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Conservationists -- Biography. --- Island ecology -- Madagascar. --- Jolly, Alison. --- Naturalists -- Biography. --- Nature conservation -- Madagascar. --- Nature conservation. --- Earth & Environmental Sciences --- Ecology --- Women primatologists --- Natural history --- Animals --- Biography: science, technology & medicine --- Animal kingdom --- Beasts --- Fauna --- Native animals --- Native fauna --- Wild animals --- Wildlife --- Organisms --- Human-animal relationships --- Zoology --- Primatologists --- Women zoologists --- Bishop, Alison --- Bishop, Alison, --- Jolly, Alison --- Madagascar --- Description and travel. --- Description and travel
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Alison Thorne provides a small-town Utah perspective on the progressive social movements that in the mid to late twentieth century dramatically affected American society. A born activist, Thorne has fought for women's rights, educational reform in public schools and universities, the environment, peace, and the war on poverty. Her efforts have been all the more challenging because of the conservative social and cultural environment in which she has undertaken them. Yet, Thorne, who has deep personal and familial roots in the politically conservative and predominantly Mormon culture of Uta
College teachers --- Women college teachers --- Feminism and education --- Thorne, Alison Comish. --- Education and feminism --- Women as college teachers --- Academicians --- Academics (Persons) --- College instructors --- College lecturers --- College professors --- College science teachers --- Lectors (Higher education) --- Lecturers, College --- Lecturers, University --- Professors --- Universities and colleges --- University academics --- University instructors --- University lecturers --- University professors --- University teachers --- Teachers --- Education --- Women in higher education --- Women teachers --- Faculty
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In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at precisely the moment of its own material demise. By examining this idea of photography as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an otherwise unstable sense of self. Lisa Saltzman argues that in many modern works, the photograph asserts itself as a guarantor of identity, whether genuine or fabricated. From Roland Barthes's Camera Lucida to Ridley Scott's Blade Runner, W. G. Sebald's Austerlitz to Alison Bechdel's Fun Home-we find traces of photography's "fugitive subjects" throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph, at once personal memento and material witness, has inspired a range of modern artistic and critical practices.
Photography, Artistic --- Photography --- Photographic interpetation. --- Philosophy. --- Social aspects. --- History. --- photographs, photography, 19th century, image, imagery, humanities, history, historical, media, literature, literary, film, graphic novel, sense of self, identity, roland barthes, camera lucida, ridley scott, blade runner, austerlitz, alison bechdel, fun home, fugitive subjects, artistic, cultural studies, culture, contemporary, representation, analysis, criticism, truth, material witness, photographic interpretation.
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Focusing on such acclaimed examples asMaus,Persepolis, andWatchmen, these essays successfully highlight the ways that graphic novelists and literary cartoonists have incorporated history, experience, and autobiography into their work. The result is a collection that is both challenging and innovative.
Graphic novels. --- Autobiography in literature. --- Autobiography --- Authorship. --- Graphic novels --- History and criticism --- Authorship --- Spiegelman, Art --- Criticism and interpretation --- Bechdel, Alison --- Sedgwick, Eve Kosofsky --- Leonard, Joanne --- Barry, Lynda --- Yang, Gene Luen --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Comic books, strips, etc. --- Fiction --- Popular literature --- 82-931 --- 070.84 --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal
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ADHD has cast a long shadow over Daniel's life, and over that of his mother Alison. In this candid account of life with an ADHD child, Alison openly discusses her family's experiences with education, the police, and medication.
Hyperactive children --- Mothers and sons --- Attention-deficit hyperactivity disorder --- Adjustment (Psychology) --- ADD (Child behavior disorder) --- ADHD (Child behavior disorder) --- Attention deficit disorder with hyperactivity --- Attention deficit disorders --- Hyperactive child syndrome --- Hyperkinesia in children --- Hyperkinetic syndrome --- Behavior disorders in children --- Minimal brain dysfunction in children --- Sons and mothers --- Mother and child --- Sons --- Hyperkinetic children --- Overactive children --- Exceptional children --- Attention-deficit-disordered children --- Family relationships --- Patients --- Thompson, Alison M. --- Family.
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Project 9: The Birth of the Air Commandos in World War II is a thoroughly researched narrative of the Allied joint project to invade Burma by air. Beginning with its inception at the Quebec Conference of 1943 and continuing through Operation Thursday until the death of the brilliant British General Orde Wingate in March 1944, less than a month after the successful invasion of Burma, Project 9 details all aspects of this covert mission, including the selection of the American airmen, the procurement of the aircraft, the joint training with British troops, and the dangerous night-time assault behind Japanese lines by glider. Based on review of hundreds of documents as well as interviews with surviving Air Commandos, this is the history of a colorful, autonomous, and highly effective military unit that included some of the most recognizable names of the era. Tasked by the General of the Army Air Forces, H. H. "Hap" Arnold, to provide air support for British troops under the eccentric Major General Wingate as they operated behind Japanese lines in Burma, the Air Commandos were breaking entirely new ground in operational theory, tactics, and inter-Allied cooperation. Okerstrom's in-depth research and analysis in Project 9 shed light on the operations of America's first foray into special military operations, when these heroes led the way for the formation of modern special operations teams such as Delta Force and Seal Team Six.
