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Hubert Crackanthorpe was a skilful and technically innovative English realist/naturalist writer. This edition of his powerful first collection of short stories features a carefully contextualised introduction to the A01 and his work.
Manners and customs. --- Crackanthorpe, Hubert, --- Criticism and interpretation. --- Great Britain --- Social life and customs
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"Understanding Ian McEwan provides a full discussion of the fiction written by one of Britain's most highly regarded novelists and the winner of the 1998 Booker Prize. David Malcolm places Ian McEwan's work - admired by critics for its polished, understated treatment of themes of aberrance and obsession - in the context of British literature's particular dynamism in the last decades of the twentieth century. He also examines McEwan's relationship to feminism, concern with rationalism and science, use of moral perspective, and proclivity toward fragmentation."--Jacket.
English Literature --- English --- Languages & Literatures --- McEwan, Ian --- MacEwan, Ian --- McEwan, I. --- Criticism and interpretation. --- Makʹi︠u︡en, Iėn --- Макьюэн, Иэн --- McEwan, Ian Russell --- מקיואן, איאן
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"Understanding Graham Swift introduces readers to the entirety of the novelist's career, including his lesser-known short stories. Through close readings, David Malcolm explains the central importance Swift places on the role of history in human life - and on the difficulties of giving an adequate account of that history." "In separate chapters Malcolm considers each of Swift's seven novels, from The Sweet Shop Owner, published in 1980, through The Light of Day, published in 2003. Malcolm explores Swift's presentation of family conflict and emotional and psychological disturbance, his use of complex narrative technique and genre mixture, and his interest in metafictional issues. Malcolm underscores the novelist's debt to earlier writers, most especially George Eliot, Charles Dickens, and William Faulkner, and his recurrent concern with the lives of socially humble characters." "Malcolm discusses the novelist's use of major twentieth-century historical events to shape and deform the lives of his characters; his focus on the distortions and evasions that characterize the discussion of personal, local, and national histories; and his fascination with the complexities, sufferings, and joys that mark individual lives. Malcolm suggests that despite Swift's dark vision of human suffering, he tempers his writing with an intermittent focus on that which can redeem our failures, our losses, and our cruelties."--Jacket.
English Literature --- English --- Languages & Literatures --- Swift, Graham, --- Criticism and interpretation. --- Swift, Graham --- Svift, Grejem, --- Свифт, Грэм, --- סוויפט, גראהם,
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This is a fully revised and expanded second edition of Malcolm Newson's acclaimed book. Exploring in greater depth the meaning of sustainability in river basin development this new edition:* highlights the rapid evolution of practical concepts since the Rio Earth Summit* features new illustrations and case studies from Australia, South Africa and Israel* makes the ecosystem model more explicit throughout* strengthens coverage of the linkages between land and water management.
Watershed management. --- Water resources development. --- Sustainable development. --- Development, Sustainable --- Ecologically sustainable development --- Economic development, Sustainable --- Economic sustainability --- ESD (Ecologically sustainable development) --- Smart growth --- Sustainable development --- Sustainable economic development --- Watershed development --- Watersheds --- Environmental aspects --- Management --- Economic development --- Energy development --- Natural resources --- Water-supply --- Ecosystem management
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This volume offers the first collection of essays on the work of John Berger, one of the most intriguing contemporary English writers. Comprising pieces by an interdisciplinary group of academics, On John Berger spans the full range of Berger’s prolific output as art critic, novelist, collaborator on films and photo-text books, and essayist. Writing polemic art criticism, passing on part of the Booker Prize money to the Black Panthers, and quitting the London literary scene in the 1960s in order to settle in the French Alps, Berger has always been a controversial figure. On John Berger explores his self-fashioning as a public figure and simultaneously examines the literary, visual, and collaborative strategies of his work. Contributors: Marta Aleksandrowicz-Wojtyna, John Bowen, Rachel Bower, Jonathan Conlin, Ralf Hertel, Charlotte Kent, Bartosz Lutostański, David Malcolm, Timothy Neat, Tom Overton, Pilar Sánchez Calle, Joshua Sperling, Monika Szuba, Richard Turney, Stefan Welz, Miłosz Wojtyna
Authors, English --- Art critics --- Critics --- Berger, John. --- Berger, John
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Sienkiewicz's Bodies focuses on the work of the most popular Polish writer from the end of the nineteenth and the beginning of the twentieth century. It discusses the surprising success of Sienkiewicz s writing in relation to the dissection of optimistic illusion that takes place during a reading of its cruel prose. Sienkiewicz is seen as something more than a juggler of genius in narrative prose. This conservative writer, like the modernists, knew that there was no longer any way to construct a representation of reality in a morally non-contradictory fictional discourse. The energy of his narratives and his linguistic drive disturb the order of narrative and expose the heteronomy of a superficially unified style, thus generating fissures, but never ruining the architecture of the text."
Sienkiewicz, Henryk, --- Criticism and interpretation. --- Bodies --- erzählende Prosa --- Fazan --- Gender --- Henryk Sieniewicz --- Heteronomie --- Jaroslaw --- Koziolek --- Modernisten --- Ryszard --- Sienkiewicz's --- Studies --- Violence
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"While a short work of only eight verses and a three-page autocommentary, the Investigation of the Percept has inspired epistemologists for centuries and has had a wide-ranging impact in India, Tibet, and China. Dignaga, one of the major figures in Buddhist epistemology, explores issues such as the relation between the mind and its percepts, the problems of idealism and realism, and the nature of intentionality in this brief but profound text. This volume provides a comprehensive history of the text in India and Tibet from 5th century India to the present day. This team of philologists, historians of religion and philosophers who specialize in Tibetan, Sanskrit and Chinese philosophical literature has produced the first study of the text and its entire commentarial tradition. Their approach makes it possible to employ the methods of critical philology and cross-cultural philosophy to provide readers with a rich collection of studies and translations, along with detailed philosophical analyses that open up the intriguing implications of Dignaga's thought and demonstrate the diversity of commentarial approaches to his text. The comprehensive nature of the work reveals the richness of commentary in Indian and Tibetan Buddhism and shows surprising parallels between the modern West and traditional Buddhist philosophy."--
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The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960's until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) 'national' memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its 'remembrance' in historical, socio-political, gender-oriented, and post-colonial contexts.
World War, 1914-1918 --- Literature, Modern --- Collective memory and literature. --- War films --- Collective memory and motion pictures. --- Literature and the war. --- History and criticism. --- Motion pictures and the war. --- Motion pictures and collective memory --- Literature and collective memory --- Motion pictures --- Literature --- War films History and criticism --- History and criticism --- World War, 1914-1918 - Literature and the war --- Literature, Modern - 20th century - History and criticism --- Collective memory and literature --- World War, 1914-1918 - Motion pictures and the war --- War films - History and criticism --- Collective memory and motion pictures --- World War I. --- cultural memory. --- war film. --- war literature.
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