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In becoming ""a useful man"" on the maritime stage, Matthew Fontaine Maury focused light on the ills of a clique-ridden Navy, charted sea lanes and bested Great Britain's admiralty in securing the fastest, safest routes to India and Australia. He helped bind the Old and New worlds with the laying of the transatlantic cable, forcefully advocated Southern rights in a troubled union, and preached Manifest Destiny from the Arctic to Cape Horn. Late in life, he revolutionized warfare in perfecting electronically detonated mines. Maury's eagerness to go to the public in person and in print on the qu
Oceanographers --- Oceanography --- History. --- Maury, Matthew Fontaine,
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Marot, Clément, --- Marot, Clément, --- La Fontaine, Jean de, --- Influence
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The works of Jean de La Fontaine have invited an extraordinary variety of readings in the three centuries since their composition. By engaging selected fables and tales with contemporary notions of intertextuality, reader reception theory, and grammatology, Figures of the Text raises questions about what "reading La Fontaine" meant in the 17th century, and what it means today. The study integrates a theory of reading and a theory of textual production by drawing attention to those aspects of the text that figure writing and reading, for instance: scenes of reading; other modes of writin
La Fontaine, Jean de --- Criticism and interpretation --- Books and reading in literature --- Reader-response criticism --- Intertextuality --- Allegory --- La Fontaine, Jean de, 1621-1695 - Criticism and interpretation. --- Books and reading in literature. --- Reader-response criticism. --- Authorship in literature. --- Intertextuality. --- Allegory. --- Personification in literature --- Symbolism in literature --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Reader-oriented criticism --- Reception aesthetics --- Reading --- La Fontaine, Jean de, --- Lafonten, Zhan de, --- Fontaine, Jean de La, --- De La Fontaine, Jean, --- La Fontaine, J. de --- La Fontaine, --- La Pʻongtʻenŭ, --- Lafonten, Jan du, --- Lafontenn, --- לא פאנטען --- לה פונטין, --- להפונטן, ג׳אן דא, --- לה-פונטן, ז'ן דה-, --- לפונטין, ז׳ן די, --- לפונטין, ז'ן דה, --- Criticism and interpretation. --- Lafonten, Zhan de --- Fontaine, Jean de La --- De La Fontaine, Jean --- La Fontaine --- La Pʻongtʻenŭ --- Lafonten, Jan du --- Lafonten --- de La Fontaine, Jean --- de La Fontaine
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L’ouvrage propose un parcours dans la critique récente des Fables de La Fontaine. Sources, poétique, pensée, biographie, réception : autant de perspectives qui concourent à éclairer un pacte de lecture résolument moderne. Sont d’abord envisagées les sources externes, conformément à la tradition philologique et à la perspective intertextuelle, puis les sources internes qui participent de l’intratextualité du recueil et d’une lecture en échos. La poétique lafontainienne est analysée à partir de la tradition giralducienne du poète pour déboucher sur une poétique de l’ironie, qui constitue une des directions les plus fécondes de la recherche actuelle, aux prises avec un auteur rebelle aux simplifications et classifications. La Fontaine moraliste ? philosophe ? politique ? Autant d’entrées mettant en évidence la diversité des Fables sans la réduire cependant à une école ou un courant. Les rapports entre l’homme et l’œuvre sont complexes et ambigus et n’en finissent pas de tisser un mythe auquel le fabuliste n’est sûrement pas étranger. Les Fables sont “l’avant texte le plus fréquent et le plus copieux de toute notre littérature”, pour reprendre l’heureuse formule de Pierre Malandain ; elles ont suscité des réceptions multiples et variées n’en finissant pas d’éclairer les virtualités d’une œuvre qui ne cesse de nous surprendre. Au total, le lecteur des Fables dont “la raison est toujours la meilleure” est convoqué à travers une réflexion sur l’acte d’écrire et de lire qui parcourt l’ensemble des recueils. Saura-t-il entendre l’invitation du jardin des Fables ? Acceptera-t-il de se laisser séduire dans une fascination consentie et éveillée ? On ne peut rêver plus belle connivence...
