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At least since the publication of Burckhardt’s seminal study, the Renaissance has commonly been understood in terms of discontinuities. Seen as a radical departure from the intellectual and cultural norms of the ‘Middle Ages’, it has often been associated with the revival of classical Antiquity and the transformation of the arts, and has been viewed primarily as an Italian phenomenon. In keeping with recent revisionist trends, however, the essays in this volume explore moments of profound intellectual, artistic, and geographical continuity which challenge preconceptions of the Renaissance. Examining themes such as Shakespearian tragedy, Michelangelo’s mythologies, Johannes Tinctoris’ view of music, the advent of printing, Burgundian book collections, and Bohemian ‘renovatio’, this volume casts a revealing new light on the Renaissance. Contributors include Klára Benešovská, Robert Black, Stephen Bowd, Matteo Burioni, Ingrid Ciulisová, Johannes Grave, Luke Houghton, Robin Kirkpatrick, Alexander Lee, Diotima Liantini, Andrew Pettegree, Rhys W. Roark, Maria Ruvoldt, Jeffrey Chipps Smith, Robin Sowerby, George Steiris, Rob C. Wegman, and Hanno Wijsman.
Arts, Renaissance. --- Continuity --- Continuïteit. --- Discontinuïteit. --- Geistesleben. --- Kontinuität. --- Kunst. --- Mittelalter. --- Perception --- Renaissance. --- Art --- Continuité --- Vie intellectuelle --- Übergangszeit. --- Social aspects --- History --- Idées --- Mentalité --- Rupture --- Europa (geografie). --- Europa. --- Europe --- Civilization --- Classical influences. --- Geography. --- Intellectual life. --- Social conditions. --- History. --- Civilisation --- Influence classique --- Classical influences --- Renaissance --- art [fine art] --- art theory --- History of Europe --- anno 1400-1499 --- anno 1300-1399 --- anno 1600-1699 --- anno 1500-1599 --- Continuité --- Arts de la Renaissance --- Aspect social --- Histoire --- Influence ancienne --- Géographie --- Conditions sociales --- Arts, Renaissance --- Revival of letters --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Supraliminal perception --- Cognition --- Apperception --- Senses and sensation --- Thought and thinking --- Continuum --- Mathematics --- Indivisibles (Philosophy) --- Renaissance arts --- Social aspects&delete& --- Philosophy --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Influence classique. --- art [discipline] --- invloed van Byzantijnse school --- invloed van antieke kunst
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À la Renaissance le développement de la philologie instaure la rénovation des savoirs philosophiques et théologiques, les grandes découvertes impliquent de nouvelles représentations du monde et de l’homme, les luttes religieuses déchirent l’Occident, cependant que s’affirment les identités nationales amorçant ainsi la reconfiguration de l’Europe. La notion de varietas apparaît comme un principe majeur des formes nouvelles de pensée, d’écriture et de vie, comme un principe ordonnateur de toute la culture humaniste. Les analyses présentées ressortissent aux différentes problématiques de l’histoire de la philologie, de la littérature, de la philosophie, de l’histoire de l’art, de la musicologie. Elles mettent en œuvre des méthodes diverses.
