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In an account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the collections Coleridge saw and his thoughts about the arts and about specific works.

Art and literature --- Art appreciation --- History --- Coleridge, Samuel Taylor, --- Allston, Washington, --- Beaumont, George Howland, --- Knowledge --- Art. --- Aesthetics. --- Travel --- Relations with artists. --- Coleridge, Samuel Taylor. --- English Literature --- Visual Arts - General --- English --- Visual Arts --- Art, Architecture & Applied Arts --- Languages & Literatures --- Appreciation of art --- Art --- Art criticism --- Analysis, interpretation, appreciation --- Alston, Washington, --- Allston, W. --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Reception of art --- Reception

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A futuristic story of tragic love and of the gradual extermination of the human race by plague, 'The Last Man' is Mary Shelley's most important novel after 'Frankenstein'. With intriguing portraits of Percy Bysshe Shelley and Lord Byron, the novel offers a vision of the future that expresses a reaction against Romanticism, and demonstrates the failure of the imagination and of art to redeem the doomed characters.

Twenty-first century --- End of the world --- Plague