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Ce livre donne pour la toute première fois un aperçu de la littérature française à contraintes en prose. Contrairement à un préjugé tenace, écrire à contraintes n’est pas seulement une pratique poétique, mais touche également au genre apparemment le plus « libre » qui soit, le roman. Combinant analyse théorique et microlecture stylistique, le présent ouvrage passe en revue l’essentiel des auteurs et des livres qui explorent ce domaine, parfois très connu (Jacques Roubaud, Claude Ollier, Robert Pinget, par exemple), parfois plus confidentiel (Jean Lahougue, Bernard Colin, Jean-Benoit Puech, notamment). Dans le sillage du travail réalisé par Jan Baetens dans le cadre de Formules, la revue des littératures à contraintes, cette étude s’intéresse aussi de très près à toute une série de figures rhétoriques dont le roman à contraintes fait un usage systématique
Fiction --- French literature --- Literary semiotics --- 840-3 "19" --- 840-3 "19" Franse literatuur: proza--20e eeuw. Periode 1900-1999 --- Franse literatuur: proza--20e eeuw. Periode 1900-1999 --- Constraints (Linguistics) --- Experimental fiction, French --- French fiction --- History and criticism --- Grammar, Comparative and general --- Linguistic analysis (Linguistics) --- History and criticism.
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Discarded by archivists and disregarded by scholars despite its cultural impact on post–World War II Europe, the film photonovel represents a unique crossroads. This hybrid medium presented popular films in a magazine format that joined film stills or set pictures with captions and dialogue balloons to re-create a cinematic story, producing a tremendously popular blend of cinema and text that supported more than two dozen weekly or monthly publications. Illuminating a long-overlooked ‘lowbrow’ medium with a significant social impact, The Film Photonovel studies the history of the format as a hybrid of film novelizations, drawn novels, and nonfilm photonovels. While the field of adaptation studies has tended to focus on literary adaptations, this book explores how the juxtaposition of words and pictures functioned in this format and how page layout and photo cropping could affect reading. Finally, the book follows the film photonovel's brief history in Latin America and the United States. Adding an important dimension to the interactions between filmmakers and their audiences, this work fills a gap in the study of transnational movie culture.
Fotonovelas --- Film adaptations --- Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Fotonovela --- Photo comic books --- Photo novels --- Photocomics --- Photographic novels --- Photonovelas --- Photonovels --- Comic books, strips, etc. --- Popular literature --- Stories without words --- History and criticism --- Motion pictures and literature. --- History and criticism. --- Fotonovelas - History and criticism --- Film adaptations - History and criticism --- 094:82-91 --- 094:82-91 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Populaire literatuur. Volksboeken --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Populaire literatuur. Volksboeken
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This book manifests at least four recent shifts and tendencies within Modernist studies in general that point at the expansion of this increasingly interdisciplinary field. First, Modernist studies has seen a temporal expansion, to the extent that scholars in the field have come to turn to both the pre- and posterior history of Modernism. Second, the field has witnessed a spatial expansion, in that increasingly so researchers have also come to scrutinize the Modernisms of regions at the fringes of Europe, and beyond. Thirdly, a vertical expansion too has marked Modernist studies in recent decades, not only by further expanding the canon of women writers and exploring the continuum between high- and lowbrow, but also by looking at the artistic and mediatized hierarchies and cross-fertilizations operative in the period. A fourth conceptual expansion of the field shows that whereas concepts such as “middlebrow”, “arrière-garde”, and to some extent even “avant-garde”, were once exotic notions of at best marginal importance in European Modernist studies, they now form part and parcel of the field, complicating and expanding it conceptually.
Modernism (Literature) --- European literature --- Crepuscolarismo --- Literary movements --- History and criticism.
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This volume constitutes the thoroughly refereed proceedings of the 24th IFIP WG 1.5 International Workshop on Cellular Automata and Discrete Complex Systems, AUTOMATA 2018, held in Ghent, Belgium, in June 2018. The 10 regular papers presented in this book were carefully reviewed and selected from a total of 16 submissions. The papers highlight the major advances in the field and the development of new tools, support the development of theory and applications of CA and DCS and identify and study within an inter- and multidisciplinary context, the important fundamental aspects, concepts, notions and problems concerning CA and DCS. .
