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This book is the first major study of the Situationist International. Tracing the history, ideas and influences of this radical and inspiring movement from dada to postmodernism, it argues that situationist ideas of art, revolution, everyday life and the spectacle continue to inform a variety of the most urgent poltical events, cultural movements, and theoretical debates of our times.
Arts, European --- Arts, Modern --- Avant-garde (Aesthetics) --- Modern arts --- Aesthetics --- Modernism (Art) --- History --- Internationale situationniste. --- Mouvement international pour un Bauhaus imaginiste --- I.S. (Internationale situationniste) --- Internazionale situazionista --- Situationist International --- SI (Situationist International) --- S.I. --- Situationistische Internationale --- Katastasiakē Diethnēs --- Kansainväliset Situationistit --- Internacional situacionista --- Situat︠s︡ionistskiĭ internat︠s︡ional --- Ситуационистский интернационал --- Culture --- Postmodernism
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Formed amidst the incendiary violence and political turmoil of the 1960s, beyond the barricades, the Situationist International (SI) remains to this day influential in anti-capitalist cultural, political and philosophical debates. Looking at philosophy, sociology, critical theory, art, architecture and literature, The Situationist International is an up-to-date and comprehensive survey of the SI and its thought. Leading thinkers analyse the SI's interdisciplinary challenges, its roots in the artistic avant-garde and the traditional workers' movements, its engagement with the problems of postcolonialism and issues of gender and sexuality. Including contributions from key thinkers, including Anselm Jappe and Michael Lowy, as well as new and upcoming scholars, The Situationist International unpacks the complexity of a group that has come to define radical politics and culture in the postwar period.
Internationale situationniste. --- I.S. (Internationale situationniste) --- Internazionale situazionista --- Situationist International --- SI (Situationist International) --- S.I. --- Situationistische Internationale --- Katastasiakē Diethnēs --- Kansainväliset Situationistit --- Internacional situacionista --- Situat︠s︡ionistskiĭ internat︠s︡ional --- Ситуационистский интернационал --- Mouvement international pour un Bauhaus imaginiste --- Philosophie --- Sociologie --- Politique --- Art --- Architecture
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A ground-breaking rethink of the radical Situationist art movement drawn from a life's worth of research.
Art, Modern --- Art, Modern. --- Modern art --- Nieuwe Ploeg (Group of artists) --- Art --- History. --- History --- Internationale situationniste --- Situationist International. --- Internationale situationniste. --- I.S. (Internationale situationniste) --- Internacional situacionista --- Internazionale situazionista --- Kansainväliset Situationistit --- Katastasiakē Diethnēs --- S.I. --- SI (Situationist International) --- Situationist International --- Situationistische Internationale --- Situat͡sionistskiĭ internat͡sional --- Mouvement international pour un Bauhaus imaginiste --- Situat︠s︡ionistskiĭ internat︠s︡ional --- Ситуационистский интернационал --- History and criticism. --- Avant-garde (Aesthetics) --- Radicalism --- Aesthetics --- Modernism (Art) --- 1900-1999
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The Situationist International (SI) was a Paris-based artistic and political avant-garde group that formed in 1957, went through three distinct phases during its existence, and dissolved in 1972. In 1967, SI leader Guy Debord published his book The Society of the Spectacle, which presents his theory of how “the Spectacle” (i.e., the Capitalist system in its totality) works endlessly (though not always successfully) to transform people into spectators whose sole purposes are to consume commodities and to live de-politicized, passive, isolated, and contemplative lives. To challenge and subvert “the Spectacle,” Debord and his SI associates theorized and practiced the anti-spectacular critical art they called “detournement,” which entails reusing existing artistic and mass-produced elements to create new combinations or ensembles. As Debord wrote in 1956, detournement has the potential to be “a powerful cultural weapon in the service of real class struggle.” In this edited book, the authors contribute chapters about how they created their own detournements and used them as central audio-visual texts in critical projects that they designed and carried out in a variety of pedagogical situations. Most of the projects involved preservice teachers in teacher education courses, and the anti-spectacular purposes include challenging Hollywood’s problematic representations of Native Americans, subverting the racist stereotypes of Latin@s in a popular children’s book, and critiquing the neoliberal agenda of the charter school movement. This book offers readers detailed accounts of pedagogical projects that can serve as examples of the critical possibilities of detournement.
Education -- Study and teaching. --- Teaching -- Philosophy. --- Education --- Social Sciences --- Education - General --- Theory & Practice of Education --- Educational technology --- Study and teaching. --- Instructional technology --- Technology in education --- Education. --- Education, general. --- Technology --- Educational innovations --- Instructional systems --- Teaching --- Aids and devices --- Children --- Education, Primitive --- Education of children --- Human resource development --- Instruction --- Pedagogy --- Schooling --- Students --- Youth --- Civilization --- Learning and scholarship --- Mental discipline --- Schools --- Training --- Internationale situationniste. --- Philosophy. --- I.S. (Internationale situationniste) --- Internazionale situazionista --- Situationist International --- SI (Situationist International) --- S.I. --- Situationistische Internationale --- Katastasiakē Diethnēs --- Kansainväliset Situationistit --- Internacional situacionista --- Situat︠s︡ionistskiĭ internat︠s︡ional --- Ситуационистский интернационал --- Mouvement international pour un Bauhaus imaginiste
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From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of situationist thought, particularly as they applied to the form of the modern city.
Architecture --- Avant-garde (Aesthetics) --- City planning. --- Art, Architecture & Applied Arts --- Aesthetics --- Modernism (Art) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Cities and towns --- City planning --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Philosophy. --- History --- Philosophy --- Design and construction --- Government policy --- Management --- Internationale situationniste --- Mouvement international pour un Bauhaus imaginiste --- I.S. (Internationale situationniste) --- Internazionale situazionista --- Situationist International --- SI (Situationist International) --- S.I. --- Situationistische Internationale --- Katastasiakē Diethnēs --- Kansainväliset Situationistit --- Internacional situacionista --- Situat︠s︡ionistskiĭ internat︠s︡ional --- Ситуационистский интернационал --- Influence. --- Internationaal Situationisme --- Situationisme --- Situationist International (SI) --- 72.036 --- 72.03 --- 711.4 --- 72.01 --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Stedenbouw --- Stedenbouw (theorie) --- Architectuurtheorie --- International situationniste --- Internationale Situationniste
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