann Christian Friedrich, --- Kholʹderlin, Fridrikh, --- Holderlin, Frederich, --- הלדרלין, פרידריך, --- Khaĭdegger, Martin, --- Haĭdegger, Martin, --- Hīdajar, Mārtin, --- Hai-te-ko, --- Haidegŏ, --- Chaitenger, Martinos, --- Chaitenker, Martinos, --- Chaintenger, Martin, --- Khaĭdeger, Martin, --- Hai-te-ko-erh, --- Haideger, Marṭinn, --- Heidegger, M. --- Haideger, Martin, --- Hajdeger, Martin, --- הייגדר, מרתין --- היידגר, מרטין --- היידגר, מרטין, --- 海德格尔, --- Chaintenker, Martin, --- Hāydigir, Mārtīn, --- Hīdigir, Mārtīn, --- هاىدگر, مارتين, --- هىدگر, مارتين, --- モーリス・ブランショ --- Бланшо, Морис, --- Blansho, Moris, --- Blanshoy, Moris, --- Heidegger, Martin --- Holderlin, Friedrich,