Art, Renaissance --- Rhetoric --- Style, Literary --- Art de la Renaissance --- Rhétorique --- Style littéraire --- Congresses --- Congrès --- 09 <063> --- 87.085 --- 091.14 --- 113/119 --- Handschriften. Oude en merkwaardige drukken. Curiosa--Congressen --- Klassieke literatuur: retorica --- Codicologie. Codices. Scriptoria --- Kosmologie. Natuurfilosofie. Filosofie van de natuur --- 113/119 Kosmologie. Natuurfilosofie. Filosofie van de natuur --- 091.14 Codicologie. Codices. Scriptoria --- 87.085 Klassieke literatuur: retorica --- 09 <063> Handschriften. Oude en merkwaardige drukken. Curiosa--Congressen --- Literary style --- Rhétorique --- Style littéraire --- Congresses. --- Congrès --- Architecture --- Periodicals --- History --- Bibliography --- 20.70 European art. --- Architecture de la Renaissance --- Architecture, Renaissance --- Architecture, Renaissance. --- Art, Renaissance. --- Arts de la Renaissance --- Arts, Renaissance --- Arts, Renaissance. --- Kongress. --- Renaissance. --- Stilistik. --- Variation. --- Varietas. --- Congrès. --- Geschichte 1420-1600. --- Humanities, Multidisciplinary --- Renaissance --- musique --- philologie --- philosophie --- littérature --- théologie --- critique littéraire --- architecture --- varietas --- Varietas (le mot latin) --- Rhétorique de la Renaissance --- Philologie
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Après une longue période de troubles des guerres de religion, le renouveau des arts se manifesta de façon particulièrement éclatante sous le règne d'Henri IV, dans tous les domaines : peinture, sculpture, architecture, mais aussi l'art des jardins, les arts de cour, notamment les ballets et les entrées. Ce fut aussi le cas de l'art du livre, encore trop peu étudié aujourd'hui. Ce livre expose l'ampleur de ce renouveau et en montre les multiples aspects. Afin de cerner les transformations et les nouvelles configurations artistiques de cette période, les pratiques artistiques sont replacées dans leur contexte historique, politique et culturel. L'ouvrage pose les enjeux épistémologiques entre pouvoir (élaboration et diffusion par l'image de la figure du « bon roi », tolérant et unificateur du royaume) et art (art de cour, art sacré, dans une époque de troubles religieux…). Enfin, dans une volonté d'inscrire la production artistique française dans un cadre plus large, ce livre explore les liens qui unissent la France d'Henri IV et de Marie de Médicis aux grands centres artistiques européens (Florence, Nancy, Anvers).
French [culture or style] --- Art --- Henry IV [King of France] --- Arts, Renaissance --- Arts --- Politics in art --- Power (Social sciences) in art --- Arts de la Renaissance --- Politique dans l'art --- Pouvoir (Sciences sociales) --- Congresses --- Political aspects --- History --- Congresses. --- Congrès --- Aspect politique --- Histoire --- dans l'art --- Henry --- Portraits --- France --- Kings and rulers --- Art patronage --- Rois et souverains --- Mécénat --- Congrès --- Mécénat --- Kunst --- Frans --- Hendrik IV [Koning van Frankrijk] --- Actes de congrès. --- Henri --- Et l'art --- Henri IV --- 944.03 --- 7 <44> --- 7.034.1 --- 7.04 --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 7.034.1 Renaissancekunst --- Renaissancekunst --- 7 <44> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Frankrijk --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Frankrijk --- 944.03 Geschiedenis van Frankrijk--(1589-1789) --- Geschiedenis van Frankrijk--(1589-1789) --- Religion --- Medieval & Renaissance Studies --- éducation --- politique --- Rome --- peinture --- musique --- religion --- Contre-réforme --- Réforme --- Pape --- pouvoir --- architecture --- Danse --- arts --- savoir --- culturel --- Valois --- Bourbon --- calvinisme --- Fontainebleau --- Huguenot --- Louvre --- Médicis --- Franse school
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The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels. Brill's Studies on Art, Art History, and Intellectual History , volume 2
Iconography --- anno 1400-1499 --- anno 1500-1599 --- dieren --- iconografie --- renaissance --- 15de eeuw --- 16de eeuw --- 76.042 --- 76.045 --- 7.04 "13/15" --- 7.042 --- 7.045 --- Iconografie: dieren; fabeldieren in de prentkunst --- Symbolische voorstellingen: allegorieën; dodendansen in de prentkunst --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--?"13/15" --- Iconografie: fauna, dierenrijk, fabeldieren --- Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Animals in art. --- Animals --- Art, Renaissance --- Symbolic aspects --- Themes, motives. --- Animals -- Symbolic aspects -- Europe. --- Art, Renaissance -- Themes, motives. --- Art. --- Animals in art --- Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- Themes, motives --- 7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- 7.042 Iconografie: fauna, dierenrijk, fabeldieren --- 76.045 Symbolische voorstellingen: allegorieën; dodendansen in de prentkunst --- 76.042 Iconografie: dieren; fabeldieren in de prentkunst --- Renaissance art --- Animal kingdom --- Beasts --- Fauna --- Native animals --- Native fauna --- Wild animals --- Wildlife --- Organisms --- Human-animal relationships --- Zoology --- Animal painting and illustration --- Pets in art --- Wild animals in art --- Zoo animals in art --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- dieren. --- iconografie. --- 15de eeuw. --- 16de eeuw. --- Symbolisme des animaux --- Arts de la Renaissance --- Dans l'art --- Europe --- Thèmes, motifs
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