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Mass media. --- Mass media --- #SBIB:309H022 --- #SBIB:309H521 --- Mass communication --- Media, Mass --- Media, The --- Communication --- Technological innovations --- Massacommunicatie --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Mass communications --- Computer. Automation --- Technological innovations.
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Providing an introduction to textual analysis, starting from the most basic philosophical foundations that underlie the practice Alan McKee works through the core issues step-by-step, drawing on examples from advertising, films, novels, comic books television and videos.
Discourse analysis --- #SBIB:309H506 --- #SBIB:309H512 --- #SBIB:309H521 --- Discourse grammar --- Text grammar --- Semantics --- Semiotics --- Code en boodschap: inhoudsanalyse: theorie en methodologie --- Verbale communicatie: inhoudsanalyse: onderzoekingen --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Pragmatics --- Discourse analysis.
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Islam in mass media. --- Mass media --- Religious aspects --- Islam. --- #SBIB:309H1000 --- #SBIB:309H521 --- Media: algemene en theoretische werken --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Muslims - Egypt - Fiction --- Muslims - Egypt - Drama --- Television - Social aspects - Egypt --- Television and politics - Egypt
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"Examines the meaning of Europe in contemporary art-house and popular films from across the continent."--
Film --- Europe --- Motion pictures --- film --- filmgeschiedenis --- filmtheorie --- eenentwintigste eeuw --- Europa --- 791.43 --- #SBIB:309H1320 --- #SBIB:309H1328 --- #SBIB:309H521 --- History. --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een ideologische en spiegelfunctie --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- In motion pictures. --- PERFORMING ARTS / Film & Video / History & Criticism. --- History
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In Film and Television After 9/11, editor Wheeler Winston Dixon and eleven other distinguished film scholars discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how moviemaking has changed to reflect the new world climate.While some contemporary films offer escapism, much of mainstream American cinema since 9/11 is centered on the desire for a "just war" in which military reprisals and escalation of warfare appear to be both inevitable and justified. Films of 2002 such as Black Hawk Down, Collateral Damage, and We Were Soldiers demonstrate a renewed audience appetite for narratives of conflict, reminiscent of the wave of filmmaking that surrounded American involvement in World War II.The attacks on the World Trade Center and the Pentagon galvanized the American public initially, yet film critics wonder how this will play out over time. Film and Television After 9/11 is the first book to provide original insights into topics ranging from the international reception of post-9/11 American cinema, re-viewing films of our shared cinematic past in light of the attacks, and exploring parallels between post-9/11 cinema and World War II-era productions.
Motion pictures --- September 11 Terrorist Attacks, 2001 --- #SBIB:309H1321 --- #SBIB:309H521 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- Influence --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- History and criticism --- Influence. --- United States --- September 11 terrorist attacks, 2001 --- Motion Pictures --- Performing Arts
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The Road Movie Book is the first comprehensive study of an enduring but ever-changing Hollywood genre, its place in American culture, and its legacy to world cinema. The road and the cinema both flourished in the twentieth century, as technological advances brought motion pictures to a mass audience and the mass produced automobile opened up the road to the ordinary American. When Jean Baudrillard equated modern American culture with 'space, speed, cinema, technology' he could just as easily have added that the road movie is its supreme emblem. The contributors explore how the road movie has confronted and represented issues of nationhood, sexuality, gender, class and race. They map the generic terrain of the road movie, trace its evolution on American television as well as on the big screen from the 1930s through the 1980s, and, finally, consider road movies that go off the road, departing from the US landscape or travelling on the margins of contemporary American culture. Movies discussed include: * Road classics such as It Happened One Night, The Grapes of Wrath, The Wizard of Oz and the Bob Hope-Bing Crosby Road to films * 1960's reworkings of the road movie in Easy Rider and Bonnie and Clyde * Russ Meyer's road movies: from Motorpsycho! to Faster Pussycat! Kill! Kill! * Contemporary hits such as Paris Texas, Rain Man, Natural Born Killers and Thelma and Louise * The road movie, Australian style, from Mad Max to the Adventures of Priscilla, Queen of the Desert.
Road films --- History and criticism. --- Film --- United States --- #SBIB:309H1320 --- #SBIB:309H521 --- #SBIB:AANKOOP --- #SBIB:309H1326 --- film --- filmgeschiedenis --- Verenigde Staten --- twintigste eeuw --- road movies --- filmtheorie --- 791.43 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Road movies --- Motion pictures --- History and criticism --- United States of America
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Arab-Israeli conflict --- Mass media --- Critical discourse analysis --- Mass media and the conflict. --- Political aspects --- #SBIB:309H511 --- #SBIB:309H521 --- #SBIB:309H1025 --- Israel-Arab conflicts --- Israel-Palestine conflict --- Israeli-Arab conflict --- Israeli-Palestinian conflict --- Jewish-Arab relations --- Palestine-Israel conflict --- Palestine problem (1948- ) --- Palestinian-Israeli conflict --- Palestinian Arabs --- CDA (Critical discourse analysis) --- Discourse analysis --- Verbale communicatie: algemene pragmatiek, stilistiek en teksttheorie, discoursanalyse --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Mediaboodschappen met een informatieve functie --- History --- Mass media and the conflict
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A detailed study of the workings of the American film industry during the 1930's. Schindler illustrates how the studios helped to foster ideas of social unity and patriotism.
Motion picture industry --- Motion pictures --- Motion pictures and history. --- History and motion pictures --- Moving-pictures and history --- History --- History. --- Social aspects --- Motion pictures and history --- #SBIB:309H1320 --- #SBIB:309H521 --- #SBIB:309H525 --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Sociologie van de audiovisuele boodschap
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"In 2005, a Turkish woman was shot dead by her son in an 'honour killing' for appearing on a popular women's talk show on television. The show invited ordinary women from lower socio-economic classes to speak of their experiences of family life: marriage, divorce, child custody rights and relations with in-laws. Here, Solen Sanli examines the diversification of mass media in Turkey following liberalization in the 1980s. Specifically looking at popular women's talk shows ("Woman's Voice" Television), she explores the way in which groups with political and cultural power control public discourse and the public sphere in Turkey, and how urban/rural and Islamist/secular oppositions play out. Sanli traces the development of mass media in Turkey, particularly television, and closely examining how narrations of violence against women are presented. "Women and Cultural Citizenship in Turkey" contains rigorous, topical and original insights relevant for a range of disciplines, such as Anthropology, Gender and Communication Studies, as well as those researching cultural and political participation in the Middle East--Bloomsbury Publishing."
Mass media and women --- Television and women --- Women and television --- Women --- Women and mass media --- #SBIB:309H1513 --- #SBIB:309H1016 --- #SBIB:309H521 --- Geschiedenis en/of organisatie van de radio en/of televisie: algemeen en per land (met inbegrip van de rol van de omroep in de ontwikkelingsproblematiek) --- Media: socio-culturele aspecten (massamedia en maatschappij, met inbegrip van cultuurhistorische werken en werken over de maatschappelijke en politieke effecten van de (diverse) media) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Civil rights & citizenship.
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World War, 1914-1918 --- Motion pictures --- War films --- History - General --- History & Archaeology --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- History, Modern --- Motion pictures and the war --- History --- History and criticism --- #SBIB:309H1320 --- #SBIB:309H521 --- #SBIB:AANKOOP --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Film --- History of Europe --- anno 1910-1919 --- History. --- History and criticism. --- Motion pictures and the war. --- War films History and criticism
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