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The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides' allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides' experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.
Greek drama (Tragedy) --- Music, Greek and Roman --- History and criticism. --- Euripides --- Criticism and interpretation. --- E-books --- Ėvripid --- Yūrībīdīs --- Euripide --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης --- Greek drama (Tragedy). --- Music, Greek and Roman. --- Euripides. --- ancient art form. --- ancient poetry. --- classic poetry. --- classical greek theater. --- drama. --- dramatic plot. --- dramaturgical effects. --- euripides. --- experimentation. --- imagery. --- meta theatrical flourishes. --- motifs. --- mousike. --- music making. --- music. --- musical language. --- novelty. --- performance. --- religious practices. --- traditional lyrics styles. --- tragic dramas and plays. --- tragic stage.
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These ardent, even obsessed, poems about erotic passion are among the brightest jewels in the crown of Latin literature. Written by Propertius, Rome's greatest poet of love, who was born around 50 b.c., a contemporary of Ovid, these elegies tell of Propertius' tormented relationship with a woman he calls "Cynthia." Their connection was sometimes blissful, more often agonizing, but as the poet came to recognize, it went beyond pride or shame to become the defining event of his life. Whether or not it was Propertius' explicit intention, these elegies extend our ideas of desire, and of the human condition itself.
Love poetry, Latin --- Elegiac poetry, Latin --- Propertius, Sextus --- Propertius, Sextus Aurelius --- Properzio, Sesto --- Properce --- Properzio, S. --- Propercio --- Propercio, Sexto Aurelio --- Properz --- Propert︠s︡īĭ, Sekst --- Propertios --- Properci, Sext --- Propercij --- academic. --- ancient poetry. --- ancient world. --- classical poetry. --- elegies. --- erotic poetry. --- human condition. --- latin literature. --- latin poetry. --- love poetry. --- mfa. --- obsession. --- ovid. --- poems. --- poetic forms. --- poetic. --- poetry studies. --- poetry translation. --- poetry. --- propertius. --- relationships. --- roman history. --- roman poet. --- scholarly. --- sex. --- sexuality. --- translation. --- unrequited love.
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This title presents critical issues regarding Greek conceptions of aesthetic response while questioning influential modern notions of the aesthetic.
Poetry, Ancient --- Aesthetics, Classical --- Arts and society --- Music --- Philosophy, Ancient. --- History and criticism. --- History. --- Philosophy and aesthetics. --- Poésie ancienne --- Esthétique antique --- Arts et société --- Musique --- Philosophie ancienne --- Histoire et critique --- Philosophie et esthétique --- Philosophy, Ancient --- Ancient philosophy --- Greek philosophy --- Philosophy, Greek --- Philosophy, Roman --- Roman philosophy --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Classical aesthetics --- Ancient poetry --- Social aspects
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In this book, conceived as a sort of Prolegomena to his two Teubner editions, Conte gives account of his choices in editing his Virgilian text. Engaging in a passionate debate with his predecessors and critics, he guides the reader in a fascinating journey in the history of transmission and interpretation of Georgics and Aeneid and shows how lively textual criticism can be.
Virgil --- Virgil. --- Criticism and interpretation. --- Poetry, Ancient --- History and criticism. --- Ancient poetry --- Vergilius Maro, P. --- Vergilius Maro, Publius --- Vergilius --- Vergil --- Virgile --- Virgilio Máron, Publio --- Virgilius Maro, Publius --- Vergili Maronis, Publius --- Virgilio Marone, P. --- Vergilīĭ --- Vergílio --- Wergiliusz --- Vergilīĭ Maron, P. --- Vergilīĭ Maron, Publīĭ --- Verhiliĭ Maron, P. --- Virgilio --- Virgilīĭ, --- Virgilius Maro, P. --- Virgil Maro, P. --- ווירגיל, --- וירגיליוס, --- ורגיליוס, --- מרו, פובליוס ורגיליוס, --- فرجيل, --- Pseudo-Virgil --- Pseudo Virgilio --- Virgilio Marón, Publio --- Bhārjila --- Virgile. --- Georgica (Virgil) --- Aeneis (Virgil) --- v00 --- -Bhārjila, --- Pseudo-Virgil, --- Pseudo Virgilio, --- Vergil, --- Vergilīĭ, --- Vergilīĭ Maron, Publīĭ, --- Vergílio, --- Vergilius, Publius, --- Verhiliĭ Maron, P., --- Virgil Maro, P., --- Virgile, --- Virgilio, --- Virgilio Marón, Publio, --- Virgilio Marone, P., --- Virgilius Maro, P., --- Virgilius Maro, Publius, --- Wergiliusz, --- Conte, Gian Biagio, --- Scarron, Paul --- Blumauer, Alois --- -Criticism and interpretation. --- Aeneid (Virgil) --- Eneida (Virgil) --- Enéide (Virgil) --- Georgics (Virgil) --- Marone, Publio Virgilio --- -Vergilius Maro, Publius --- -Conte, Gian Biagio, --- Bhārjila,
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Ancient myths about watery chaos uniquely transcend time and culture to speak to the universal human condition as expression to the hopes, aspirations and fears that have defined-for ancient thinkers as well as modern scientists-what it means to be human in a chaotic world. The Hero and the Sea examines the mythological pattern of heroic battles with watery chaos in the Gilgamesh Epic, the Iliad, the Odyssey, and the Old Testament, in the light of anthropology, comparative religion, literature, mythology, psychology, and modern chaos theory; how mythic patterns of heroic battle with chaotic adversaries respond to the cultural needs, religious concerns, and worldview of their audience. The last chapter explores points of contact between the ancient mythic patterns and the discoveries of modern scholars engaged in the theoretical study of chaos and chaotics.
Epic poetry --- Poetry, Ancient --- Heroes in literature. --- Sea in literature. --- Heroes in the Bible. --- Sea in the Bible. --- Heroes in literature --- Sea in literature --- Heroes in the Bible --- Sea in the Bible --- Literature - General --- Languages & Literatures --- Ocean in literature --- Ancient poetry --- History and criticism. --- History and criticism --- Bible. --- Be-reshit (Book of the Old Testament) --- Bereshit (Book of the Old Testament) --- Bytie (Book of the Old Testament) --- Chʻangsegi (Book of the Old Testament) --- Genesis (Book of the Old Testament) --- Sifr al-Takwīn --- Takwīn (Book of the Old Testament) --- Chʻuraegŭpki (Book of the Old Testament) --- Exodus (Book of the Old Testament) --- Khurūj --- Kitāb-i Shimūt (Book of the Old Testament) --- Shemot --- Sifr al-Khurūj (Book of the Old Testament) --- Criticism, interpretation, etc. --- Shemos
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