Fontaine, de La, Jean --- Fables, French --- History and criticism --- La Fontaine, Jean de, --- History and criticism. --- La Fontaine, Jean de --- Fables [French ] --- Fables, French - History and criticism --- La Fontaine, Jean de, - 1621-1695 - Fables --- analyse littéraire --- pacte de lecture --- poésie --- moderne --- lecture
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La confrontation des données recueillies à partir de sources documentaires aussi différentes que des archives comptables et les vestiges archéologiques d’un système minier, constitue la clef de voûte de cet ouvrage consacré aux Documents d’Archéologie Française mines d’argent du duc de Lorraine dans le Val de Lièpvre entre 1512 et 1628 (Haut-Rhin). Cette démarche originale nous conduit, à travers le dédale d’un réseau complexe de galeries et de puits, vers la découverte non seulement d’une organisation spatiale rationnelle accompagnée de techniques de construction et d’exploitation spécifiques, mais également des conditions économiques et politiques ayant favorisé son développement. Alliant ainsi histoire et archéologie, cette recherche représente pour la connaissance des mines et de ses techniques, un document d’une grande richesse d’informations à l’usage aussi bien des spécialistes que des néophytes. The juxtaposition of data from sources as widely differing as account-books and the archaeological remains of a mining System is the keystone of this work devoted to the bistory of the Duke of Lorraine’s silver mines in the Lièpvre Valley (Haut-Rhin) between 1512 and 1628. This original approach takes us through a labyrinth of shafts and galleries towards the discovery both of a rational spatial organization, using spécifie building and extraction techniques, and of the economic and political conditions which encouraged its development. This study, at the crossroads of bistory and archaeology, constituiez a precious source of informations both for specialists and for newcomers to the bistory of mining and its techniques.
Archeology --- History of France --- anno 1500-1599 --- Lorraine (F) --- Silver mines and mining --- Argent --- History --- Mines et extraction --- Histoire --- Excavations (Archaeology) --- Silver mines and mining - France - Lorraine - History - 16th century --- Excavations (Archaeology) - France - Lièpvre Valley --- Archaeology --- mine --- métal --- argent --- Haut-Rhin --- Val de Lièpvre --- duché de Lorraine --- Fontaine des Chouettes --- erbstoll --- aérage --- technique minière
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The contrast between the temperate and the tropical is one of the most enduring themes in the history of the Western geographical imagination. Caught between the demands of experience and representation, documentation and fantasy, travelers in the tropics have often treated tropical nature as a foil to the temperate, to all that is civilized, modest, and enlightened. Tropical Visions in an Age of Empire explores images of the tropical world-maps, paintings, botanical drawings, photographs, diagrams, and texts-produced by European and American travelers over the past three centuries. Bringing together a group of distinguished contributors from disciplines across the arts and humanities, this volume contains eleven beautifully illustrated essays-arranged in three sections devoted to voyages, mappings, and sites-that consider the ways that tropical places were encountered, experienced, and represented in visual form. Covering a wide range of tropical sites in the Pacific, South Asia, West Africa, the Caribbean, and Latin America, the book will appeal to a broad readership: scholars of postcolonial studies, art history, literature, imperial history, history of science, geography, and anthropology.
Europeans --- Travelers' writings, European. --- Scientific expeditions --- Expeditions, Scientific --- Scientific voyages --- Travels --- Voyages, Scientific --- Voyages and travels --- European travelers' writings --- European literature --- Ethnology --- Travel --- Tropics --- Equatorial regions --- Equatorial zones --- Subtropical regions --- Subtropics --- Tropical regions --- Tropical zones --- Zones, Equatorial --- Zones, Tropical --- Earth (Planet) --- Description and travel. --- Travelers' writings, European --- In art. --- World history --- History of civilization --- tropical, geography, imperialism, colonialism, exoticism, experience, representation, fantasy, travel, civilization, excess, noble savage, visual culture, latin america, caribbean, west africa, south asia, pacific, expedition, exploration, discovery, anthropology, science, history, literature, art, postcolonialism, tropics, europe, identity, samoa, photography, himalayas, india, joseph hooker, tahiti, dominica, colony, william burchell, biogeography, hydrography, sea of fire, matthew fontaine maury, nonfiction.
