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Throughout human history, people have imagined inanimate objects to have intelligence, language, and even souls. In our secular societies today, we still willingly believe that nonliving objects have lives of their own as we find ourselves interacting with computers and other equipment. In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century-a period of great technical innovation whose effects continue to reverberate today. Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and artists like Fernand Léger, Mies van der Rohe, and Salvador Dalí, Papapetros tracks the evolution of the problem of animation from the fin de siècle through the twentieth century. He argues that empathy-the ability to identify with objects of the external world-was repressed by twentieth-century modernist culture, but it returned, projected onto inorganic objects such as machines, automobiles, and crystalline skyscrapers. These modern artifacts, he demonstrates, vibrated with energy, life, and desire of their own and had profound effects on people. Subtle and insightful, this book will change how we view modernist art, architecture, and their histories.
Nature (Aesthetics) --- Animation (Cinematography) --- Art --- Animated films --- Cinematography --- Animated television programs --- Art and nature --- Nature and art --- Aesthetics --- Philosophy --- History --- Technique --- anthropomorphism, inanimate objects, intelligence, language, souls, secularism, interaction, technology, nonfiction, innovation, inorganic life, simulated movement, machines, robot, animation, empathy, emotions, salvador dali, mies van der rohe, fernand leger, architecture, art, alois riegl, wilhelm worringer, aby warburg, modernism, modernity, projection, skyscrapers, automobiles, philosophy, cinematography, aesthetics, nature.
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The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lockets containing a coil of a loved one's hair. The fashion lasted only a few decades, and by the early 1800s eye miniatures had faded into oblivion. Unearthing these portraits in Treasuring the Gaze, Hanneke Grootenboer proposes that the rage for eye miniatures-and their abrupt disappearance-reveals a knot in the unfolding of the history of vision. Drawing on Alois Riegl, Jean-Luc Nancy, Marcia Pointon, Melanie Klein, and others, Grootenboer unravels this knot, discovering previously unseen patterns of looking and strategies for showing. She shows that eye miniatures portray the subject's gaze rather than his or her eye, making the recipient of the keepsake an exclusive beholder who is perpetually watched. These treasured portraits always return the looks they receive and, as such, they create a reciprocal mode of viewing that Grootenboer calls intimate vision. Recounting stories about eye miniatures-including the role one played in the scandalous affair of Mrs. Fitzherbert and the Prince of Wales, a portrait of the mesmerizing eye of Lord Byron, and the loss and longing incorporated in crying eye miniatures-Grootenboer shows that intimate vision brings the gaze of another deep into the heart of private experience. With a host of fascinating imagery from this eccentric and mostly forgotten yet deeply private keepsake, Treasuring the Gaze provides new insights into the art of miniature painting and the genre of portraiture.
Eye in art --- Gaze in art --- Portrait miniatures --- Visual perception in art. --- Intimacy (Psychology) in art. --- Miniature portraits --- Miniature art --- Portraits --- History --- 18th century, art, history, miniatures, europe, european, tiny portraits, painting, emotional connection, mementoes, lockets, necklaces, brooches, pendants, fashion, eye, vision, looking, seeing, alois riegl, jean-luc nancy, marcia pointon, melanie klein, patterns, understanding, showing, gaze, keepsake, intimate, prince of wales, lord byron, psychology, intimacy, gender studies, women and men, relationships, afterlife, watercolor, lovers eyes.
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