World War, 1939-1945 --- Campaigns --- Aerial operations, American. --- Cochran, Philip G. --- Alison, John R. --- Wingate, Orde Charles, --- United States. --- Officers --- Ṿingaiṭ, Ord, --- Ṿingeṭ, Ord, --- וינגיט, אורד צ׳רלז, --- וינגייט, אורד --- וינגייט, אורד צ׳רלס --- וינגייט, אורד צ׳רלס, --- וינגייט, אורד צ'ארלס --- וינגייט, אורד, --- AAF (United States. Army Air Forces) --- Army Air Forces (U.S.) --- U.S.A.A.F. (United States. Army Air Forces) --- United States Army Air Forces --- USAAF (United States. Army Air Forces) --- ארה״ב.
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In Plenty and in Time of Need demonstrates how the unique history of Barbados has contributed to complex relations of national, gendered, and sexual identities, and how these identities are represented and interpreted on a global stage. As the most widespread manifestation of social commentary, the book uses music and performance to analyze the competing ideals and realities of the national culture. It details the histories of prominent musical artists, including the prolific Pan-Africanist calypsonian the Mighty Gabby, the world-renowned Merrymen, Soca Queen Alison Hinds, artist/activist Rupee, and international superstar Rihanna. Using these artists, the project analyzes how femininity, masculinity, and sexuality are put in service of Barbadian nationalism. By examining websites, blogs, and digital products of these artists in conversation with Barbadian tourism, the book re-examines the ways in which commodity, sexuality, gender performance, and diasporic consciousness undergird individual careers and national representations.
Nationalism and the arts --- Arts and nationalism --- Arts --- Popular culture, Barbadian identity, Barbados, Caribbean studies, the Caribbean, music, performance, Barbadian culture, national identity, gender, sexual identity, history, history of Barbados, gendered identity, the Mighty Gabby, Merrymen, Soca Queen Alison Hinds, Rupee, Rihanna, femininity, masculinity, sexuality, Barbadian nationalism, Barbadian tourism, diasporic consciousness, national representation, gender performance, African diaspora studies, popular music, postcolonial studies, Anglophone literature, Barbadian independence, soca.
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Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today.
Arts, Modern --- Computer art. --- Art and computers. --- alison knowles. --- art and media. --- art criticism. --- art history. --- art. --- computer art criticism. --- computer art history. --- computer art. --- computer artists. --- computers and art. --- computers. --- digital art. --- digital artist. --- digital culture. --- digital media. --- digital scholarship. --- digital studies. --- early computer art. --- film arts. --- information aesthetics. --- media studies. --- modern art. --- nam june paik. --- stuttgart school. --- visual research. --- visual rhetoric. --- visual studies.
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This volume draws together three core concerns for the social sciences: the senses and embodiment, emotions, and space and place. In so doing, these collected essays consider the ways in which these core concerns are mutually constitutive. This includes how spaces evoke, constrain or are composed by the senses and emotions; the ways in which emotions are generated or transformed in certain spaces and through sensual engagement; and the processes by which embodied senses create spaces and emotions.
Emotions. --- Space perception. --- alison dundon --- hip hop scene --- susan r. hemer --- pontic dance --- jayne curnow --- sensual feasting --- ethnographic intersections --- papua new guinea --- william skinner --- dancing for joy --- vibe --- kirrilly thompson --- rejoneo --- diane rodgers --- valerie liddle --- spanish bullfight from horseback --- interrupted research --- hip hop concerts --- flores --- wine --- anthony heathcote --- ethnographic --- interspecies edgework --- sarah homan --- reikim voices in the park --- sociotechnical networks --- ngadha --- emotions --- judith haines --- nepal --- spaces --- ethnography --- senses --- mclaren vale --- anxious spaces --- Anthropology
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Some of the most acclaimed books of the twenty-first century are autobiographical comics by women. Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe Gloeckner places teenage sexuality at the center of her work, while Lynda Barry uses collage and the empty spaces between frames to capture the process of memory. Marjane Satrapi's Persepolis experiments with visual witness to frame her personal and historical narrative, and Alison Bechdel's Fun Home meticulously incorporates family documents by hand to re-present the author's past. These five cartoonists move the art of autobiography and graphic storytelling in new directions, particularly through the depiction of sex, gender, and lived experience. Hillary L. Chute explores their verbal and visual techniques, which have transformed autobiographical narrative and contemporary comics. Through the interplay of words and images, and the counterpoint of presence and absence, they express difficult, even traumatic stories while engaging with the workings of memory. Intertwining aesthetics and politics, these women both rewrite and redesign the parameters of acceptable discourse.
Comic books, strips, etc. --- Women in literature --- Women cartoonists --- Women in art --- History and criticism --- tekenkunst --- strips --- graphic novels --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- Kominsky-Crumb Aline --- Gloeckner Phoebe --- Barry Lynda --- Satrapi Marjane --- Bechdel Alison --- gender studies --- 82-312.5 --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Stripverhaal --- Comic books, strips, etc --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Cartoonists --- Women artists --- Barry, Lynda, --- Bechdel, Alison, --- Gloeckner, Phoebe. --- Kominsky-Crumb, Aline, --- Satrapi, Marjane, --- Catrapi, Marjān̲ē, --- סטראפי, מרג׳אן, --- Crumb, Aline Kominsky-, --- Kominsky, A. --- Kominsky, Aline, --- Goldsmith-Crumb, Aline, --- Tesori, Jeanine. --- Kron, Lisa. --- 741.53 --- feminisme --- beeldverhaal --- stripgeschiedenis --- kunst --- Women in literature. --- Women cartoonists. --- Women in art. --- History and criticism. --- Comic books, strips, etc. - History and criticism --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Drawing --- Literature --- beeldverhalen
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