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"Wartime Kiss is a personal meditation on the haunting power of American photographs and films from World War II and the later 1940s. Starting with a powerful reinterpretation of one of the most famous photos of all time, Alfred Eisenstaedt's image of a sailor kissing a nurse in Times Square on V-J Day, Alexander Nemerov goes on to examine an idiosyncratic collection of mostly obscure or unknown images and movie episodes--from a photo of Jimmy Stewart and Olivia de Havilland lying on a picnic blanket in the Santa Barbara hills to scenes from such films as Twelve O'Clock High and Hold Back the Dawn. Erotically charged and bearing traces of trauma even when they seem far removed from the war, these photos and scenes seem to hold out the promise of a palpable and emotional connection to those years. Through a series of fascinating stories, Nemerov reveals the surprising background of these bits of film and discovers unexpected connections between the war and Hollywood, from an obsession with aviation to Anne Frank's love of the movies. Beautifully written and illustrated, Wartime Kiss vividly evokes a world in which Margaret Bourke-White could follow a heroic assignment photographing a B-17 bombing mission over Tunis with a job in Hollywood documenting the filming of a war movie. Ultimately this is a book about history as a sensuous experience, a work as mysterious, indescribable, and affecting as a novel by W. G. Sebald"--
ART / History / General. --- HISTORY / Modern / 20th Century. --- PHOTOGRAPHY / History. --- ART / American / General. --- Nineteen forties. --- Collective memory. --- Art and history. --- World War, 1939-1945 --- Historiography and photography. --- 1940s --- 40s (Twentieth century decade) --- Forties (Twentieth century decade) --- Twentieth century --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- History and art --- History --- History in art --- World War, 1939-1945, in motion pictures --- Photography and historiography --- Photography --- Motion pictures and the war. --- Photography. --- Art and history --- Collective memory --- Historiography and photography --- Nineteen forties --- 77.01 --- 791.43.01 --- Amerikaanse film ; 1936-1948 ; Wereldoorlog II --- Fotografie ; theorie ; beschouwing --- Kunsttheorie ; collectief geheugen --- Thema's in de film ; de oorlog --- Motion pictures and the war --- Fotografie ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- Aircraft. --- Alfred Eisenstaedt. --- Andrew Marvell. --- Anecdote. --- Ann Carter. --- Anne Frank. --- Archibald MacLeish. --- Arsenic and Old Lace (play). --- Bertolt Brecht. --- Boeing B-17 Flying Fortress. --- Bomb bay. --- Bomb. --- Bosley Crowther. --- Cary Grant. --- Combat Mission. --- Command Decision (play). --- Confetti. --- Consolidated B-24 Liberator. --- Darryl F. Zanuck. --- Dick Powell. --- Donna Reed. --- Down on His Luck. --- Dr. Strangelove. --- Eddie Muller. --- Eloquence. --- Enola Gay. --- Erskine Caldwell. --- Fan magazine. --- Footage. --- G. (novel). --- Geoffrey de Havilland. --- Getty Images. --- Government Girl. --- Graflex. --- Gregory Peck. --- Henry Fonda. --- Hold Back the Dawn. --- Howard Hawks. --- Howard Hughes. --- I Wanted Wings. --- In the Woods. --- Instant. --- Intercom. --- Jack Warner (actor). --- James Agee. --- Jennifer Jones. --- Joan Fontaine. --- John Hersey. --- John Steinbeck. --- John Swope (photographer). --- Joseph Cornell. --- Lady, Be Good (musical). --- Lightness. --- Linhof. --- Los Angeles Times. --- Margaret Bourke-White. --- Margaret Herrick Library. --- Marx Brothers. --- Max Reinhardt. --- Meal. --- Memphis Belle (aircraft). --- Michelangelo Antonioni. --- Mickey Rooney. --- Mr. --- Nickname. --- North Africa. --- Olivia de Havilland. --- Patchwork. --- Paulette Goddard. --- Phonograph. --- Potion. --- Princess O'Rourke. --- Princeton University Press. --- Priscilla Lane. --- Report from the Aleutians. --- Roland Barthes. --- Rosie the Riveter. --- Seminar. --- Stanley Kubrick. --- Stardom. --- Swoon (artist). --- Sy Bartlett. --- Tamara Toumanova. --- The Adventures of Robin Hood (TV series). --- The Circus Animals' Desertion. --- The Curse of the Cat People. --- The Dark Corner. --- The New York Times. --- To His Coy Mistress. --- Toby Jug. --- Tom Conway. --- Toner. --- Top Gun. --- Twelve O'Clock High. --- Veronica Lake. --- William Wyler. --- Wing and a Prayer. --- Wings of the Navy. --- Writing.
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