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During the Middle Ages in Europe, some sexual and gendered behaviors were labeled "sodomitical" or evoked the use of ambiguous phrases such as the "unmentionable vice" or the "sin against nature." How, though, did these categories enter the field of vision? How do you know a sodomite when you see one? In Seeing Sodomy in the Middle Ages, Robert Mills explores the relationship between sodomy and motifs of vision and visibility in medieval culture, on the one hand, and those categories we today call gender and sexuality, on the other. Challenging the view that ideas about sexual and gender dissidence were too confused to congeal into a coherent form in the Middle Ages, Mills demonstrates that sodomy had a rich, multimedia presence in the period-and that a flexible approach to questions of terminology sheds new light on the many forms this presence took. Among the topics that Mills covers are depictions of the practices of sodomites in illuminated Bibles; motifs of gender transformation and sex change as envisioned by medieval artists and commentators on Ovid; sexual relations in religious houses and other enclosed spaces; and the applicability of modern categories such as "transgender," "butch" and "femme," or "sexual orientation" to medieval culture. Taking in a multitude of images, texts, and methodologies, this book will be of interest to all scholars, regardless of discipline, who engage with gender and sexuality in their work.
Sodomy --- Sodomy in art. --- Art, Medieval --- Vision in literature. --- Sodomy in literature. --- Literature, Medieval --- History and criticism. --- homosexual, sexuality, sex, intercourse, kink, taboo, history, historical, medieval, europe, european, international, global, western world, sodomite, vice, sin, religion, religious studies, anal, motif, visibility, culture, cultural, academic, scholarly, research, art, artistic, gender, multimedia, terminology, bible, illustrated, ovid, transgender, butch, femme, orientation, queer, literature, literary, analysis, monks.
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The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual inquiries, from questions of language and representation to issues of moral, theological and cultural value. Monsters embody cultural tensions that go far beyond the idea of the monster as simply an unintelligible and abject other. This text looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high and late-medieval cultural productions, from travel writing and mystical texts, to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gendered and racial identities, religious symbolism and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. It should be of interest in the concept of monstrosity and its significance for medieval cultural production.
English literature --- Monsters in literature. --- History and criticism.
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Conscience of a Conspiracy Theorist seeks to show how governmental deceit and (corporate-controlled) media silence have combined to keep the public misinformed about shocking events in American history. In the process, skeptics who question the ?official accounts? are labeled ?conspiracy theorists,? a pejorative term that carries with it suggestions of foolishness and a lack of patriotism.
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In this series of detailed studies, Andy Orchard demonstrates the changing range of Anglo-Saxon attitudes towards the monstrous by reconsidering the monsters of Beowulf against the background of early medieval and patristic teratology and with reference to specific Anglo-Saxon texts.
Monsters in literature. --- Heroes in literature. --- Pride in literature. --- Epic poetry, English (Old) --- Monsters --- Christianity and literature --- Monstres dans la littérature --- Héros dans la littérature --- Orgueil dans la littérature --- Poésie épique anglaise --- Monstres --- Christianisme et littérature --- History and criticism. --- Religious aspects --- Christianity. --- Vieil anglais --- Histoire et critique --- Aspect religieux --- Christianisme --- Beowulf. --- Beowulf --- Manuscripts. --- Monstres dans la littérature --- Héros dans la littérature --- Orgueil dans la littérature --- Poésie épique anglaise --- Christianisme et littérature
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In this series of detailed studies, Andy Orchard demonstrates the changing range of Anglo-Saxon attitudes towards the monstrous by reconsidering the monsters of Beowulf against the background of early medieval and patristic teratology and with reference to specific Anglo-Saxon texts.
Monsters in literature. --- Heroes in literature. --- Pride in literature. --- Beowulf. --- Beowulf --- Manuscripts.
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