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Readers and critics have been intrigued - and disturbed - by the characters of Wuthering Heights since its publication in 1847. Heathcliff and Catherine, the tormented and enigmatic lovers at the centre of the novel, have justifiably been the focus of critical attention. Yet the novel is peopled with a large cast of idiosyncratic characters, each of whom plays a significant role in the plot. This novel, with its references to physiognomy and monomania, its interest in dreams as revelations of the unconscious mind, and its recognition of the importance of origins in character-formation, reflects important developments in the conception of character and psychology in the nineteenth century.
Brontë, Emily, --- Brontë, Emily --- Brontë, Emily Jane --- Bell, Ellis --- Characters.
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"In her debut collection, Made Holy, Emily Arnason Casey explores loss, longing, and the ever-shifting lens of time. Memory and the art of noticing form the basis of these lyric essays that meditate on family, addiction, motherhood, and home. Shifting nimbly between time and place--from the lakes of her childhood in Minnesota to the landscape of her adult life in Vermont--Casey returns to certain memories as though worrying a stone in search of answers. How does a woman navigate the violence of the world? How does a mother teach her children to love this world? How do the places we inhabit speak to us, shape our language, and offer refuge? Whether reflecting on the family cabin, mourning the loss of a woman murdered in her neighborhood, or delighting in the inquisitive nature of her two young sons, the author's willingness to honestly examine the past and present with contemplative lyricism offers fresh perspective and new understanding. I know this feeling, she writes. We travel along the surface of time and then suddenly the layers give way and we are in another year, another body, another place. In this way, her focus, like the mullein plant she invokes in the final essay, seems to be as 'guardian to the lost'"--
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A concise but comprehensive student guide to studying Emily Bronte's classic novel Wuthering Heights. It covers adaptations such as film and TV versions of the novel and student-friendly features include discussion points and a comprehensive guide to further reading.
English literature --- History and criticism. --- Brontë, Emily, --- Bronte, Emily,
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Emily Brontë's poetry is more often celebrated than read. This book reinstates her poems at the heart of Victorian writing while underlining their enduring relevance for readers today. For admirers of Wuthering Heights, Last Things brings the emotions and concerns of the novel into sharper focus by relating them to the poems.
English poetry --- English literature --- Criticism and interpretation. --- Brontë, Emily, --- Brontë, Emily --- Brontë, Emily Jane --- Bell, Ellis --- Bronte, Emily,
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Bringing an unjustifiably marginalized poet out of the shadows, this book presents Emily Brontë's poetry in a way that enables readers, even those who shy away from poetry, to appreciate her work. She is widely known as a novelist, but she was first and equally a poet. Her poems are varied, lyrical, intriguing, and innovative, yet they are not well known. Unlike any other collection of Brontë's poetry, this volume arranges selected poems by thematic topic: nature, mutability, love, death, captivity and freedom, hope and despair, imagination, and spirituality.
English poetry. --- Poem. --- Brontë, Emily, --- Poetic works. --- Brontë, Emily --- Brontë, Emily Jane --- Bell, Ellis
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"One of the most memorable images of the British women's suffrage movement occurred on June 4, Derby Day, 1913. As the field of horses approached a turning at Epsom, militant suffragette Emily Wilding Davison ducked out from under the railing and ran onto the track, reaching for the bridle of the King's horse, and was killed in the collision. While her death transformed her into a heroine, it all but erased her identity. To identify what impelled Davison to suffer multiple imprisonments, to experience the torture of force-feedings and the insults of hostile members of the crowds who came to hear her speak, Carolyn P. Collette explores a largely ignored source--the writing to which Davison dedicated so much time and effort during the years from 1908 to 1913. Davison's writing is an implicit apologia for why she lived the life of a militant suffragette and where she continually revisits and restates the principles that guided her: that woman suffrage was necessary to improve the lives of men, women, and children; that the freedom and justice women sought was sanctioned by God and unjustly withheld by humans whose opposition constituted a tyranny that had to be opposed; and that the evolution of human progress demanded that women become fully equal citizens of their nation in every respect-- politically, economically, and culturally. In the Thick of the Fight makes available for the first time the archive of published and unpublished writings of Emily Wilding Davison. Collette reorients both scholarly and public attention away from a single, defining event to the complexity of Davison's contributions to modern feminist discourse, giving the reader a sense of the vibrancy and diversity of Davison's suffrage writings"--
Suffragists --- Women --- Suffrage --- History. --- Davison, Emily Wilding,
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Eccentrics and eccentricities --- Donnithorne, Eliza Emily, --- Australian
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Women painters --- Painters --- Women artists --- Carr, Emily, --- Pearson, Carol, --- Carr, M. Emily, --- Carr, M., --- Carr, Milly,
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What happens when an individual becomes the subject of many and divergent portraits? “Biography,” says Stephanie Kirkwood Walker, “is a deceptive genre. Positioned between fact and fiction and elusive in its purposes, biography displays an individual life, an existence patterned by conventions that have also shaped the reader’s experience.” In This Woman in Particular, Walker explores versions of Emily Carr’s life that have appeared over the last half-century. Walker contends that the biographical image of Emily Carr that emerges from an accumulation of biographies, films, plays and poetry as well as her own autobiographical writing establishes an elaborated cultural artefact — an “image” that is bound by its very nature to remain forever incomplete and always elusive. She demonstrates how changes in Carr’s biographical image parallel the maturing of Canadian biographical writing, reflecting attitudes toward women artists and the shifting balance between religion, secular attitudes and contemporary spirituality. And she concludes that biography plays a crucial role in all our lives in initiating and sustaining debate on vital personal and collective concerns.
Painters --- Biography. --- Carr, Emily, --- Carr, M. Emily, --- Carr, M., --- Carr, Milly, --- Biography as a literary form.
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