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Ce petit manuel explique comment styler un article avec LibreOffice pour le portail PoPuPS de l'ULiège. Il est utilisable par tous les utilisateurs de Lodel, sur d'autres plateformes.
Éditeurs de texte (logiciels) --- Logiciels de mise en forme de texte --- Expressions rationnelles --- Éditeurs syntaxiques --- GNU Emacs --- Paragrapheurs --- Édition (informatique) --- Logiciels de base --- Traitement de texte --- Logiciels --- LibreOffice --- Lodel --- PoPuPS
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L’histoire de l’édition depuis les années 1980 ne se réduit pas à l’emprise, si souvent commentée, des grands groupes et des logiques commerciales. La période récente a également vu l’apparition de petites structures éditoriales qui revendiquent une position « critique » et qui, pour certaines, parviennent à s’inscrire dans la durée en dépit des nombreuses difficultés économiques qu’elles rencontrent. Sophie Noël a mené une enquête approfondie sur ces éditeurs « indépendant », dont elle restitue les résultats dans cet ouvrage. Elle a étudié une trentaine de maisons d’édition qui, apparues entre 1985 et 2005, publient principalement dans le domaine de la critique sociale et s’emploient à concilier les exigences de l’excellence intellectuelle et de la radicalité politique. L’analyse s’attache notamment à l’économie, souvent très précaire mais à forte portée symbolique, de ces petites structures. Qui sont ces éditeurs qui incarnent la résistance à une certaine marchandisation de la culture ? Dans quelle mesure leur catalogue se démarque-t-il de ceux des grosses maisons et des grands groupes ? Comment expliquer leur « vocation » et leur dévouement aux valeurs fondatrices de l’édition ? À quelles conditions les plus heureux d’entre eux parviennent-ils à survivre ? Cette analyse, au-delà de sa contribution à la sociologie de l’édition, livre des clés pour comprendre les mutations et les contradictions contemporaines des secteurs culturels et réfléchir aux stratégies de résistances qui peuvent être déployées face à la montée en puissance de la rationalité marchande.
Publishers and publishing --- Small presses --- Editeurs et édition --- Petites maisons d'édition --- Political aspects --- Aspect politique --- Book industries and trade --- History --- Editeurs et édition --- Petites maisons d'édition --- Publishers and publishing - France --- Book industries and trade - France - History --- Book trade --- Cultural industries --- Manufacturing industries --- Book publishing --- Books --- Booksellers and bookselling --- Publishing --- édition --- France --- maison d'édition --- Éditeurs --- 1970-.... --- Activité politique
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In the mid-1910s, what historians call the "Golden Age of Chinese Capitalism" began, accompanied by a technological transformation that included the drastic expansion of China's "Gutenberg revolution." Gutenberg in Shanghai examines this process. It finds the origins of that revolution in the country's printing industries of the late imperial period and analyzes their subsequent development in the Republican era. This book, which relies on documents previously unavailable to both Western and Chinese researchers, demonstrates how Western technology and evolving traditional values resulted in the birth of a unique form of print capitalism whose influence on Chinese culture was far-reaching and irreversible. Its conclusion contests scholarly arguments that view China's technological development as slowed by culture, or that interpret Chinese modernity as mere cultural continuity. A vital reevaluation of Chinese modernity, Gutenberg in Shanghai will be enthusiastically received by scholars of Chinese history and by specialists in cultural studies, political science, sociology, the history of the book, and the anthropology of science and technology.
Printing --- Publishers and publishing --- Imprimerie --- Editeurs et édition --- History --- History. --- Histoire --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- Publishing
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Publishers and publishing --- Book industries and trade --- Book publishing --- Books --- Booksellers and bookselling --- History. --- Publishing --- Editeurs et édition --- Livres --- Histoire --- Industrie
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Sous l’impulsion de William Morris, de nombreuses maisons d’édition, portées par le Mouvement des Arts et de l’Artisanat et par le Renouveau celtique, voient le jour au début du xxe siècle en Irlande. La plupart poursuivent la quête du « Beau Livre » au service d’une littérature de qualité. Entre 1967 et 1974, l’Irish University Press contribue à modeler le paysage éditorial ; la Raven Arts Press se distingue par son esprit non conformiste qui rejette les valeurs de la Renaissance irlandaise, mais permet de découvrir de jeunes talents ou réédite des auteurs oubliés. L’étude de la production et la circulation des publications révèle à la fois le désir d’affirmer une identité nationale dans laquelle s’inscrit l’intérêt pour le gaélique et la volonté de diffuser les idées dont le journal de propagande publié par la « Sinn Féin Printing and Publishing Company » est l’un des exemples. Encouragé par la création d’Aosdána, l’écrit irlandais témoigne d’une diversité que les auteurs de la Field Day Anthology ont cherché à retranscrire. À partir de 1830, la presse périodique profite de l’essor de la lecture et de l’imprimerie ; moins coûteuse que le livre, elle devient pour les Irlandais la principale voie d’accès à la littérature. L’abondance des magazines, tels que Dublin University Magazine, Studies et The Honest Ulsterman, illustre alors la variété des préoccupations sociales et culturelles. Dirigé par Jacqueline Genet, Sylvie Mikowski et Fabienne Garcier, Le Livre en Irlande : l’imprimé en contexte retrace ces évolutions.
