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Digressive Voices in Early Modern English Literature looks afresh at major nondramatic texts by Donne, Marvell, Browne, Milton, and Dryden, whose digressive speakers are haunted by personal and public uncertainty. To digress in seventeenth-century England carried a range of meaning associated with deviation or departure from a course, subject, or standard. This book demonstrates that early modern writers trained in verbal contest developed richly labyrinthine voices thatcaptured the ambiguities of political occasion and aristocratic patronage while anatomizing enemies and mourning personal los
English literature --- Early modern, 1500-1700 --- History and criticism --- Digression (Rhetoric) in literature --- Ambivalence in literatuur --- Uncertainty in literature --- Anxiety in literature --- English language --- Rhetoric --- Digression (Rhetoric) in literature. --- Ambivalence in literature. --- Uncertainty in literature. --- Ambiguity in literature. --- Anxiety in literature. --- History and criticism. --- Rhetoric. --- Germanic languages
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'Changing Subjects' contends that major American poets-such as Walt Whitman, Wallace Stevens, John Ashbery, and Lyn Hejinian-transformed verse and even changed conceptions of modern subjectivity by exploiting an ordinary rhetorical device ubiquitous in spoken language: the digression.
American poetry --- Digression (Rhetoric) in literature. --- Poetics. --- History and criticism. --- Moore, Marianne, --- Hejinian, Lyn --- Ashbery, John, --- Whitman, Walt, --- Criticism and interpretation. --- Influence. --- Poetry --- Technique --- Moore, Marianne Craig, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- 20th century --- History and criticism --- Moore, Marianne --- Criticism and interpretation --- Ashbery, John Lawrence --- Whitman, Walt --- Influence --- Digression (Rhetoric) in literature --- Poetics
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Ce volume réunit les 31 contributions des Actes du colloque du CUER MA (2004). Étudier la digression dans la littérature médiévale constituait une sorte de défi. Il ne s'agissait ni de condamner ces excursus ni d'en faire l'éloge. Qui, de l'auteur ou du lecteur, est le plus apte à borner l'espace digressif et à l'apprécier ? Dans les précautions que les auteurs prennent à commenter ou à justifier leur écart, se prononcent les fonctions différentes, mais non exclusives l'une de l'autre, qu'il est censé remplir. La digression se présente comme utile; qu'elle cherche à amuser, à séduire, à conseiller, à renseigner, à engager à l'action, ou à faire participer le lecteur à l'acte d'écriture, elle relève toujours d'une stratégie. Du XIIe au XVe siècle, son emploi témoigne d'une volonté sommative, avouée, voire revendiquée, dans les encyclopédies, les traités didactiques, les récits de voyages, les chroniques, plus masquée dans les œuvres de fiction, où son usage permet paradoxalement à nombre d'auteurs de renforcer la cohésion d'une matière narrative sujette aux égarements du plaisir de raconter. Lecteurs en quête de sens, nous montrons comme nous sommes portés à découvrir sous l'abondance des mots et le déplacement des points de vue un ordre de la pensée. Quant à l'usage médiéval de la digression, il témoigne d'une littérature qui cherche à définir sa fonction dans la société, son utilité, son pouvoir, qui laisse voir comment elle s'enracine dans une tradition qu'elle ne cesse de renouveler.
Old French literature --- Thematology --- Aesthetics of art --- Digression (Rhetoric) --- Literature, Medieval --- Art, Medieval --- Digression (Rhétorique) --- Littérature médiévale --- Art médiéval --- Fiction --- French literature --- Technique. --- History and criticism. --- Languages & Literatures --- Literature - General --- Digression (Rhétorique) --- Littérature médiévale --- Art médiéval --- Mediaeval literature and art --- Criticism --- Fiction - Technique. --- French literature - To 1500 - History and criticism. --- littérature médiévale --- digression --- excursus
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This book carries out the first study of digression in contemporary Latin American literature. The book approaches the reflexive and political potentials of digression as discursive strategy by way of close readings of four novels by some of Latin America’s most outstanding contemporary writers: Roberto Bolaño’s Estrella distante (Chile, 1996), Guillermo Fadanelli’s Lodo (Mexico, 2002), Mario Levrero’s La novela luminosa (Uruguay, 2005), and Alan Pauls’ Historia del llanto (Argentina, 2007). In this way, the book attempts to account for the different ways in which Latin American literature revitalizes the tradition of the digressive novel in a postmodern context. Este libro es el primer estudio sobre la digresión en la literatura latinoamericana contemporánea. El libro aborda el potencial reflexivo y político de la digresión como estrategia discursiva a través del análisis de cuatro novelas de destacados autores latinoamericanos contemporáneos: Estrella distante de Roberto Bolaño (Chile, 1996), Lodo de Guillermo Fadanelli (México, 2002), La novela luminosa (Uruguay, 2005) de Mario Levrero, e Historia del llanto de Alan Pauls (Argentina, 2007). De este modo, el libro intenta dar cuenta de las diferentes maneras en que la literatura latinoamericana revitaliza la tradición de la novela digresiva en un contexto postmoderno.
Latin American fiction --- Digression (Rhetoric) in literature. --- History and criticism. --- Fiction --- Thematology --- Spanish-American literature --- anno 2000-2099 --- Latin American fiction. --- 2000-2099 --- Critique et interprétation --- Rhétorique. --- Littérature hispano-américaine. --- History and criticism --- Latin American literature --- Critique et interprétation --- Rhétorique. --- Littérature hispano-américaine.
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In this paper we briefly introduce keystroke logging as a research method in writing research, focusing more explicitly on the recently developed linguistic analysis technique. In a case study of two elderly people (healthy versus demented), we illustrate some aspects of this linguistic approach. This analysis aggregates event-based data from the character level to the word level, while taking into account all the revisions that occurred during the composing process. The linguistic process analysis complements the logged process information with results from a part-of-speech tagger, a lemmatizer, a chunker, a syllabifier, and also adds word frequencies. The enriched word level information – together with action time and pause time at the word level – opens up new perspectives in the analysis of process dynamics, once more establishing a closer link between process and product analysis. We thus test the complementary diagnostic accuracy for Alzheimer’s disease, mainly focusing on cognitive and linguistic aspects that characterize the process of written language production.
Digression (Rhetoric) --- Writing. --- Linguistic analysis (Linguistics) --- Linguistic models. --- Applied linguistics. --- Explanation (Linguistics) --- Psycholinguistics. --- Generative grammar. --- Grammar, Comparative and general --- Grammar, Generative --- Grammar, Transformational --- Grammar, Transformational generative --- Transformational generative grammar --- Transformational grammar --- Psycholinguistics --- Language, Psychology of --- Language and languages --- Psychology of language --- Speech --- Linguistics --- Psychology --- Thought and thinking --- Explanatory (Linguistics) --- Explanatory adequacy (Linguistics) --- Models, Linguistic --- Typology (Linguistics) --- Analysis, Linguistic (Linguistics) --- Analysis (Philosophy) --- Chirography --- Handwriting --- Ciphers --- Penmanship --- Rhetoric --- Derivation --- Psychological aspects --- Applied Linguistics --- Literacy --- Writing --- Text Analysis
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