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Fragments of the contemporary: readings brings together articles by professors from the Graduate Program in Letters at UNESP, campus of São José do Rio Preto, the result of their recent research on contemporary literature. The book, composed of seven studies, analyzes texts and national and international authors, in prose and poetry. Susanna Busato studies the subject that adheres to the urban space, based on the poetry of Frederico Barbosa, Heitor Ferraz and Fábio Weintraub. Sérgio Vicente Motta analyzes Chico Buarque's novel, Leite Derramado. Arnaldo Franco Junior explores the relationships between textual production, intertextuality in works by Dalton Trevisan and Valêncio Xavier. Contemporary Portuguese literature is contemplated in the study by Sônia H. Piteri on the work of Maria Gabriela Llansol and Maria H. Martins Dias, which addresses the fictional discourse of António Lobo Antunes in O inquisitors manual. Giséle Manganelli Fernandes investigates how postmodern fiction reevaluates the past in Don DeLillo's Falling Man. Diva Cardoso de Camargo discusses the style in self-translation, through the works Viva o Povo Brasileiro, by João Ubaldo Ribeiro, and An invincible memory, by João Ubaldo Ribeiro.
Portuguese Literature --- Romance Literatures --- Languages & Literatures --- EDUCATION
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This book opens up to a diversity of meanings that the concept of space holds in contemporary literary objects and settings. The text itself as a spatializing space, in its textuality as a body or in the visuality of writing, configures a space of language. The cultural and historical context involves references and data located at certain moments that articulate a space of relationships with the literary text. The institutionalization space, with the representations of power, the social space, the space as landscape, in natural, regional, physical and psychological configurations, and the myth space with its symbolic images and meanings, are other forms of mobilization of the concept. The pictorial space, whether as a component element of painting or as the language itself in the composition of writing, which uses plastic techniques, is also contemplated, just as this type of dialogue houses other media and languages, such as cinema, advertising, photography, in the relations between the arts. There is also the possibility of reviewing the literary object, in terms of spatiality, under this multiple perspective of the contemporary gaze. That is, in place of that restricted sense of structural category, the concept incorporates a broad and metaphorical view, within which the text itself brings out a conception and function of spatiality through its construction strategies. Faced with so many possibilities for reading the concept, this book brings together texts that address aspects of spatial symbolization in literary works that imply a contemporary look at these figurations.
Portuguese Literature --- Romance Literatures --- Languages & Literatures --- FICTION
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Quem tem medo de Hilda Hilst? O dado de provocação dessa pergunta ainda se faz presente, passados mais de dez anos de sua morte, em 2004. A escritora, poeta e teatróloga, nascida em Jaú, em 1930, ganha nestes últimos tempos uma nova leitura e um interesse crescente por sua obra. Em torno de Hilda Hilst é um livro que se situa no panorama da leitura atenta, sensível e curiosa da obra da autora, reunindo pesquisadores do Brasil e do exterior, amantes dessa chama inquieta que é o texto literário que a escritora paulista tão bem soube manter quente e acesa ao longo dos 47 anos de trabalho exclusivo com a literatura. Os leitores que enfrentam o jogo fornecido pela escritora não saem ilesos do ousado universo literário que ela tão bem explorou e que vai do sacro ao metafísico, passando pelo erótico e pelo campo do amoroso e sublime desejo da morte, sem deixar de se lançar ao combativo discurso político e social.
Eroticism in literature. --- Metaphysics in literature. --- Hilst, Hilda --- Hilst, Hilda. --- Criticism and interpretation. --- LITERARY CRITICISM
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