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The book aims at collecting papers discussed during the online webinars Raccontare la Resistenza a scuola organised between April 2021 and May 2021. The book aims at consolidating links between theoretical and historical reflection and didactical practises: it deals with the domain of history of applied education and Public History of Education. Hence, the book has been defined for been used by university students and teachers as a reliable and viable tool. The volume answers to ancient requests made by the scholastic world. Furthermore, it gives a contribute to the historical-educative debate concerning a still empty dominion.
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Quelle est la valeur de la fiction aujourd’hui? Le mode fictionnel a-t-il sa place lorsqu’il s’agit de raconter des événements comme les guerres? Quelles stratégies le récit contemporain déploie-t-il pour dire la guerre telle qu’elle se déroule à notre époque? Ce thème suscite des difficultés, qui renvoient toutes de près ou de loin au danger de fausser la mémoire d’un événement historique traumatisant pour des collectivités. Ce livre montre comment une certaine poétique peut parvenir à négocier ces écueils. L’étude de textes de théâtre et de romans de Wajdi Mouawad, Laurent Gaudé, Mathias Énard et Jean Rolin révèle que la littérature pallie un manque laissé par l’ouvrage historique, le reportage journalistique ou le témoignage, surtout, et paradoxalement, parce qu’elle exhibe sa fictionnalité. Cet ouvrage aborde les œuvres comme des laboratoires où sont testés les rapports entre narratologie et éthique. Il évalue la légitimité de la fiction, son intérêt et sa pertinence, et suggère qu’à l’ère postfactuelle le récit de guerre renvoie à nos valeurs et à nos croyances autant qu’à nos scrupules et à nos contradictions.
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Part of a scholarship that seeks to undo Willa Cather's longstanding reputation as a writer who remained aloof from the cultural issues of her day, this chronologically arranged collection demonstrates that Cather found the subject of war both unavoidable, because of her position in history, and artistically irresistible.
War in literature. --- Cather, Willa --- Criticism and interpretation.
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The time is right for a critical reassessment of Cold War culture both because its full cultural impact remains unprocessed and because some of the chief paradigms for understanding that culture confuse rather than clarify. A collection of the work of some of the best cultural critics writing about the period, American Literature and Culture in an Age of Cold War reveals a broad range of ways that American cultural production from the late 1940's to the present might be understood in relation to the Cold War. Critically engaging the reigning paradigms
Cold War in literature. --- American literature --- History and criticism.
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La littérature française contemporaine porte un vif intérêt au déchiffrement de la guerre sous la paix, à l’histoire des conflits sanglants du XXe siècle et de leurs séquelles pour la vie civile. Elle dépasse la vue partielle de l’histoire nationale et rétablit le lien rompu avec celle de la période coloniale. Les protagonistes des textes de Maurice Attia, de Mathias Énard, de Jérôme Ferrari, de Laurent Gaudé, d’Alexis Jenni, de Laurent Mauvignier et de Wajdi Mouawad sont bien souvent des vétérans, des revenants qui tardent à vraiment ‘revenir’ de la guerre. La monographie cherche à explorer les modalités narratives qui permettent aux auteurs d’adresser les traumatismes et d’entamer le travail de mémoire. Contemporary French literature is acutely interested in peacetime attempts to make sense of war, in the history of the bloody conflicts of the twentieth century and their repercussions on civilian life. It goes beyond the partial view of national history and restores the broken link to the history of the colonial era. Many of the characters of Maurice Attia, Mathias Énard, Jérôme Ferrari, Laurent Gaudé, Alexis Jenni, Laurent Mauvignier and Wajdi Mouawad are veterans, returnees who have trouble really ‘returning’ from war. This monograph aims to explore the narrative methods that allow the authors to address traumas and begin the work of memory.
French literature --- War in literature. --- History and criticism.
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"The Middle East has a poetic record stretching back five millennia. In this unique book, leading scholars draw upon this legacy to explore the ways in which poets, from the third millennium BC to the present day, have responded to the effects of war. They deal with material in a wide variety of languages including Sumerian, Hittite, Akkadian, biblical and modern Hebrew, and classical and contemporary Arabic and range from the destruction of Ur in 1940 BC to the poetry of Hamas and Hezbollah. Some poems are heroic in tone, celebrating victory and the prowess of warriors, others reflect keenly on the suffering that war causes. The result is a work that offers fresh insights into the poetry of the Middle East and provides a unique reflection of the ways in which this most violent and pervasive of human activities has been reflected in different cultures."--Bloomsbury Publishing.
Middle Eastern poetry --- War in literature. --- History and criticism.
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War in literature. --- English fiction --- History and criticism.
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American literature --- War and literature --- War in literature --- Literature and war --- Literature --- History and criticism --- United States --- History --- Literature and the war. --- War in literature. --- History and criticism.
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Across the twentieth century, the Russian literary hero remained central to Russian fiction and frequently "battled" one enemy or another, whether on the battlefield or on a civilian front. War was the experience of the Russian people, and it became a dominant trope to represent the Soviet experience in literature as well as other areas of cultural life. This book traces those war experiences, memories, tropes, and metaphors in the literature of the Soviet and post-Soviet period, examining the work of Dmitry Furmanov, Fyodor Gladkov, Alexander Tvardovsky, Emmanuil Kazakevich, Vera Panova, Viktor Nekrasov, Alexander Solzhenitsyn, Vladimir Voinovich, Sergei Dovlatov, Vladimir Makanin, Viktor Astafiev, Viktor Pelevin, and Vasily Aksyonov. These authors represented official Soviet literature and underground or dissident literature; they fell into and out of favor, were exiled and returned to Russia, died at home and abroad. Most importantly, they were all touched by war, and they reacted to the state of war in their literary works.
Russian literature --- War stories, Russian --- War in literature. --- History and criticism. --- Russian war stories --- Russian fiction
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This is a ground-breaking study of the psychological and cultural impact of the Cold War on the imaginations of citizens in the UK and US.
English literature --- American literature --- Cold War --- Cold War in literature. --- History and criticism. --- Influence.
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