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This volume is an exploration of the varied and sometimes unrecognized ways in which music—especially in ritual contexts—can serve as both a spiritual conduit as well as a theological source. With topics ranging from a Congolese choir in Ireland to the Orthodox chant in Georgia, from postmodern reflections on new Passion compositions to reflections on the sacramentality of Black gospel music, this volume offers a rich plumbing of very diverse yet well researched musical traditions—case studies from around the globe—for their spiritual and theological contributions.

Charismatic Prayer Meeting --- Praise and Worship --- Speaking/Singing in Tongues --- spirituality --- music --- wellbeing --- Korean migrants --- Theodor Adorno --- Dietrich Bonhoeffer --- Karl Barth --- Anton Webern --- Gustav Mahler --- demythologization --- secularization --- Confessing Church --- German modernism --- singing --- migration --- asylum-seeker --- refugee --- the sacred --- creativity --- sonority --- Ireland --- the Congo --- Passion --- liminality --- ritual --- postmodernism --- choral music --- 21st century music --- sacred music --- composition --- theology --- theoartistry --- annunciation --- Hebrew Bible --- James MacMillan --- Michael Symmons Roberts --- Jeremy Begbie --- keen --- wake --- funeral --- tradition --- custom --- culture --- history --- chant --- Georgian chant --- Orthodox theology --- exegesis of tradition --- aesthetics --- polyphony --- oral tradition --- Dionysios the Areopagite --- sacramentality --- gospel --- African American --- dance