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Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.
Composition (Music) --- Music --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- History. --- History and criticism. --- Composition --- Composition (Music) - History. --- Music - 15th century - History and criticism. --- Music - 16th century - History and criticism.
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The closely related problems of creativity and freedom have long been seen as emblematic of the Renaissance. Ullrich Langer, however, argues that French and Italian Renaissance literature can be profitably reconceived in terms of the way these problems are treated in late medieval scholasticism in general and nominalist theology in particular. Looking at a subject that is relatively unexplored by literary critics, Langer introduces the reader to some basic features of nominalist theology and uses these to focus on what we find to be "modern" in French and Italian literature of the fifteenth and sixteenth centuries.Langer demonstrates that this literature, often in its most interesting moments, represents freedom from constraint in the figures of the poet and the reader and in the fictional world itself. In Langer's view, nominalist theology provides a set of concepts that helps us understand the intellectual context of that freedom: God, the secular sovereign, and the poet are similarly absolved of external necessity in their relationships to their worlds.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Free will and determinism in literature. --- French literature --- Italian literature --- Nominalism in literature. --- Renaissance. --- Theology in literature. --- History and criticism. --- France --- Italy --- Intellectual life --- 16th century --- History and criticism --- 15th century --- To 1500 --- 1268-1559 --- Renaissance --- French literature - 16th century - History and criticism. --- Italian literature - 16th century - History and criticism. --- Italian literature - 15th century - History and criticism. --- French literature - To 1500 - History and criticism. --- France - Intellectual life - 16th century. --- Italy - Intellectual life - 1268-1559.
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Drawing upon hundreds of newly uncovered archival records, Gretchen Peters reconstructs the music of everyday life in over twenty cities in late medieval France. Through the comparative study of these cities' political and musical histories, the book establishes that the degree to which a city achieved civic authority and independence determined the nature and use of music within the urban setting. The world of urban minstrels beyond civic patronage is explored through the use of diverse records; their livelihood depended upon seeking out and securing a variety of engagements from confraternities to bathhouses. Minstrels engaged in complex professional relationships on a broad level, as with guilds and minstrel schools, and on an individual level, as with partnerships and apprenticeships. The study investigates how minstrels fared economically and socially, recognizing the diversity within this body of musicians in the Middle Ages from itinerant outcasts to wealthy and respected town musicians.
Music --- anno 1400-1499 --- France --- Musique --- Muziek --- Music patronage --- Social aspects --- History --- History and criticism. --- Aspect social --- Histoire --- Mécénat --- Histoire et critique --- History and criticism --- Mécénat --- 15th century --- 78.23 --- Histoire et critique. --- Music patronage. --- Music. --- Social aspects. --- 1400-1499. --- France. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Music - Social aspects - France - History - 15th century --- Music patronage - France - History - 15th century --- Music - France - 15th century - History and criticism
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Analyzing the literature on art from the fifteenth and sixteenth centuries, The Spiritual Language of Art explores the complex relationship between visual art and spiritual experiences during the Italian Renaissance. Though scholarly research on these writings has predominantly focused on the influence of classical literature, this study reveals that Renaissance authors consistently discussed art using terms, concepts and metaphors derived from spiritual literature. By examining these texts in the light of medieval sources, greater insight is gained on the spiritual nature of the artist’s process and the reception of art. Offering a close re-readings of many important writers (Alberti, Leonardo, Vasari, et cetera), this study deepens our understanding of attitudes toward art and spirituality in the Italian Renaissance.
Art criticism --- Italian literature --- Spirituality in literature. --- Christianity and literature. --- Critique d'art --- Littérature italienne --- Spiritualité dans la littérature --- Christianisme et littérature --- History --- History and criticism. --- Histoire --- Histoire et critique --- Littérature italienne --- Spiritualité dans la littérature --- Christianisme et littérature --- religious texts --- 246 "04/14" --- 930.85.44 <45> --- Christelijke kunst en symbolisme--Middeleeuwen --- Cultuurgeschiedenis: Renaissance--Italië --- 930.85.44 <45> Cultuurgeschiedenis: Renaissance--Italië --- Christian religion --- History of civilization --- Thematology --- anno 1500-1599 --- Italy --- Christian art and symbolism. --- Art criticism. --- Art --- Arts --- Criticism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Analysis, interpretation, appreciation --- Art criticism - Italy - History - 15th century. --- Art criticism - Italy - History - 16th century. --- Italian literature - 15th century - History and criticism. --- Italian literature - 16th century - History and criticism.
