Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

China and Japan have cultural and political connections that stretch back 1,500 years. But today they need to reset their strained relationship. Ezra Vogel underscores the need for Japan to offer a thorough apology for its atrocities during WWII, but he also urges China to recognize Japan as a potential vital partner in the region.

China --- Japan --- Relations --- Foreign relations --- Civilization --- Japanese influences. --- Chinese influences.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The classic vernacular Chinese novel The Water Margin (Shuihu zhuan) tells the story of a band of outlaws in twelfth-century China and their insurrection against the corrupt imperial court. Imported into Japan in the early seventeenth century, it became a ubiquitous source of inspiration for translations, adaptations, parodies, and illustrated woodblock prints. There may be no work of Chinese fiction more important to both the development of early modern Japanese literature and the Japanese imagination of China than The Water Margin. In The Japanese Discovery of Chinese Fiction, William C. Hedberg investigates the reception of The Water Margin in a variety of early modern and modern Japanese contexts, from eighteenth-century Confucian scholarship and literary exegesis to early twentieth-century colonial ethnography. He examines the ways in which Japanese interest in Chinese texts contributed to new ideas about literary canons and national character. By constructing an account of Japanese literature through the lens of The Water Margin's literary afterlives, Hedberg offers an alternative history of East Asian literary culture: one that focuses on the transregional dimensions of Japanese literary history and helps rethink the definition and boundaries of Japanese literature itself"--

Japanese literature --- Chinese literature --- Chinese influences. --- History and criticism. --- Shui hu zhuan --- Appreciation --- Chinese influences --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book views intercultural theatre as a process of displacement and re-placement of various cultural and theatrical forces.

Civilization, Western --- Intercultural communication. --- Theater --- Chinese drama --- Drama --- Chinese influences. --- History --- History and criticism. --- China --- Civilization --- Western influences. --- Intercultural communication --- History and criticism --- Chinese influences

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"If China suddenly democratised, would it cease being labelled as a threat? This ... book argues that fears of China often say as much about those who hold them as they do about the rising power itself. It focuses not on the usual trope of economic and military might, but on China's growing cultural influence and the connections between China's domestic politics and its attempts to brand itself internationally. Using examples from film, education, media, politics, and art, Who's Afraid of China? is both an introduction to Chinese soft power and a critical analysis of international reaction to it. It examines how the West's own past, hopes, and fears shape the way it thinks about and engages with China and argues that the rising power touches a nerve in the Western psyche, presenting a fundamental challenge to ideas about modernity, history, and international relations."--Publisher's website.

Civilization, Western --- Chinese influences. --- China --- Foreign relations --- Relations. --- Foreign public opinion. --- Civilization. --- International relations. --- Relations

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

What happens to our understanding of 'orientalism' and imperialism when we consider British-Chinese relations during the nineteenth century, rather than focusing on India, Africa or the Caribbean? This book explores China's centrality to British imperial aspirations and literary production, underscoring the heterogeneous, interconnected nature of Britain's formal and informal empire. To British eyes, China promised unlimited economic possibilities, but also posed an ominous threat to global hegemony. Surveying anglophone literary production about China across high and low cultures, as well as across time, space and genres, this book demonstrates how important location was to the production, circulation and reception of received ideas about China and the Chinese. In this account, treaty ports matter more than opium. Ross Forman challenges our preconceptions about British imperialism, reconceptualizes anglophone literary production in the global and local contexts, and excavates the little-known Victorian history so germane to contemporary debates about China's 'rise'.

Arts and Humanities --- Literature --- English literature --- History and criticism. --- Chinese influences. --- Great Britain --- China --- Civilization --- In literature.