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Ce volume comporte un dossier sur la thématique de l’argent dans A la recherche du temps perdu . Chez Proust, l’argent est beaucoup plus que l’argent, il devient véhicule de passion, de pulsion, d’excès. Loin de se limiter à la dimension sociologique du roman, il joue un rôle à d’autres niveaux : esthétique, imaginaire mais surtout affectif, dans le motif récurrent du don. Dans une série de huit études, le dossier éclaire les diverses facettes de cet imaginaire de l’argent, qui s’infiltre dans les relations humaines ainsi que dans l’art. Dans la section mélanges, on trouvera des études sur le Paris proustien, sur les objets et les arts décoratifs dans la Recherche et sur l’amitié de Proust avec Robert de Flers. The greater part of this issue is devoted to the topic of money in the Recherche . In Proust’s work, money is so much more, it is the vehicle of passions, impulses and excess. Apart from its sociological references, money plays a role at other levels of the novel: the aesthetic, the imaginary and above all the affective dimension, with the recurrent motive of gift. With a series of eight studies, the present issue throws a light on this imaginary of money, which infuses human relations and art. The Miscellanea section includes studies about Proust’s Paris, about art objects and decorative arts in the Recherche and on Proust’s friendship with Robert de Flers.

Francophone cultures and literatures. --- Civilization. --- Proust, Marcel, --- À la recherche du temps perdu (Proust, Marcel)

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A la recherche du temps perdu repose sur une théorie de l’imaginaire qui se rapproche de celle des phénoménologues: Husserl, Fink, Sartre. Mais tandis que ceux-ci partent à la recherche de l’essence des choses ( eidos ) et restent dupes d’une vision essentialiste, Proust développe une théorie anti-essentialiste. Pour lui, l’imaginaire n’est pas l’instrument qui révèle l’essence inaltérable des choses ( Wesensschau ), mais sert de médiation entre le monde extérieur et le monde intérieur. Proust ne cesse d’affirmer que l’imaginaire est un interface où prennent consistance les être aimés, les souvenirs lointains et l’oeuvre artistique dans une continuelle métamorphose qui plie le monde extérieur au jeu de nos désirs. Relisons donc A la recherche du temps perdu à la lumière de ce concept qui est indispensable pour comprendre Proust et comprendre nous-mêmes.

Imagination in literature. --- Proust, Marcel, --- Proust, Valentin Louis Georges Eugène Marcel, --- Prust, Marselʹ, --- Pʻu-lu-ssu-tʻe, --- Pʻŭrusŭtʻŭ, Marŭsel, --- À la recherche du temps perdu (Proust, Marcel) --- Criticism and interpretation.

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In Proust and Emotion, Inge Crosman Wimmers proposes a new approach to A la recherche du temps perdu that centres on the role of affect. Through close reading of the hero-narrator's personal history, the author shows how emotional paradigms (especially separation anxiety), involuntary memory, and other compelling impressions give focus and structure to Proust's novel. Drawing on reader-oriented and emotion theories, she shows how affect commands the attention of the 'motivated reader' and is crucial to the process of self-understanding for both the narrator and the reader. This is the first extensive study in English to take fully into consideration the drafts (esquisses) published in the new Pleiade edition of the novel, the Mauriac edition of Albertine disparue, and material from the unpublished Proust manuscripts - all of which shed further light on the importance of affect in A la recherche. Proust and Emotion will appeal to readers interested in an approach to Proust that combines insights from philosophy, psychology, and literary aesthetics and in a poetics of reading that pays particular attention to emotion.

Emoties in de literatuur --- Emotions dans la littérature --- Emotions in literature --- Esthétique de la réception --- Reader-response criticism --- Emotions in literature. --- Reader-response criticism. --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Proust, Marcel, --- Criticism and interpretation. --- Proust, Marcel --- Criticism and interpretation --- Prust, Marselʹ, --- Proust, Valentin Louis Georges Eugène Marcel, --- Pʻŭrusŭtʻŭ, Marŭsel, --- Pʻu-lu-ssu-tʻe, --- Пруст, Марсель, --- פרוסט, מארסל --- פרוסט, מרסל --- ,פרוסט, מרסל --- بروست، مارسيل،, --- À la recherche du temps perdu (Proust, Marcel)

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This book is about memory-about how the past persists into the present, and about how this persistence has been understood over the past two centuries. Since the French Revolution, memory has been the source of an intense disquiet. Fundamental cultural theories have sought to understand it, and have striven to represent its stresses.

Memory in literature. --- Modernism (Literature) --- Literature, Modern --- French literature --- Memory as a theme in literature --- History and criticism --- Theory, etc. --- Freud, Sigmund, --- Proust, Marcel, --- Memory in literature --- Modern literature --- Arts, Modern --- History and criticism&delete& --- Theory, etc --- Freud, Sigmund --- Littérature française --- Littérature moderne --- Mémoire dans la littérature --- Modernisme (Littérature) --- Histoire et critique --- 20th century --- 19th century --- Proust, Marcel --- Literature [Modern ] --- French literature - 19th century - History and criticism - Theory, etc. --- French literature - 20th century - History and criticism - Theory, etc. --- Literature, Modern - History and criticism - Theory, etc. --- Modernism (Literature) - France. --- Proust, Marcel, - 1871-1922. - À la recherche du temps perdu --- Freud, Sigmund, - 1856-1939.