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Why did eighteenth-century writers employ digression as a literary form of diversion, and how did their readers come to enjoy linguistic and textual devices that self-consciously disrupt the reading experience? Darryl P. Domingo answers these questions through an examination of the formative period in the commercialization of leisure in England, and the coincidental coming of age of literary self-consciousness in works published between approximately 1690 and 1760. During this period, commercial entertainers tested out new ways of gratifying a public increasingly eager for amusement, while professional writers explored the rhetorical possibilities of intrusion, obstruction, and interruption through their characteristic use of devices like digression. Such devices adopt similar forms and fulfil similar functions in literature as do diversions in culture: they 'unbend the mind' and reveal the complex reciprocity between commercialized leisure and commercial literature in the age of Swift, Pope, and Fielding.
Digression. --- Englisch. --- English literature --- English literature. --- Kommerzialisierung. --- Recreation in literature. --- Recreation --- Recreation. --- Roman. --- Unterhaltung. --- History and criticism --- History --- 1700-1799. --- Great Britain. --- Gro�britannien. --- Instrumentalists --- Music --- History of civilization --- anno 1400-1499 --- anno 1500-1599 --- Renaissance --- Instrumental music --- Social conditions --- Musicians --- Musique instrumentale --- Musique --- Musiciens --- Economic conditions --- Histoire et critique --- Conditions sociales --- Conditions économiques --- Literaire retoriek --- Engelse letterkunde --- anno 1600-1699 --- anno 1700-1799 --- 78.24 --- Literary rhetorics --- Instrumentalists - Social conditions --- Instrumental music - 15th century - History and criticism --- Instrumental music - 16th century - History and criticism --- History and criticism. --- Renaissance. --- Social conditions. --- Music, Instrumental --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Players (Music) --- Manners and customs --- Amusements --- Community centers --- Leisure
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What did you do when you fell ill in fifteenth-century Florence? How did you get the medicines that you needed at a price you could afford? What would you find when you entered an apothecary’s shop? This richly detailed study of the Speziale al Giglio in Florence provides surprising answers, demonstrating the continued importance of highly personalised medical practice late into the fifteenth century. Drawing on extensive archival research, it shows how personal relationships and mutual trust, rather than market forces, made payment possible even for those with limited incomes. Examining the spaces, people and products involved, Making and Marketing Medicine investigates the roles played by sociability, information networks and regulation in creating communities as well as in promoting health in Renaissance Italy.
History of Italy --- History of human medicine --- anno 1400-1499 --- Florence --- Drugstores --- Public health --- Pharmaceutical Preparations --- Drug Prescriptions --- History, 15th Century --- History, 16th Century --- Marketing --- Pharmacies --- History --- history --- Italy. --- E-books --- 16th Cent. History (Medicine) --- 16th Cent. History of Medicine --- 16th Cent. Medicine --- Historical Events, 16th Century --- History of Medicine, 16th Cent. --- History, Sixteenth Century --- Medical History, 16th Cent. --- Medicine, 16th Cent. --- 16th Century History --- 16th Cent. Histories (Medicine) --- 16th Century Histories --- Cent. Histories, 16th (Medicine) --- Cent. History, 16th (Medicine) --- Century Histories, 16th --- Century Histories, Sixteenth --- Century History, 16th --- Century History, Sixteenth --- Histories, 16th Cent. (Medicine) --- Histories, 16th Century --- Histories, Sixteenth Century --- History, 16th Cent. (Medicine) --- Sixteenth Century Histories --- Sixteenth Century History --- 15th Cent. History (Medicine) --- 15th Cent. History of Medicine --- 15th Cent. Medicine --- Historical Events, 15th Century --- History of Medicine, 15th Cent. --- History, Fifteenth Century --- Medical History, 15th Cent. --- Medicine, 15th Cent. --- 15th Century History --- 15th Cent. Histories (Medicine) --- 15th Century Histories --- Cent. Histories, 15th (Medicine) --- Cent. History, 15th (Medicine) --- Century Histories, 15th --- Century Histories, Fifteenth --- Century History, 15th --- Century History, Fifteenth --- Fifteenth Century Histories --- Fifteenth Century History --- Histories, 15th Cent. (Medicine) --- Histories, 15th Century --- Histories, Fifteenth Century --- History, 15th Cent. (Medicine) --- Community health --- Health services --- Hygiene, Public --- Hygiene, Social --- Public health services --- Public hygiene --- Social hygiene --- Health --- Human services --- Biosecurity --- Health literacy --- Medicine, Preventive --- National health services --- Sanitation --- Apothecaries (Drugstores) --- Apothecary shops --- Chemists' shops --- Drug stores --- Pharmaceutical services --- Stores, Retail --- Sardinia --- Drugstores. --- Public health. --- 1400 - 1499 --- Italy --- Forence --- Medicine --- Health Workforce
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