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Central American literature --- Central America --- Central America. --- Civilization
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"This book is a series of original, critical meditations on short stories and novels from Central America between 1995 and 2016. During the Cold War, literary art in Central America, as in Latin America in general, was strongly over-determined by the politics of the Cold War, which gave rise to popular struggle and three major armed civil wars in the 1970s and 1980s in Nicaragua, El Salvador and Guatemala. The period produced intense literary activity with political ideology central, personified by social denunciation in the testimonial novel and revolutionary poetry. Since then, though themes of violence are still at much of its core, Central American fiction has become more complex. We have witnessed a resurgence of literary writing and criticism with a focus squarely on the artistic side of narrative art: writing aware of its own figurative manoeuvres and inventiveness, its philosophical and affective dimensions, and its carefully crafted syntax. This collection of essays by Jeffrey Browitt attempts to trace some of the contours of this new literature and the contemporary subjectivities of its writers through close readings of Guatemala's Rodrigo Rey Rosa, Eduardo Halfon and Denise Phé-Funchal; Nicaragua's Franz Galich and Sergio Ramírez; Belize's David Ruiz Puga; El Salvador's Jacinta Escudos and Claudia Hernández; and Costa Rica's Carlos Cortés. Key themes are gender, subjectivity and affect as these intersect with the deconstruction of the family, hegemonic masculinity, motherhood, revolutionary romanticism, and the relationship of humans with animals" --
Central American fiction --- Families in literature. --- Family in literature --- Central American literature --- History and criticism.
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"From a multifaceted theoretical apparatus and diverse aesthetic proposals, Escritura(s) en femenino en las literaturas centroamericanas reflects on the interrelationships, intersections and differences between women's writing, women's writing(s) and writings in women, in contemporary Central America and its diasporas. Assuming the performative character of both the categories of sex and gender and of writing, the destabilization of binary and essentialist notions and the consequent disconnection between, on the one hand, writing and how it is studied and, on the other, the (supposed) sexual and gender identity. The essays gathered here take up and investigate the fundamental questions of feminist theories and criticism to examine the mobility of the feminine and the masculine in writing, as well as as its cultural and political configurations"--
Gender identity in literature. --- Central American literature --- Women authors --- History and criticism.
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Often treated like night itself-both visible and invisible, feared and romanticized-Latina/os make up the largest minority group in the US. In her newest work, María DeGuzmán explores representations of night in art and literature from the Caribbean, Colombia, Central and South America, and the US, calling into question night's effect on the formation of identity for Latina/os in and outside of the US. She takes as her subject novels, short stories, poetry, essays, non-fiction, photo-fictions, photography, and film, and examines these texts through the lenses of nationhood, sexuality, human
Night in art. --- Central American literature --- Night in literature. --- American literature --- History and criticism. --- Hispanic American authors --- South America --- Literatures --- Latin American literature
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This is the first book-length study to consider the development and significance of Central American post-conflict poetry; and to study poets such as Luis Chaves, Marta Leonor González, Susana Reyes, and Juan Sobalvarro together with well-known short fiction writers, Claudia Hernández, Jacinta Escudos and Salvador Canjura. Through a deep engagement with post-conflict Central American culture and literature, this book details ways in which contemporary Salvadoran, Nicaraguan and Costa Rican writers imagine and find ho
Central American literature --- Belonging (Social psychology) --- Collective memory in literature. --- Belongingness (Social psychology) --- Connectedness (Social psychology) --- Social belonging --- Social connectedness --- Social psychology --- Social integration --- History and criticism.
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"... focusing on work produced in the late twentieth and twenty-first centuries, Chacón looks at the growing number of contemporary Indigenous writers who are reclaiming Maya and Zapotec languages alongside Spanish translations of their work, challenging monolingualism, and reconstructing an Indigenous literary tradition"--
Central American literature --- Mexican literature --- Zapotec literature --- Maya literature --- Belizean literature --- Contemporáneos (Group of writers) --- Indian authors --- History and criticism.
