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Blackness, as a concept, is extremely fluid: it can refer to cultural and ethnic identity, socio-political status, an aesthetic and embodied way of being, a social and political consciousness, or a diasporic kinship. It is used as a description of skin color ranging from the palest cream to the richest chocolate; as a marker of enslavement, marginalization, criminality, filth, or evil; or as a symbol of pride, beauty, elegance, strength, and depth. Despite the fact that it is elusive and difficult to define, blackness serves as one of the most potent and unifying domains of identity. God and Blackness offers an ethnographic study of blackness as it is understood within a specific community—that of the First Afrikan Church, a middle-class Afrocentric congregation in Atlanta, Georgia. Drawing on nearly two years of participant observation and in-depth interviews, Andrea C. Abrams examines how this community has employed Afrocentrism and Black theology as a means of negotiating the unreconciled natures of thoughts and ideals that are part of being both black and American. Specifically, Abrams examines the ways in which First Afrikan’s construction of community is influenced by shared understandings of blackness, and probes the means through which individuals negotiate the tensions created by competing constructions of their black identity. Although Afrocentrism operates as the focal point of this discussion, the book examines questions of political identity, religious expression and gender dynamics through the lens of a unique black church.
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"Dancing With God is an exploration of the divine gifts of courage and grace in the face of evil. Moreover, it is a doctrine of God as the source of that courage. Baker-Fletcher presents an understanding of the work of the Trinity with regard to the problem of crucifixion, a metaphor she uses for unnecessary violence. She develops a process of relational, womanist theology that considers the empathetic omnipresence of God in the midst of unnecessary suffering and the healing power of God in movement of the Holy Spirit. She engages the contributions of a diversity of theologians like Paul Tillich, Karl Barth, Gordon Kaufman, John Cobb, Jr., Majorie Suchocki, Charles Hartshorne, Andrew Sung Park, and Katie Cannon in her discussion of the dance of the Trinity in creation, and the problem of sin, evil, and suffering. Through creative works like that of Alice Walker's The Color Purple and journalist Joyce King's account of the James Byrd, Jr. murder in Jasper County, Texas, Baker-Fletcher reveals the healing, encouraging power of the Holy Spirit in the lives of survivors of unnecessary violence."--Publisher statement
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Based on a thematic and topical structure, this handbook provides scholars and advanced students detailed description, analysis, and constructive discussions concerning African American theology - in the forms of black and womanist theologies. This volume surveys the academic content of African American theology by highlighting its sources; doctrines; internal debates; current challenges; and future prospects, in order to present key topics related to the wider palette of black religion in a sustained scholarly format.
Black theology --- Negertheologie --- Théologie noire --- African American theology --- African Americans --- Blacks --- Theology, Doctrinal --- Religion --- 241.1*35 --- 241.1*35 Black theology --- Black theology. --- Black people
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"The Black Theology Papers Project contains papers presented at the Black Theology Unit of the American Academy of Religion."
Black theology --- Black theology. --- African American theology --- African Americans --- Blacks --- Theology, Doctrinal --- Religion --- black theology --- theology --- arts --- popular culture --- blackness --- religion --- Black people
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Black theology --- Black people --- Theology, Doctrinal --- Religion --- Great Britain.
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At long last a fresh theological map that charts unexplored terrain--the racialized border separating Latino and black theologies.
Cuban Americans --- Black people --- Liberation theology. --- Black theology. --- Religion. --- Blacks
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At the birth of the United States, African Americans were excluded from the newly-formed Republic and its churches, which saw them as savage rather than citizen and as heathen rather than Christian. Denied civil access to the basic rights granted to others, African Americans have developed their own sacred traditions and their own civil discourses. As part of this effort, African American intellectuals offered interpretations of the Bible which were radically different and often fundamentally oppositional to those of many of their white counterparts. By imagining a freedom unconstrained, their work charted a broader and, perhaps, a more genuinely American identity. In Pillars of Cloud and Fire, Herbert Robinson Marbury offers a comprehensive survey of African American biblical interpretation. Each chapter in this compelling volume moves chronologically, from the antebellum period and the Civil War through to the Harlem Renaissance, the civil rights movement, the black power movement, and the Obama era, to offer a historical context for the interpretative activity of that time and to analyze its effect in transforming black social reality. For African American thinkers such as Absalom Jones, David Walker, Zora Neale Hurston, Frances E. W. Harper, Adam Clayton Powell, and Martin Luther King, Jr., the exodus story became the language-world through which freedom both in its sacred resonance and its civil formation found expression. This tradition, Marbury argues, has much to teach us in a world where fundamentalisms have become synonymous with “authentic” religious expression and American identity. For African American biblical interpreters, to be American and to be Christian was always to be open and oriented toward freedom.
Black theology. --- Exodus, The --- Typology. --- Bible --- Black interpretations.
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Theology --- Black theology --- Black theology. --- Theology. --- Christian theology --- Theology, Christian --- African American theology --- Christianity --- Religion --- African Americans --- Blacks --- Theology, Doctrinal --- Black people
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Christianity has been both the cause of oppression among Black communities and a source of liberation. Black Christianity has sought solace in the redemptive figure of Christ in its struggle for human dignity and freedom. Working Against the Grain addresses the displacement of Black theology in Diasporan African churches by charismatic and conservative neo-Pentecostalism. The essays present a radical Black theology that empowers disenfranchised Black people whilst challenging White power to see and act differently. Working Against the Grain is an essential text for all those interested in the pursuit of racial justice and other forms of anti-oppressive practice, both inside the church and beyond it.
Black theology. --- African American theology --- African Americans --- Blacks --- Theology, Doctrinal --- Religion --- Black people
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Blackness, as a concept, is extremely fluid: it can refer to cultural and ethnic identity, socio-political status, an aesthetic and embodied way of being, a social and political consciousness, or a diasporic kinship. It is used as a description of skin color ranging from the palest cream to the richest chocolate; as a marker of enslavement, marginalization, criminality, filth, or evil; or as a symbol of pride, beauty, elegance, strength, and depth. Despite the fact that it is elusive and difficult to define, blackness serves as one of the most potent and unifying domains of identity. God and Blackness offers an ethnographic study of blackness as it is understood within a specific community—that of the First Afrikan Church, a middle-class Afrocentric congregation in Atlanta, Georgia. Drawing on nearly two years of participant observation and in-depth interviews, Andrea C. Abrams examines how this community has employed Afrocentrism and Black theology as a means of negotiating the unreconciled natures of thoughts and ideals that are part of being both black and American. Specifically, Abrams examines the ways in which First Afrikan’s construction of community is influenced by shared understandings of blackness, and probes the means through which individuals negotiate the tensions created by competing constructions of their black identity. Although Afrocentrism operates as the focal point of this discussion, the book examines questions of political identity, religious expression and gender dynamics through the lens of a unique black church.
Black theology. --- African Americans --- African American theology --- Blacks --- Theology, Doctrinal --- Religion. --- Religion --- Black people
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