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Het vak Elektrische netwerken is een vaan de vakken in het elektotechnisch onderwijs die een brug slaan tussen de exacte natuurkundige en wiskundige theorie, en de veelal niet-exacte werkelijkheid. De tweede editie van Elektrische netwerken is grondig herzien. De invalshoek is echter ongewijzigd: het accent ligt nog steeds op de praktische toepasbaarheid. Daarbij spelen ook simulatiepakketten een steeds grotere rol. Technisch inzicht en aansluiting bij de praktijk krijgen dan ook beduidend meer aandacht dan formele theoretische bewijsvoering.

elektrische netwerken --- Kirchhoffwetten --- Electrical engineering --- Laplacetransformatie --- wisselspanning --- wisselstroom --- FT (Fourier transformatie) --- elektronische schakelingen --- 621.3 --- Fourier-analyse --- Kirchhoff --- Laplace transformatie --- Ohm --- condensatoren --- schakelingen --- vermogen --- 621.3:537 --- Netwerken (elektronica) --- elektriciteit --- elektronica --- elektrotechniek --- energieoverbrenging --- Elektrische netwerken --- Elektrotechniek --- condensator --- elektrisch net (transportnet) --- fourieranalyse --- laplacetransformatie --- resonantie --- Elektrotechniek - Elektriciteit --- (zie ook: distributienet) --- Contains audio-visual material --- 621.3 Electrical engineering

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Metabolism --- Disorders --- Genetic aspects. --- Anabolism --- Catabolism --- Metabolism, Primary --- Primary metabolism --- Biochemistry --- Physiology

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This book considers how architectural landmarks, imagined buildings and urban landscapes take part in the production of meaning in contemporary Argentine cinema. From the iconic Buenos Aires Obelisk to the Hilton International Hotel, the shopping center to the café and the Le Corbusier-designed Curutchet House to the gated community, architecture in these films evokes the political. Tracing architecture’s expression through six films produced since the 1990s—Pizza birra faso, Mundo grúa, Nueve reinas, La niña santa, La antena and El hombre de al lado—Amanda Holmes studies how architecture in cinema elicits political memory, underscores marginalization and class discrepancies, creates nostalgia for neighborhoods and re-evaluates existing communities. Generously illustrated and carefully researched, the book offers an in-depth reading of key contemporary Argentine films and a fresh architectural approach to film analysis.

Cinematography. --- Photography --- Chronophotography --- Animated pictures --- Motion pictures --- Motion pictures, American. --- Ethnology-Latin America. --- Latin America-Politics and gover. --- Sociology, Urban. --- Architecture. --- Latin American Cinema and TV. --- Latin American Culture. --- Latin American Politics. --- Urban Studies/Sociology. --- Urbanism. --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Urban sociology --- Cities and towns --- American motion pictures --- Moving-pictures, American --- Foreign films --- Design and construction --- Architecture in motion pictures. --- History. --- Ethnology—Latin America. --- Latin America—Politics and government. --- Urban planning. --- City planning. --- City planning --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Government policy --- Management

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The Symptom and the Subject takes an in-depth look at how the physical body first emerged in the West as both an object of knowledge and a mysterious part of the self. Beginning with Homer, moving through classical-era medical treatises, and closing with studies of early ethical philosophy and Euripidean tragedy, this book rewrites the traditional story of the rise of body-soul dualism in ancient Greece. Brooke Holmes demonstrates that as the body (sma) became a subject of physical inquiry, it decisively changed ancient Greek ideas about the meaning of suffering, the soul, and human nature. By undertaking a new examination of biological and medical evidence from the sixth through fourth centuries BCE, Holmes argues that it was in large part through changing interpretations of symptoms that people began to perceive the physical body with the senses and the mind. Once attributed primarily to social agents like gods and daemons, symptoms began to be explained by physicians in terms of the physical substances hidden inside the person. Imagining a daemonic space inside the person but largely below the threshold of feeling, these physicians helped to radically transform what it meant for human beings to be vulnerable, and ushered in a new ethics centered on the responsibility of taking care of the self. The Symptom and the Subject highlights with fresh importance how classical Greek discoveries made possible new and deeply influential ways of thinking about the human subject.

Symptoms --- Medicine, Greek and Roman --- Human body --- Greece --- Civilization --- Symptoms. --- Medicine, Greek and Roman. --- History, Ancient --- Human Body --- Philosophy, Medical --- Signs and Symptoms --- Civilization. --- Signes et symptômes --- Médecine grecque et romaine --- Corps humain --- Grèce --- Civilisation --- History, Ancient -- Greece. --- Human body -- Greece. --- Greek medicine --- Medicine, Roman --- Roman medicine --- Clinical signs --- Disease symptoms --- Semiology --- Semiology (Medicine) --- Signs, Clinical --- Signs and symptoms --- Symptomatology --- Symptomology --- Ancient History (Medicine) --- Ancient History of Medicine --- History of Medicine, Ancient --- Medicine, Ancient History --- Ancient History --- Ancient Histories (Medicine) --- Ancient History Medicine --- Ancient History Medicines --- Histories, Ancient (Medicine) --- History Medicine, Ancient --- History Medicines, Ancient --- History, Ancient (Medicine) --- Medicine Ancient History --- Medicines, Ancient History --- Body Parts --- Body Parts and Fluids --- Body, Human --- Human Figure --- Bodies, Human --- Figure, Human --- Figures, Human --- Human Bodies --- Human Figures --- Parts, Body --- Medical Philosophy --- Symptoms and Signs --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Medicine, Unani --- Tibb (Medicine) --- Unani medicine --- Unani-Tibb (Medicine) --- Medicine, Ancient --- Diseases --- Diagnosis --- Ancient history --- Ancient world history --- World history --- Human body - Greece --- Greece - Civilization --- History, Ancient. --- Human Body. --- Signs and Symptoms. --- Philosophy, Medical.

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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.
Winner of the Aldo and Jeanne Scaglione Prize for French and Francophone Studies, 2018.
This is the first book to study the middlebrow novel in France. Middlebrow is a derogatory word that connotes blandness, mediocrity and a failed aspiration to 'high' culture. However, when appropriated as a positive term to denote that wide swathe of literature between the challenging experimentalism of the high and the formulaic tendency of the popular, it enables a rethinking of the literary canon from the point of view of what most readers actually read, a criterion curiously absent from dominant definitions of literary value. Since women have long formed a majority of the reading public, this perspective immediately feminises what has always been a very male canon. Opening with a theorisation of the concept of middlebrow that mounts a defence of some literary qualities disdained by modernism, the book then focuses on a series of case studies of periods (the Belle Époque, inter-war, early twenty-first century), authors (including Colette, Irène Nemirovsky, Françoise Sagan, Anna Gavalda) and the middlebrow nature of literary prizes. It concludes with a double reading of a single text, from the perspective of an academic critic, and from that of a middlebrow reader.

LITERARY CRITICISM / European / French --- Women --- Women and literature. --- Social classes in literature. --- Literature. --- Literary studies: fiction, novelists & prose writers --- French fiction. --- French fiction --- Feminism in literature. --- Women and literature --- Social conditions. --- Women authors. --- Social conditions --- History --- History and criticism. --- Women authors --- France. --- Feminist theory in literature --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- French literature --- Literature --- Feminism --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Farans --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangs --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Books and reading --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Faransā --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Pʻŭrangsŭ --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Languages --- Literary studies --- fiction --- novelists & prose writers --- France --- English --- French --- contemporary fiction --- novel --- Middlebrow --- twentieth century literature --- women writers --- readership --- women