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́'American Tropics' refers to a kind of extended Caribbean, an area that includes the southern USA, the Atlantic littoral of Central America, the Caribbean islands, and northern South America. European colonial powers fought intensively here against indigenous populations and against each other for control of land and resources. The regions in the American Tropics share a history in which the dominant fact is the arrival of millions of white Europeans and black Africans; share an environment that is tropical or sub-tropical; and share a socio-economic model (the plantation), whose effects lasted at least well into the twentieth century. The imaginative space of the American Tropics therefore offers a differently centred literary history from those conventionally produced as US, Caribbean, or Latin American literature.This important collection brings together essays by distinguished scholars, including the late Neil Whitehead, Richard Price, Sally Price, and Susan Gillman, that engage with the idea of a literary geography of the American Tropics and that represent the rich diversity of the writing produced within this geographical area.
Thematology --- American literature --- Spanish-American literature --- Caribbean area --- Caribbean literature --- Central American literature --- Latin American literature --- History and criticism. --- West Indies --- Latin America --- In literature. --- Imperialism in literature.
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In The Olson Codex, Tedlock describes and examines Olson's efforts to decipher Mayan hieroglyphics, giving Olson's work in Mexico the place it deserves within twentieth-century poetry and poetics.
Poetics. --- Mayan poetry. --- Mayan literature. --- Mayan languages --- Mayan languages. --- Mayan literature --- Mayan poetry --- Central American literature --- Poetry --- Penutian languages --- Alphabet. --- History and criticism. --- Texts. --- Technique --- Olson, Charles, --- Criticism and interpretation.
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"In seven chapters, Craft argues for a new, generic recognition for what used to be known as 'political novels.' Discussion is generally convincing, well-researched, and occasionally revealing. The first two chapters and their conclusions are similar to accepted scholarly arguments. Craft is at her best when analyzing works by Claribel Alegría, Manlio Argueta, and Belli, in that order. More attention could have been given to Sergio Ramírez's development, which does not fit into the author's thesis, and to Rigoberto Menchú. A noteworthy error: Monterroso never wrote a book titled 'Mr. Taylor & Co.' (the actual title story is from the 1950s). The title refers to a Cuban selection of his stories"--Handbook of Latin American Studies, v. 58.
Central American fiction --- Historical fiction, Central American --- Reportage literature, Central American --- Romance Literatures --- Languages & Literatures --- Spanish Literature --- Central American reportage literature --- Central American prose literature --- Central American historical fiction --- Central American literature --- History and criticism. --- History and criticism --- Alegría, Claribel --- Argueta, Manlio, --- Arías, Arturo, --- Belli, Gioconda, --- Flakoll, Claribel Alegría --- Alegría, Clarivel --- Alegría, C. --- Alegría Vides, Clara Isabel --- Criticism and interpretation.
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Mayan literature is among the oldest in the world, spanning an astonishing two millennia from deep pre-Columbian antiquity to the present day. Here, for the first time, is a fully illustrated survey, from the earliest hieroglyphic inscriptions to the works of later writers using the Roman alphabet. Dennis Tedlock-ethnographer, linguist, poet, and award-winning author-draws on decades of living and working among the Maya to assemble this groundbreaking book, which is the first to treat ancient Mayan texts as literature. Tedlock considers the texts chronologically. He establishes that women were among the ancient writers and challenges the idea that Mayan rulers claimed the status of gods. 2000 Years of Mayan Literature expands our understanding and appreciation not only of Mayan literature but of indigenous American literature in its entirety.
Mayan literature --- Languages & Literatures --- Native American & Hyperborean Languages --- Central American literature --- History and criticism --- History and criticism. --- ancient literature. --- ancient mayan texts. --- anthropology. --- chilam balam. --- colonial latin america. --- early mayan writing. --- ethnography. --- graffiti. --- hieroglyphic inscriptions. --- history. --- indigenous american literature. --- indigenous peoples. --- lady shark fin. --- language of suyua. --- linguistics. --- literary. --- maya. --- mayan literature. --- moon woman. --- native americans. --- poetry. --- pre colombian antiquity. --- rattlesnakes of the city of three stones. --- roman alphabet. --- temple of the sun eyed shield. --- temple of the tree of yellow corn. --- thunderstorm. --- women writers.
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