Computer science. --- Computers. --- Mathematical logic. --- Numerical analysis. --- Computer science --- Artificial intelligence. --- Computer Science. --- Computation by Abstract Devices. --- Artificial Intelligence (incl. Robotics). --- Mathematical Logic and Formal Languages. --- Math Applications in Computer Science. --- Numeric Computing. --- Mathematics. --- AI (Artificial intelligence) --- Artificial thinking --- Electronic brains --- Intellectronics --- Intelligence, Artificial --- Intelligent machines --- Machine intelligence --- Thinking, Artificial --- Bionics --- Cognitive science --- Digital computer simulation --- Electronic data processing --- Logic machines --- Machine theory --- Self-organizing systems --- Simulation methods --- Fifth generation computers --- Neural computers --- Computer mathematics --- Discrete mathematics --- Mathematical analysis --- Algebra of logic --- Logic, Universal --- Mathematical logic --- Symbolic and mathematical logic --- Symbolic logic --- Mathematics --- Algebra, Abstract --- Metamathematics --- Set theory --- Syllogism --- Automatic computers --- Automatic data processors --- Computer hardware --- Computing machines (Computers) --- Electronic calculating-machines --- Electronic computers --- Hardware, Computer --- Computer systems --- Cybernetics --- Calculators --- Cyberspace --- Informatics --- Science --- Electronic data processing. --- Artificial Intelligence. --- ADP (Data processing) --- Automatic data processing --- Data processing --- EDP (Data processing) --- IDP (Data processing) --- Integrated data processing --- Computers --- Office practice --- Automation --- Cellular automata --- Computer science—Mathematics. --- Machine theory. --- Theory of Computation. --- Formal Languages and Automata Theory. --- Mathematical Applications in Computer Science. --- Numerical Analysis. --- Abstract automata --- Abstract machines --- Automata --- Mathematical machine theory --- Algorithms --- Logic, Symbolic and mathematical --- Recursive functions --- Robotics
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"Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies"--
Economics --- Art --- History of civilization --- art market --- anno 1800-1999 --- anno 1700-1799 --- Collectors and collecting --- History. --- Economic aspects --- Marketing --- Arts --- Nationalism --- International trade. --- External trade --- Foreign commerce --- Foreign trade --- Global commerce --- Global trade --- Trade, International --- World trade --- Commerce --- International economic relations --- Non-traded goods --- Consciousness, National --- Identity, National --- National consciousness --- National identity --- International relations --- Patriotism --- Political science --- Autonomy and independence movements --- Internationalism --- Political messianism --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Aesthetics --- History and criticism. --- International cooperation. --- History --- Art, Primitive --- Economic aspects. --- History of art / art & design styles --- Màrqueting internacional --- Col·leccionistes i col·leccions --- Història --- Aspectes econòmics --- Màrqueting --- Collectors and collecting.
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Dutch literature --- literaire canon --- jeugdliteratuur --- Ghesquière, Rita --- Jeugdliteratuur --- Nederlands --- Academic collection --- Nederlandstalige jeugdliteratuur --- Young adultliteratuur --- Dialect --- Etymologie --- Fonetiek --- Idioom --- Zinsleer --- Linguïstiek --- Vlaams --- Vlaanderen --- Emigratie
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Art and Science in Word and Image investigates the theme of ‘riddles of form’, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences. Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, et cetera, as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and texts, experiments in poetic materiality, graphic re-mediations of classic fiction, and textual transactions with animation and photography. Contributors are: Dina Aleshina, Márcia Arbex, Donna T. Canada Smith, Calum Colvin, Francis Edeline, Philippe Enrico, Étienne Février, Madeline B. Gangnes, Eric T. Haskell, Christina Ionescu, Tim Isherwood, Matthew Jarron, Philippe Kaenel, Judy Kendall, Catherine Lanone, Kristen Nassif, Solange Ribeiro de Oliveira, Eric Robertson, Frances Robertson, Cathy Roche-Liger, David Skilton, Melanie Stengele, Barry Sullivan, Alice Tarbuck, Frederik Van Dam.
Science and the arts --- Art and science --- Science and art --- Science --- Arts and science --- Arts --- Science and the arts.
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Waarom subsidiëren we kunst? Wat is de maatschappelijke bijdrage van kunst? Wanneer heeft kunst recht op subsidie? De relevantie van kunst voor de maatschappij wordt regelmatig in vraag gesteld. En zelfs al is men het eens over het nut van kunst, blijft de vraag naar de financiering. In 'Wat met kunst en geld?' wordt ieder aspect van deze kwestie behandeld zodat de lezer met kennis van zaken kan deelnemen aan het debat.
subsidies --- Sociology of cultural policy --- art market --- Art --- Flemish Literature Fund --- #SBIB:316.7C310 --- Kunstbeleid --- cultuurbeleid --- Cultuurbeleid: algemeen --- 008.1 --- Kunst --- budget --- budget. --- Budget. --- kunstbeleid
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