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Fiction --- Fotografie --- Jeugdboeken --- Prentenboeken
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In het handboek komen onder andere de geschiedenis van de portretfotografie; de overgang van analoog naar digitaal; de grondbeginselen van de portretfotografie en ook zaken als belichten, lichtmeting, scherptediepte, standpunt, flitsers, achtergronden, kleurweergave enzovoort uitgebreid aan bod.
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This easy-to-use guide explores the theory and practice of therapeutic photography, an effective intervention for improving self-esteem, resilience and self-efficacy in a wide range of clients, including those with autism, dementia and mental health problems. It includes a full programme which can be easily adapted for a wide range of needs.
Fotografie --- Therapie --- Creatieve therapie
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Dit is een praktisch handboek voor mensen met een pocketcamera. Het is geschreven voor amateurs en vermijdt technische terminologie en kostbare speciale apparatuur. In plaats daarvan concentreert dit boek zich op wat de kern is van goede fotografie: hoe u de beste resultaten met uw camera kunt bereiken en fouten kunt voorkomen; hoe u goed gebruik kunt maken van het licht, de kleur, het opnamestandpunt en het juiste moment; hoe u een 'fotografisch oog' kunt ontwikkelen voor geschikte onderwerpen. (Bron: Inleiding)
Fotografie --- Photographie --- 070144.jpg --- Kleinbeeldfotografie
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Fotografie --- Photographie --- 071519.jpg --- Diaprojectie
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Meer dan 60 foto's van zeer verschillende producten worden uitgebreid besproken in verband met de belichtingstechnieken Meer dan 60 foto's van zeer verschillende producten worden uitgebreid besproken in verband met de belichtingstechnieken
77.022 --- Fotografie ; belichtingstechnieken --- Fotografie ; gidsen --- Fotografie ; reclame --- Fotografie ; gereedschap, installaties --- Advertising. Public relations --- Photography --- photography [process] --- photographic techniques --- fototechniek --- reclamefotografie --- fotografie --- Graphics industry
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"In Each Wild Idea, Geoffrey Batchen explores widely ranging aspects of photography, from the timing of photography's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography." "The essays all focus on a consideration of specific photographs - from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages in its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at - rather than beyond - the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity."--Jacket.
Photography. --- Photography --- Philosophy. --- ARTS/Photography & Film/General --- 77.01 --- 77 <94> --- 77 <94> Fotografie--Australië --- Fotografie--Australië --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Philosophy --- History --- Photography - History --- Photography - Philosophy
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"Photography matters, writes Jerry Thompson, because of how it works - not only as an artistic medium but also as a way of knowing. It matters because how we understand what photography is and how it works tell us something about how we understand anything."--Jacket.
Photography --- Psychological aspects. --- Philosophy. --- ARTS/Photography & Film/General --- Photographie --- Aspect psychologique. --- Philosophie. --- 77.01 --- fotografie --- fotografietheorie --- kunst en fotografie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Philosophy --- Psychological aspects
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Fotografie --- 640 --- fototechniek --- vrijetijdsbesteding --- temps libre
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