Book history --- Ireland --- Books and reading --- Irish periodicals --- Publishers and publishing --- Livres et lecture --- Périodiques irlandais --- Editeurs et édition --- History --- Histoire --- Education --- Social Sciences --- Book Studies & Arts --- Périodiques irlandais --- Editeurs et édition --- édition irlandaise --- littérature irlandaise --- langue gaélique --- Sinn Feín --- Dublin --- Irlande
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Since its first publication, this essential guide to book commissioning has established itself as the one and only 'must-read' for any successful editor, and the core training text used both within publishing houses and on publishing courses worldwide.In this new edition, Davies concentrates on the essential skills of commissioning, as well as other editorial challenges such as handling new lists following mergers and takeovers, and the demands of digital technology. New case-studies have been added which illustrate the commercial and practical problems that editors must address in today's complex and demanding marketplace.This book remains the one text that editors must have by their side throughout their careers.
Editeurs et édition --- Editie --- Editing --- Edition --- Edition et éditeurs --- Publishers and publishing --- Tekst editing --- Uitgeven --- Uitgeverij en uitgevers --- Uitgevers en uitgeverij --- Editing. --- Publishers and publishing. --- Publishing. --- Education --- Book Studies & Arts --- Social Sciences --- Book publishing --- Books --- Publishing --- Book industries and trade --- Booksellers and bookselling --- Authorship
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Reporters and reporting --- Investigative reporting --- Journalists --- Editors --- Newspaper editors --- Journalistiek. --- Onderzoek. --- Reportage --- Journalisme d'enquête --- Journalistes --- Editors. --- Investigative reporting. --- Journalists. --- Newspaper editors. --- Reporters and reporting. --- Newspaper reporting --- Columnists --- Commentators --- Reporting, Investigative --- Journalism --- Newspapers --- Authors --- Persons --- Éditeurs --- Rédacteurs en chef
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This key book examines the role of the printed book in contemporary societies, its demographics and its relation to the other media. It analyzes the differences among various national book industries throughout Europe and the USA, and the reasons and impact of the differences. Both the effect of digital technologies and the reasons why e-books did not substitute the printed book, as predicted in mid-nineties, are explored.A comprehensive overview of the diversities and similarities that exist among various national book industries and among various publishing fields throughout
Book history --- Books --- Publishers and publishing --- Booksellers and bookselling --- Book dealers --- Book sales --- Dealers, Book --- Book industries and trade --- Book publishing --- History. --- Publishing --- Livres --- Editeurs et édition --- Libraires et librairie --- Histoire --- 025.3 --- 025.3 Catalogustechniek. Catalogiseren --- Catalogustechniek. Catalogiseren
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Ted Striphas argues that, although the production and propagation of books have undoubtedly entered a new phase, printed works are still very much a part of our everyday lives. With examples from trade journals, news media, films, advertisements, and a host of other commercial and scholarly materials, Striphas tells a story of modern publishing that proves, even in a rapidly digitizing world, books are anything but dead. From the rise of retail superstores to Oprah's phenomenal reach, Striphas tracks the methods through which the book industry has adapted (or has failed to adapt) to rapid changes in twentieth-century print culture. Barnes & Noble, Borders, and Amazon.com have established new routes of traffic in and around books, and pop sensations like Harry Potter and the Oprah Book Club have inspired the kind of brand loyalty that could only make advertisers swoon. At the same time, advances in digital technology have presented the book industry with extraordinary threats and unique opportunities. Striphas's provocative analysis offers a counternarrative to those who either triumphantly declare the end of printed books or deeply mourn their passing. With wit and brilliant insight, he isolates the invisible processes through which books have come to mediate our social interactions and influence our habits of consumption, integrating themselves into our routines and intellects like never before.
Book industries and trade --- Books and reading --- Publishers and publishing --- Booksellers and bookselling --- Electronic publishing --- Internet bookstores --- Livres --- Livres et lecture --- Editeurs et édition --- Libraires et librairie --- Edition électronique --- Librairies sur Internet --- Industrie --- 655.4 <73> --- 655.56 --- Uitgeverij. Boekhandel--algemeen--Verenigde Staten van Amerika. VSA. USA --- Boekdistributie --- Editeurs et édition --- Edition électronique --- Book publishing --- Books --- Bookstores --- Electronic commerce --- Publishing --- Boekgeschiedenis --- anno 1900-1999 --- anno 2000-2009 --- Book history --- Book industries and trade - United States. --- Books and reading - United States. --- Publishers and publishing - United States. --- Booksellers and bookselling - United States. --- Electronic publishing - United States. --- Internet bookstores - United States. --- Littérature --- Sociologie de la culture
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Si raccolgono in volume nove contributi di altrettante autrici dedicati a figure di tipografi, editori e librai minori attivi sul territorio italiano tra il XVI e il XIX secolo e a collezioni bibliografiche site in diverse zone del territorio nazionale. Le autrici affrontano temi legati alla nascita e ai passaggi di mano di alcune officine tipografiche, alla concessione delle licenze di stampa, agli acquisti, alla manifattura e alla diffusione di esemplari di specifiche raccolte, a polemiche sorte in merito alla vendita e alla diffusione di libri.
Information Science & Library Science --- imprimeurs --- éditeurs --- petits libraires --- Italie --- collections bibliographiques --- licences d'impression --- fabrication de livres --- tipografi --- editori --- librai minori --- Italia --- collezioni bibliografiche --- licenze di stampa --- manifattura libraria --- printers --- publishers --- minor booksellers --- Italy --- bibliographic collections --- printing licenses --- book manufacturing
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