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The Museum of Natural History of the University of Florence, founded in 1775 by Grand Duke Pietro Leopoldo d'Asburgo Lorena, is one of the oldest and most prestigious scientific museums in the world. The fourth volume on the Collections of the Mineralogy and Lithology Section, published like the previous volumes by the Firenze University Press, fits perfectly in the series dedicated to the collections of the University's Museum System. The first part of the book describes in great detail the paths that led to the formation of the collections, starting with those dating to the Medici period and arriving at the specimens collected during recent expeditions. The second part illustrates and documents the extraordinary specimens of minerals, hardstone carvings and meteorites which represent the material patrimony of this section. Particular attention is given to the holotypes, the Elban Collection and the minerals of pegmatites, as well as the methods and solutions adopted to realize the project of the new museum exhibition set-up. The third and last part describes the studies carried out on the materials: from the minerals of the systematic collections to the rock specimens that recount not only the geodiversity of a region but also the history of a city.
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The nineteenth century witnessed a dramatic shift in the display and dissemination of natural knowledge across Britain and America, from private collections of miscellaneous artifacts and objects to public exhibitions and state-sponsored museums. The science museum as we know it--an institution of expert knowledge built to inform a lay public--was still very much in formation during this dynamic period. Science Museums in Transition provides a nuanced, comparative study of the diverse places and spaces in which science was displayed at a time when science and spectacle were still deeply intertwined; when leading naturalists, curators, and popular showmen were debating both how to display their knowledge and how and whether they should profit from scientific work; and when ideals of nationalism, class politics, and democracy were permeating the museum's walls. Contributors examine a constellation of people, spaces, display practices, experiences, and politics that worked not only to define the museum, but to shape public science and scientific knowledge. Taken together, the chapters in this volume span the Atlantic, exploring private and public museums, short and long-term exhibitions, and museums built for entertainment, education, and research, and in turn raise a host of important questions, about expertise, and about who speaks for nature and for history.
Science museums --- Science --- Science centers --- Museums --- History. --- History
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Lukas Rieppel shows how dinosaurs gripped the popular imagination and became emblems of America's industrial power and economic prosperity during the Gilded Age. Spectacular fossils were displayed in museums financed by North America's wealthiest tycoons, to cement their reputation as both benefactors of science and fierce capitalists.
Fossils --- Dinosaurs in popular culture --- Science museums --- Collection and preservation --- History. --- Public relations --- Carnegie, Andrew,
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Ontario Science Centre --- Ontario Science Centre. --- Science museums --- --Ontario --- --Annual reports --- Science and technology --- --Museums
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This volume traces the cultural history of natural history museums from their origins in the 18th century through the present day, by tracing the changing attitudes and philosophies that influence the public displays of major natural history museums.
Natural history museums --- Natural history --- History, Natural --- Natural science --- Physiophilosophy --- Biology --- Science --- Science museums --- History. --- Exhibitions --- Design --- Museums --- History --- Design&delete&
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A gripping tale of 150 years of scientific adventure, research, and discovery at the Yale Peabody Museum This fascinating book tells the story of how one museum changed ideas about dinosaurs, dynasties, and even the story of life on earth. The Yale Peabody Museum of Natural History, now celebrating its 150th anniversary, has remade the way we see the world. Delving into the museum’s storied and colorful past, award-winning author Richard Conniff introduces a cast of bold explorers, roughneck bone hunters, and visionary scientists. Some became famous for wresting Brontosaurus, Triceratops, and other dinosaurs from the earth, others pioneered the introduction of science education in North America, and still others rediscovered the long-buried glory of Machu Picchu. In this lively tale of events, achievements, and scandals from throughout the museum’s history. Readers will encounter renowned paleontologist O. C. Marsh who engaged in ferocious combat with his “Bone Wars” rival Edward Drinker Cope, as well as dozens of other intriguing characters. Nearly 100 color images portray important figures in the Peabody’s history and special objects from the museum’s 13-million-item collections. For anyone with an interest in exploring, understanding, and protecting the natural world, this book will deliver abundant delights.
Natural history museums --- Natural history --- Science museums --- History. --- Museums --- Peabody Museum of Natural History --- Peabody Museum (Yale University) --- Yale Peabody Museum --- Yale University. --- Yale University --- Connecticut
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In this book the diverse objects of the Whipple Museum of the History of Science's internationally renowned collection are brought into sharp relief by a number of highly regarded historians of science in fourteen essays. Each chapter focuses on a specific instrument or group of objects, ranging from an English medieval astrolabe to a modern agricultural 'seed source indicator' to a curious collection of plaster chicken heads. The contributors employ a range of historiographical and methodological approaches to demonstrate the various ways in which the material culture of science can be researched and understood. The essays show how the study of scientific objects - including instruments and models - offers a window into cultures of scientific practice not afforded by textual sources alone. This title is also available as Open Access on Cambridge Core.
Science --- Science museums --- History. --- Whipple, Robert S., --- Whipple Museum of the History of Science. --- Science centers --- Museums --- Natural science --- Science of science --- Sciences --- History --- Whipple, R. S. --- University of Cambridge. --- Natural sciences --- history of science --- history of medicine --- museum studies
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There is an increasing interest in understanding learning and knowledge development when visitors attend informal institutions, such as museums, science centers, aquariums and botanical gardens. But in what ways do visitors develop new knowledge, skills and awareness about displayed issues in these kinds of settings and how does the exhibition environment affect and scaffold learning processes? In this book, the authors turn their attention to visitors’ and staff members’ actions and dialogues during the visits in order to identify and study learning situations. A common approach is the use and development of socio-cultural and cultural-historical frameworks and theories as means for coming closer to the significance of interactions at different levels and in different contexts. The individual chapters cover learning interactions in relation to staff members’ roles and identities, family visits, exhibitions as resources for professional development and school visits.
Didactics --- didactiek --- Museum exhibits. --- Museum visitors. --- Museums --- Visitors to museums --- Persons --- Museum attendance --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Museum techniques --- Visitors --- Science museums --- Educational aspects. --- Sociological aspects. --- Science --- Science centers --- Education --- History
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The development of interactive displays has transformed the traditional museum world in the last decade. Visitors are no longer satisfied by simply gazing at worthy displays in glass cases - they expect to have hands-on experience of the objects and be actively involved with the exhibits, learning informally and being entertained simultaneously.
Museum exhibits --- Science museums --- Interactive multimedia. --- Hypermedia systems --- Interactive media --- Computer software --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Exhibitions --- Museum techniques --- Science --- Science centers --- Technological innovations. --- Management. --- History
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In zijn soort was Museum Vrolikianum de laatste grote privé-verzameling die in Nederland werd opgebouwd. De Vrolik-collectie, sinds begin jaren tachtig ondergebracht bij het AMC, vormt daarmee een ware tijdcapsule van vlak vóór de grote medische en wetenschappelijke veranderingen die de nieuwe tijd zou brengen - niet in de laatste plaats met de lancering van Darwins evolutietheorie. Dit schitterende en rijk geïllustreerde boek geeft een indrukwekkend beeld van de Amsterdamse anatomische verzameltraditie.
Medical museums --- Medicine --- Science museums --- Museums --- Museum Vrolik. --- Universiteit van Amsterdam. --- AMC --- A.M.C. --- Vrolik Museum --- Museum Vrolikianum --- Musée Vrolik --- Amsterdam UMC (Hospital consortium). --- Amsterdam UMC (Hospital consortium)
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